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Reneé Rapp's debut album 'Snow Angel,' released in August 2023 via Interscope Records
Concerts, Music, ReviewsSeptember 26, 2023<September 26, 2023

Live Review: Reneé Rapp Proves the Hype Is Right on ‘Snow Hard Feelings’ Tour, Night 1

by Kelly McCafferty Dorogy
Faye Webster © Michelle Mercado
Columns, Music, Today's SongSeptember 25, 2023<September 25, 2023

Today’s Song: Faye Webster Matures With Romantic New Single “Lifetime”

by Julia Dzurillay
nobody likes you pat © Sawyer Brice
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<September 25, 2023

“Bittersweet, but Beautiful”: nobody likes you pat Sings Six Letters to Loved Ones in ‘dear…’ EP

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<October 23, 2024

Feature: Soda Blonde ‘Dream Big’ and Win Big on Ambitious, Empowered, & Liberating Sophomore Album

by Mitch Mosk
Tupac Shakur
Music, ReviewsSeptember 24, 2023<September 24, 2023

Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release

by Jada Moore
Josh Weiner
Columns, Meet Our WritersSeptember 23, 2023<September 23, 2023

Meet Our Writers: Boston’s Josh Weiner!

by Josh Weiner
stillblue © 2023
Columns, Music, Today's SongSeptember 23, 2023<September 23, 2023

Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me”

by Laurent Chavannes
Glassio & Beauty Queen © 2023
Columns, Music, Today's SongSeptember 22, 2023<September 22, 2023

The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You”

by Mitch Mosk
semiwestern's Ty Bohrnstedt and his dog
Debut, Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 24, 2023

Unpolished, Melodic, & Introverted: semiwestern’s Self-Titled Debut Is a Dusty, Lo-Fi Seduction

by Mitch Mosk
Abby Holliday © Grace Holliday
Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 22, 2023

Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 22, 2023
Columns, Features, Music, Weekly RoundupSeptember 22, 2023<September 22, 2023

Atwood Magazine’s Weekly Roundup: September 22, 2023

by Atwood Magazine Staff
Phillip Phillips © George Whiddon
Features, Interviews, MusicSeptember 21, 2023<September 21, 2023

Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.”

by Brianna Corrine
Holly Humberstone © Constantine, Spence
Columns, Music, Today's SongSeptember 21, 2023<September 21, 2023

Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love

by Mitch Mosk
Me Nd Adam © Rob Loud
Interviews, MusicSeptember 21, 2023<September 21, 2023

Interview: Me Nd Adam Discuss Their Insightful New Album ‘American Drip, Pt. II’

by Chloe Robinson
Out of Sorts - Atta Boy
Columns, Music, Nostalgia TracksSeptember 21, 2023<September 21, 2023

Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back

by Audrey Connelly
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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