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Maiden King's Jake Hawrylak © Cory DeWald
Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: Maiden King’s Smoldering “One Days” Is a Soul-Stirring Journey into Life’s Dreamy Depths

by Mitch Mosk
HAHA © Yrene Ramirez
Debut, Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: HAHA Invite Us to Dance the Night Away With “No Promises,” an Intimate Indie Pop Seduction

by Mitch Mosk
All We Are - WESSON
Debut, Features, Interviews, MusicNovember 7, 2023<November 7, 2023

Interview: British Alt Rock Band WESSON Speak About Their Raw & Vulnerable Debut Album, ‘All We Are’

by Joe Beer
Bear's Den © Bennie Curnow
Columns, Music, Today's SongNovember 7, 2023<November 7, 2023

Today’s Song: The Beautiful, Bittersweet Weight of Bear’s Den’s “Loneliness”

by Mitch Mosk
Yam Haus © Casey Pflipsen
Features, Interviews, Music, Track-by-TrackNovember 6, 2023<November 6, 2023

“I’m a proud little hamster on my wheel”: Getting ‘Stupid and Famous’ With Pop Rock Trio Yam Haus

by Mitch Mosk
'When the Pawn...' album art - Fiona Apple
Music, Nostalgia Tracks, ReviewsNovember 6, 2023<November 6, 2023

When The Pawn…’s 24th Anniversary: How Fiona Apple Shaped a Generation of Singer/Songwriters

by Minna Abdel-Gawad
denn. © Emma Pilkington Mead
Columns, Music, Today's SongNovember 6, 2023<December 11, 2023

Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?”

by Mitch Mosk
Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

by Hannah Burns
beabadoobee & Laufey © 2023
Columns, Music, Today's SongNovember 4, 2023<November 4, 2023

Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember”

by Laurent Chavannes
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongNovember 3, 2023<November 3, 2023

Today’s Song: Wild Nothing Pushes the Limits in Reflective Track “Prima” Off New LP ‘Hold’

by Beau Hayhoe
The Vaughns © Brian Hughes
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Track-by-Track: With ‘Egg Everything,’ The Vaughns Cook Up an Inventive, Impassioned, & Achingly Emotive Sophomore Album

by Mitch Mosk
Taking Back Sunday '152' © DJay Brawner
Features, Interviews, MusicNovember 3, 2023<November 3, 2023

“A Newfound Zest”: Reflecting on the Past & Looking to the Future with Taking Back Sunday’s Shaun Cooper

by Isabella Le
Victoria Bigelow © Eric Daniels
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Nostalgic, Dusky, & Contemplative: Victoria Bigelow’s Beautifully Brutal ‘Songs for No One Vol. 1’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 3, 2023
Columns, Features, Music, Weekly RoundupNovember 3, 2023<November 3, 2023

Atwood Magazine’s Weekly Roundup: November 3, 2023

by Atwood Magazine Staff
Florida Girl - Lydia Luce
Features, Interviews, Music, Track-by-TrackNovember 2, 2023<November 2, 2023

Colorful, Ambient, & Orange: Lydia Luce Embraces Her Inner ‘Florida Girl’ on Intimate & Vulnerable Third LP

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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