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Nanna © Angela Ricciardi
Debut, Features, Interviews, Music, Track-by-TrackMay 5, 2023<May 10, 2023

Track-by-Track: Of Monsters and Men’s Nanna Spills Her Soul on Debut Solo Album, ‘How to Start a Garden’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 5, 2023
Columns, Features, Music, Weekly RoundupMay 5, 2023<May 19, 2023

Atwood Magazine’s Weekly Roundup: May 5, 2023

by Atwood Magazine Staff
Nosebleeds - Misterwives
Music, Reviews, This Just InMay 5, 2023<May 16, 2023

This Just In: MisterWives Announce Fourth Studio Album with Title Track “Nosebleeds”

by Kelly McCafferty Dorogy
Tafari Anthony © Joshua Rille
Columns, Music, Today's SongMay 5, 2023<May 17, 2023

Artist to Watch Tafari Anthony Returns with Dazzling Dance-Pop Seduction “Falling Back”

by Mitch Mosk
Atwood Magazine's Editor's Picks 98
Columns, Editor's Picks, Features, MusicMay 4, 2023<May 4, 2023

Editor’s Picks 98: Superbloom, Nick & June, eundohee, Claud, Arliston, & Kaleah Lee!

by Mitch Mosk
cool girl island © 2023
Music, PremieresMay 4, 2023<May 4, 2023

Premiere: Basking in Cool Girl Island’s Intimate & Enchanting “LA Lullaby”

by Mitch Mosk
Brittain Ashford © Jacki Paolella
Music, PremieresMay 4, 2023<May 5, 2023

Premiere: Brittain Ashford Dwells in Soul-Stirring Melancholy on “Hand Wringing/In the Wings”

by Mitch Mosk
Sadye © SJ Spreng
Columns, Debut, Music, Today's SongMay 4, 2023<May 4, 2023

Today’s Song: Sadye Explores the Pitfalls of Blind Faith in “Biblical”

by Sophie Severs
Draag © Devonte Johnson
Features, Interviews, Music, Track-by-TrackMay 3, 2023<May 3, 2023

“Soothing Existential Dread”: Dwelling in Draag’s Cathartic Debut Album, ‘Dark Fire Heresy’

by Mitch Mosk
Ann Annie © 2023
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 3, 2023<May 31, 2023

“Finding My Identity in Film Scores”: An Essay by Ann Annie for AAPI Heritage Month

by Guest Writer
Firewoodisland © Dave Newbould
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

“The beauty starts the moment you love yourself”: Firewoodisland Premiere “Looking for Love,” Their Inspiring Song & Mantra

by Mitch Mosk
Tayls © 2023
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

Video Premiere: Tayls’ “Nightmare” Is a Haunting, Heavy-Hitting Anthem for These Hard Times

by Kelly McCafferty Dorogy
DPR LIVE & DPR IAN
Concerts, Music, ReviewsMay 3, 2023<June 2, 2023

Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut

by Freya Rinaldi
Photo Ops © 2023
Features, Interviews, Music, Track-by-TrackMay 2, 2023<May 2, 2023

Feature: Photo Ops ‘Burns Bright’ on His Iridescent, Honest & Melodic Fourth Album

by Mitch Mosk
Babygirl © Becca Hamel
Features, Interviews, MusicMay 2, 2023<May 3, 2023

“Both timely and timeless”: Babygirl Bridge Humanity & Musicianship on ‘Be Still My Heart’

by Isabella Le
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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