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Dead & Co at Cornell's Barton Hall © Jay Blakesberg 2023
Concerts, Music, ReviewsMay 11, 2023<June 20, 2024

Dead & Company Honor 46th Anniversary of Cornell ’77 With Barn Burning Show

by Max Kalnitz
Elephante © 2023
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 11, 2023<May 11, 2023

“Being Realistic About Life as an AAPI Artist”: An Essay by Elephante for AAPI Heritage Month

by Guest Writer
LA Priest © Matilda Hill-Jenkins
Features, Interviews, MusicMay 10, 2023<May 10, 2023

‘Fase Luna’: An Album Made in the Jungle by LA Priest, Telling Stories of Paradise, Snorkeling, & Malevolent Spirits

by Adam Davidson
Sofia Machray © Olivia Melhop
Music, Music Videos, PremieresMay 10, 2023<May 8, 2023

“Petals in the Rain”: Sofia Machray Premieres Her Liberating Coming-of-Age Anthem & First Look at Debut EP ‘Language of Flowers’

by Mitch Mosk
Sam Singer © Kevin Tabachnik
Music, Music Videos, Today's SongMay 10, 2023<May 7, 2023

Today’s Song: The Childhood Innocence of Sam Singer’s “Sunny”

by Frankie Rose
Dean Lewis © Kent Tarver
Features, Interviews, MusicMay 9, 2023<May 7, 2023

Interview: Dean Lewis Returns With a Heartbreaking Hit Song and an Emotional New Album, ‘The Hardest Love’

by Lauren Turner
The Beths © Amanda Cheng 2020
Columns, Music, Music You Should Know, ReviewsMay 9, 2023<May 8, 2023

Music You Should Know: The Beths’ “Jump Rope Gazers” Might Be the Best Love Song… Ever?

by Julia Dzurillay
Mandi Crimmins © Nic Wheat
Music, Reviews, Track-by-TrackMay 9, 2023<May 9, 2023

Track-By-Track: Mandi Crimmins Opens Up About Her Journey With BPD in New EP ‘BORDERLINE’

by Joe Beer
Annika Bennett © Ashley Crichton
Features, Interviews, MusicMay 9, 2023<May 9, 2023

Interview: Annika Bennett Reclaims Her Power with ‘madwoman’ EP

by Kelly McCafferty Dorogy
The Backseat Lovers' "Snowbank Blues" music video still
Columns, Music Videos, Today's SongMay 9, 2023<May 9, 2023

The Backseat Lovers’ “Snowbank Blues” Is a Heavy Farewell to Childhood in the Process of Greeting Adulthood

by Claire Meyer
Jasmine Thakral © Hemant Thakral
MusicMay 8, 2023<May 8, 2023

An Indie Pop Horror Movie: Jasmine Thakral’s “Vampire” Is an Energizing Critique of Real-Life Soul-Suckers

by Mitch Mosk
Isabella Le
Columns, Meet Our WritersMay 6, 2023<May 20, 2023

Meet Our Writers: Orange County’s Isabella Le!

by Isabella Le
Nanna © Angela Ricciardi
Debut, Features, Interviews, Music, Track-by-TrackMay 5, 2023<May 10, 2023

Track-by-Track: Of Monsters and Men’s Nanna Spills Her Soul on Debut Solo Album, ‘How to Start a Garden’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 5, 2023
Columns, Features, Music, Weekly RoundupMay 5, 2023<May 19, 2023

Atwood Magazine’s Weekly Roundup: May 5, 2023

by Atwood Magazine Staff
Nosebleeds - Misterwives
Music, Reviews, This Just InMay 5, 2023<May 16, 2023

This Just In: MisterWives Announce Fourth Studio Album with Title Track “Nosebleeds”

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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