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Atwood Magazine's Weekly Roundup | July 28, 2023
Columns, Features, Music, Weekly RoundupJuly 28, 2023<August 19, 2025

Atwood Magazine’s Weekly Roundup: July 28, 2023

by Atwood Magazine Staff
Milky Day © 2023
Features, Interviews, MusicJuly 28, 2023<July 28, 2023

Interview: Milky Day Discusses Inner Demons, Overcoming Burnout, & Breaking Genre Barriers in Light of New Single, “Losing My Grip”

by Freya Rinaldi
Atwood Magazine's Editor's Picks 105
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023

Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond!

by Mitch Mosk
Bad Tiger © 2023
Music, PremieresJuly 27, 2023<July 28, 2023

Premiere: Bad Tiger’s “New Growth” Is a Charming and Churning Indie Pop Reverie

by Mitch Mosk
Paul Simon at the 2022 Newport Folk Festival © Rett Rogers
Festival, Music, PreviewsJuly 27, 2023<July 27, 2023

Preview: 2023’s Newport Folk Festival Promises a Legendary Celebration of Folk Music

by Nick Polak
Mad Cool 2023 © Michael Greco
Festival, Music, ReviewsJuly 27, 2023<July 27, 2023

Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue

by Michael Greco
Yoke Lore © Tanner Deutsch
Features, Interviews, MusicJuly 27, 2023<July 27, 2023

Interview: Yoke Lore’s Debut Album Is a Spiritual Guidebook on Evolving & Keeping Up With All Kinds of Change

by Nick Polak
Ty Dolla $ign "Motion" © Alex Bittan
Columns, Music, Today's SongJuly 27, 2023<July 26, 2023

Today’s Song: Ty Dolla $ign’s Irresistible “Motion” Captures the Kinetic Summer Heat

by Mitch Mosk
Hank © Carina Allen
Debut, Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Hank’s ‘Call Me Hank’ (Deluxe) Is an Unfiltered & Uncompromising Coming-of-Age Debut

by Mitch Mosk
Liza Lo © 2023
Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Liza Lo Soars High on Her Atmospheric, Intimate, & Poetic ‘Flourish’ EP

by Mitch Mosk
Head In The Clouds Los Angeles 2023
Festival, Music, PreviewsJuly 26, 2023<July 26, 2023

2023 Head in the Clouds Festival Preview: The Ultimate Cultivation of Music by Asian Diaspora Makes Its Return to Los Angeles!

by Freya Rinaldi
MOZË © Kate Marshall
Music, Music Videos, PremieresJuly 26, 2023<July 26, 2023

Premiere: MOZË’s Breathtaking “Would You Be Mine” Aches with Love, Loss, & Longing

by Mitch Mosk
Strange Ranger © Kiernan Francis
Columns, Music, Today's SongJuly 26, 2023<July 26, 2023

Today’s Song: Strange Ranger Embrace Hazy Memory on New LP & Single “Wide Awake”

by Beau Hayhoe
Bantug © 2023
Essays, MusicJuly 25, 2023<August 22, 2023

“Harmonizing Against the Odds”: An Essay by Bantug

by Guest Writer
Sleepy Gonzales © Ethan Andre
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 26, 2023

Feature: Sleepy Gonzales’ Visceral, Volatile, & Breathtakingly Beautiful ‘Mercy Kill’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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