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Music, PlaylistsJuly 17, 2023<July 17, 2023 Our Gorge-tastic Barbie Playlist for ‘Speed Driving’ to the Movie Theater by Julia Dzurillay
Music, ReviewsJuly 17, 2023<October 26, 2023 Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling by Kate Millar
Festival, Music, ReviewsJuly 17, 2023<July 18, 2023 The Mecca of Midwest Raves: A Review of Electric Forest 2023! by Nick Polak
Columns, Meet Our WritersJuly 16, 2023<July 18, 2023 Meet Our Writers: Phoenix’s Lauren Hicks! by Lauren Hicks
Columns, Music, Today's SongJuly 16, 2023<September 20, 2023 Today’s Song: Olivia Rodrigo Hones the Craft of Heartbreak in “vampire” by Brendan Le
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023 Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?” by Mariel Fechik
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Columns, Features, Music, Weekly RoundupJuly 14, 2023<July 14, 2023 Atwood Magazine’s Weekly Roundup: July 14, 2023 by Atwood Magazine Staff
Music, Reviews, Track-by-TrackJuly 14, 2023<July 14, 2023 Review: MisterWives’ Fiery Fourth Studio Album, ‘Nosebleeds’ by Kelly McCafferty Dorogy
Columns, Debut, Music, Today's SongJuly 14, 2023<July 14, 2023 Today’s Song: Jung Kook of BTS Flaunts a Raunchy Side of Himself With His Solo Debut “Seven” ft. Latto by Freya Rinaldi
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Interviews, Music, Premieres, ReviewsJuly 13, 2023<July 13, 2023 Singing to the Plants: Christopher Henry Discusses His Shamanic Gospel Album, ‘HeartSpaces’ by Guest Writer
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For the Love of Music
For the Love of Music
