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Blink-182's ninth studio album, 'One More Time...' released on October 20, 2023 8.3
Music, Our Take, ReviewsNovember 16, 2023<November 16, 2023

Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever

by Josh Weiner
Glitterfox © Jacquelyn Rachelle Cruz
Columns, Today's SongNovember 16, 2023<November 16, 2023

Today’s Song: Portland, OR’s Glitterfox Ache With Anxiety & Exhaustion on “TV,” a Cathartic Indie Rock Anthem

by Mitch Mosk
Holly Humberstone 'Paint My Bedroom Black' © Constantine Spence 10
Debut, Music, ReviewsNovember 16, 2023<November 16, 2023

Our Take: Holly Humberstone’s ‘Paint My Bedroom Black’ Is a Bold, Brutal, & Breathtaking Debut

by Mitch Mosk
Lindsay Lou is the 'Queen of Time' © Dana Kalachnik
Features, Interviews, Music, Track-by-TrackNovember 15, 2023<November 15, 2023

Track-by-Track: Lindsay Lou’s Tender Tempest ‘Queen of Time’ Unpacks Grief, Healing, Self-Knowledge & More

by Mitch Mosk
Houndmouth's 1 night 2 night 3 night tour
Concerts, Music, ReviewsNovember 15, 2023<November 15, 2023

Houndmouth’s 1 Night 2 Night 3 Night Tour: Live in New Orleans

by Audrey Connelly
Truth Club © Alex Montenegro
Columns, Music, Today's SongNovember 15, 2023<November 20, 2023

Today’s Song: “Uh Oh,” Truth Club’s Heavy-Hitting Grunge Cuts Like a Knife & Chills to the Bone

by Mitch Mosk
Re-Framing the Rock Hall © Aidan Moyer
Essays, Music, ReviewsNovember 15, 2023<January 6, 2024

Wenner’s Reckoning: Re-Framing the Rock & Roll Hall of Fame

by Aidan Moyer
Black Polish © Alexandra Petruck
Music, PremieresNovember 15, 2023<November 15, 2023

Premiere: LA’s Black Polish Blooms in “Streetsigns,” an Achingly Intimate & Beautifully Vulnerable Confessional

by Mitch Mosk
G Flip's sophomore album 'DRUMMER' is described as "a pop album centered around live drums."
Features, Interviews, MusicNovember 14, 2023<November 14, 2023

Interview: G Flip Embraces the Kit on ‘DRUMMER,’ Their Hard-Hitting, Drum-Centric Sophomore Album

by Mitch Mosk
C3zr © Vanessa Valadez
Music, PremieresNovember 14, 2023<November 14, 2023

Premiere: Chicago’s C3zR Aches on Intimate “Not Over U,” a Haunting, Brooding, & Breezy Post-Breakup Seduction

by Mitch Mosk
SIPHO. "LOCK IT IN" © Marco Grey
Columns, Music, Today's SongNovember 14, 2023<November 14, 2023

Today’s Song: SIPHO.’s “LOCK IT IN (NO REGRETS)” Is an Unapologetic Fever Dream Off Debut LP ‘PRAYERS & PARANOIA’

by Mitch Mosk
Katastro at Red Rocks Amphitheatre, 2022 © Chris Fiq
Interviews, Music, Music Videos, PremieresNovember 14, 2023<November 14, 2023

“I wish that we could stay right here forever”: Katastro’s Heartfelt Anthem “Good Time” Is a Beautiful Tribute to Late Singer Andy Chaves

by Mitch Mosk
The Rose: Dawn To Dusk World Tour © Christian Haahs
Concerts, Music, ReviewsNovember 14, 2023<November 14, 2023

Live Review: The Rose Stun Austin, Texas on Their “Dawn to Dusk” Tour

by Freya Rinaldi
Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

by Marissa DeLeon
KRIS © 2023
Columns, Debut, Music, Today's SongNovember 13, 2023<November 13, 2023

Today’s Song: KRIS Debuts With Haunting & Vulnerable “Black Leather Heaven”

by Julius Robinson
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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