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Today's Outfit © 2022
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

‘Your Perfect Self’: Today’s Outfit Debut With Social Media Critiques and a Searing New Wave Sound

by Mitch Mosk
flipturn © Amanda Laferriere
Features, Interviews, MusicJuly 12, 2023<July 12, 2023

Humble & Hungry Rockstars: A Conversation With Indie Rock Band flipturn

by Nick Polak
Alice Merton 'S.I.D.E.S.' © Aykut Aydoğdu
Features, InterviewsJuly 11, 2023<July 11, 2023

“There is strength in being vulnerable”: Alice Merton Embraces Life’s Many S.I.D.E.S. With an Honest Heart & Open Soul

by Mitch Mosk
Niall Horan © Christian Tierney
Music, ReviewsJuly 11, 2023<July 11, 2023

Review: Niall Horan Puts on an Emotional Performance in Third LP ‘The Show’

by Brianna Corrine
The Warning © 2023
Columns, Music, Today's SongJuly 11, 2023<July 11, 2023

Today’s Song: The Warning Pack an Electric Punch on “MORE”

by Kendall Graham
Crave! - Frankie Morrow © Tabitha Wykeham
Columns, Music, Today's SongJuly 10, 2023<July 10, 2023

Today’s Song: Frankie Morrow’s “Crave!” Burns with a Seductive & Sweltering Heat

by Mitch Mosk
Hanne Mjøen © 2023
Music, ReviewsJuly 10, 2023<July 10, 2023

Track-by-Track: Hanne Mjøen Sings of Love’s Trials & Tribulations in ‘Fall in Love / Apart’ EP

by Joe Beer
Kevin Gates © Jimmy Fontaine
Interviews, MusicJuly 10, 2023<July 10, 2023

Interview: Two Questions with Kevin Gates, the Man Behind the Hit Song, “Two Phones”

by Nick Polak
Liz Phair’s ‘Exile in Guyville,’ 30 Years Later
Editorials, Music, ReviewsJuly 10, 2023<July 10, 2023

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later

by Claire Meyer
Hanne Kah © 2023
Columns, Editorials, Music, Pride MonthJuly 10, 2023<July 10, 2023

“Why Role Models are Crucial in the Queer Community”: A Pride Month Essay by Hanne Kah

by Guest Writer
Atwood Magazine's Weekly Roundup | July 7, 2023
Columns, Features, Music, Weekly RoundupJuly 7, 2023<July 7, 2023

Atwood Magazine’s Weekly Roundup: July 7, 2023

by Atwood Magazine Staff
Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

by Josh Weiner
Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

by Mitch Mosk
Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

by Mitch Mosk
Noel Gallagher © Matt Crockett
Music, ReviewsJuly 7, 2023<July 7, 2023

Review: ‘Council Skies’ Is a Soaring Exploration of Talent From Noel Gallagher’s High Flying Birds

by Brianna Corrine
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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