Columns, Music, Today's SongNovember 11, 2023<November 11, 2023 Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’ by Laurent Chavannes
Features, Interviews, MusicNovember 10, 2023<November 10, 2023 Cosmic Crying Affirmations: Angie McMahon Dives into the Raw Depths of Sophomore LP ‘Light, Dark, Light Again’ by Mitch Mosk
Columns, Features, Music, Weekly RoundupNovember 10, 2023<November 15, 2023 Atwood Magazine’s Weekly Roundup: November 10, 2023 by Atwood Magazine Staff
Interviews, MusicNovember 10, 2023<November 10, 2023 Interview: Stephanie Poetri Talks About Being a Homebody, Indonesian Food She Misses, & Her Songwriting Process by Freya Rinaldi
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023 Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook by Sofia Sar
Debut, Features, Interviews, Music, Track-by-TrackNovember 10, 2023<November 13, 2023 Exploratory, Nostalgic, & Cinematic: OTNES Bares Her Soul on Debut Album ‘SHOW THEM WHAT’S INSIDE!’ by Mitch Mosk
Features, Interviews, MusicNovember 9, 2023<November 9, 2023 Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere by Mitch Mosk
Music, ReviewsNovember 9, 2023<November 9, 2023 Kat Cunning’s “Bedroom Angel” Is a Seductive Serenade Sure to Send You Straight to the Heavens by Chloe Robinson
Features, Interviews, Music, Track-by-TrackNovember 9, 2023<December 6, 2023 Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’ by Mitch Mosk
8.9 Music, Our Take, ReviewsNovember 9, 2023<November 9, 2023 Our Take: Spiritbox Keep It Heavy and Ferocious on ‘The Fear of Fear’ EP by Kendall Graham
Columns, Music, Today's SongNovember 9, 2023<November 9, 2023 Don’t Make Me “Beg”: Perth’s Joan & the Giants Ache with Unrequited Love in a Bold, Breathtaking Anthem by Mitch Mosk
Columns, Music, Today's SongNovember 8, 2023<November 8, 2023 Today’s Song: Saskatoon’s Close Talker Stun With “Papier-mâché,” a Cathartic & Charged Indie Rock Reckoning by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023 Adventurous, Vulnerable, Playful: Beharie Shares His Many Sides on Soulful & Dreamy Debut Album, ‘Are You There, Boy?’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023 Cozy, Messy, & Loud: Oslo’s Dancing the Conga Debut with ‘Trying to define newpunk’, an Exhilarating Musical Fever Dream by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 7, 2023<November 7, 2023 Perception & Paranoia: Atka’s Haunting Debut EP ‘The Eye Against the Ashen Sky’ Exposes Our Innermost Depths & Dichotomies by Mitch Mosk
For the Love of Music
For the Love of Music
