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Now and Then: The Long and Winding Road to the Last Beatles Song © Aidan Moyer
Features, Music, ReviewsNovember 2, 2023<January 6, 2024

Now and Then: The Long and Winding Road to the Last Beatles Song

by Aidan Moyer
mehro © Russell Tandy
Columns, Music, Today's SongNovember 2, 2023<November 2, 2023

Today’s Song: mehro’s New Single Is an Intimate Rush of Raw “dopamine”

by Mitch Mosk
Rett Madison © Mikayla Miller
Features, Interviews, Music, Track-by-TrackNovember 1, 2023<November 1, 2023

Catharsis, Honesty, & Healing: Rett Madison Leans into Grief on ‘One for Jackie,’ Her Soul-Stirring Sophomore LP

by Mitch Mosk
Squirrel Flower's Ella Williams © Alexa Viscius
Music, ReviewsNovember 1, 2023<November 1, 2023

Review: Squirrel Flower Puts It All Out There in Shimmering Third Album, ‘Tomorrow’s Fire’

by Rachel Leong
Allie X "Black Eye" © Marcus Cooper
Columns, Music, Today's SongNovember 1, 2023<November 1, 2023

“There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye”

by Marissa DeLeon
Lee Lewis © Shamaal
Artist to Watch, Columns, Debut, Music, Today's SongOctober 31, 2023<October 31, 2023

His Beautiful Dark Twisted Melancholy: LA’s Lee Lewis Bares His Soul on Lovelorn Debut Single “Willing & Able”

by Mitch Mosk
teddy
MusicOctober 31, 2023<November 1, 2023

“I wanted to explore the person I was becoming”: Teddy Geiger Premieres ‘Teresa,’ an Album of Transition, Reconnection, & Self-Discovery

by Mitch Mosk
Maple Glider © Bridgette Winten
Features, Interviews, Music, Track-by-TrackOctober 31, 2023<October 31, 2023

“A Warm and Safe Space”: Maple Glider Is Vulnerable, Raw, & Exposed on ‘I Get into Trouble,’ Her Breathtaking Sophomore Album

by Mitch Mosk
Pearl Jam's 'Vs.' © Lance Merner 8.7
Features, Music, Our Take, ReviewsOctober 31, 2023<October 31, 2023

Our Take: Thirty Years of Pearl Jam’s ‘Vs.’

by Audrey Connelly
Peter Cat Recording Co. © Salihah Saadiq
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

Interview: “Floated By” Boasts the Eclectic Charm of Peter Cat Recording Co.

by Miles Campbell
My Friend Shawn © Lui (@luiifilms)
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

“Working up to the ultimate artist project”: Getting to Know My Friend Shawn

by Laurent Chavannes
Japan, Man's Laeticia Acra © 2023
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2023<November 1, 2023

“I’m just a primitive archetype”: The Funk & Fire Within Japan, Man’s Coming-of-Age Debut Album, ‘Metropolis’

by Mitch Mosk
John Mayer © Aidan Moyer
Concerts, Essays, Music, ReviewsOctober 30, 2023<January 6, 2024

Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer

by Aidan Moyer
Ethan Buckner © B Creative
Columns, Debut, Music, Today's SongOctober 30, 2023<October 30, 2023

“Eyes on the Prize”: The Revolutionary Energy of Ethan Buckner’s Anthemic, Emotionally Charged Debut Single

by Mitch Mosk
Sleeper - BADBADNOTGOOD & Charlotte Day Wilson
Columns, Music, Today's SongOctober 29, 2023<October 29, 2023

Today’s Song: BADBADNOTGOOD & Charlotte Day Wilson Reawaken Their Exceptional Partnership for Silky “Sleeper”

by Kendall Graham
Posts pagination
1 … 166 167 168 169 170 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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