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G Flip's sophomore album 'DRUMMER' is described as "a pop album centered around live drums."
Features, Interviews, MusicNovember 14, 2023<November 14, 2023

Interview: G Flip Embraces the Kit on ‘DRUMMER,’ Their Hard-Hitting, Drum-Centric Sophomore Album

by Mitch Mosk
C3zr © Vanessa Valadez
Music, PremieresNovember 14, 2023<November 14, 2023

Premiere: Chicago’s C3zR Aches on Intimate “Not Over U,” a Haunting, Brooding, & Breezy Post-Breakup Seduction

by Mitch Mosk
SIPHO. "LOCK IT IN" © Marco Grey
Columns, Music, Today's SongNovember 14, 2023<November 14, 2023

Today’s Song: SIPHO.’s “LOCK IT IN (NO REGRETS)” Is an Unapologetic Fever Dream Off Debut LP ‘PRAYERS & PARANOIA’

by Mitch Mosk
Katastro at Red Rocks Amphitheatre, 2022 © Chris Fiq
Interviews, Music, Music Videos, PremieresNovember 14, 2023<November 14, 2023

“I wish that we could stay right here forever”: Katastro’s Heartfelt Anthem “Good Time” Is a Beautiful Tribute to Late Singer Andy Chaves

by Mitch Mosk
The Rose: Dawn To Dusk World Tour © Christian Haahs
Concerts, Music, ReviewsNovember 14, 2023<November 14, 2023

Live Review: The Rose Stun Austin, Texas on Their “Dawn to Dusk” Tour

by Freya Rinaldi
Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

by Marissa DeLeon
KRIS © 2023
Columns, Debut, Music, Today's SongNovember 13, 2023<November 13, 2023

Today’s Song: KRIS Debuts With Haunting & Vulnerable “Black Leather Heaven”

by Julius Robinson
Kevin Abstact © 2023
Columns, Music, Today's SongNovember 11, 2023<November 11, 2023

Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’

by Laurent Chavannes
Angie McMahon © Taylor Ranston
Features, Interviews, MusicNovember 10, 2023<November 10, 2023

Cosmic Crying Affirmations: Angie McMahon Dives into the Raw Depths of Sophomore LP ‘Light, Dark, Light Again’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 10, 2023
Columns, Features, Music, Weekly RoundupNovember 10, 2023<November 15, 2023

Atwood Magazine’s Weekly Roundup: November 10, 2023

by Atwood Magazine Staff
Stephanie Poetri © John Liwag
Interviews, MusicNovember 10, 2023<November 10, 2023

Interview: Stephanie Poetri Talks About Being a Homebody, Indonesian Food She Misses, & Her Songwriting Process

by Freya Rinaldi
MICHELLE © Jimmy Fontaine
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023

Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook

by Sofia Sar
OTNES © 2023
Debut, Features, Interviews, Music, Track-by-TrackNovember 10, 2023<November 13, 2023

Exploratory, Nostalgic, & Cinematic: OTNES Bares Her Soul on Debut Album ‘SHOW THEM WHAT’S INSIDE!’

by Mitch Mosk
Sophie Holohan © Ira Mapho
Features, Interviews, MusicNovember 9, 2023<November 9, 2023

Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere

by Mitch Mosk
Kat Cunning © Colin Jones
Music, ReviewsNovember 9, 2023<November 9, 2023

Kat Cunning’s “Bedroom Angel” Is a Seductive Serenade Sure to Send You Straight to the Heavens

by Chloe Robinson
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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