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Hank © Carina Allen
Debut, Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Hank’s ‘Call Me Hank’ (Deluxe) Is an Unfiltered & Uncompromising Coming-of-Age Debut

by Mitch Mosk
Liza Lo © 2023
Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Liza Lo Soars High on Her Atmospheric, Intimate, & Poetic ‘Flourish’ EP

by Mitch Mosk
Head In The Clouds Los Angeles 2023
Festival, Music, PreviewsJuly 26, 2023<July 26, 2023

2023 Head in the Clouds Festival Preview: The Ultimate Cultivation of Music by Asian Diaspora Makes Its Return to Los Angeles!

by Freya Rinaldi
MOZË © Kate Marshall
Music, Music Videos, PremieresJuly 26, 2023<July 26, 2023

Premiere: MOZË’s Breathtaking “Would You Be Mine” Aches with Love, Loss, & Longing

by Mitch Mosk
Strange Ranger © Kiernan Francis
Columns, Music, Today's SongJuly 26, 2023<July 26, 2023

Today’s Song: Strange Ranger Embrace Hazy Memory on New LP & Single “Wide Awake”

by Beau Hayhoe
Bantug © 2023
Essays, MusicJuly 25, 2023<August 22, 2023

“Harmonizing Against the Odds”: An Essay by Bantug

by Guest Writer
Sleepy Gonzales © Ethan Andre
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 26, 2023

Feature: Sleepy Gonzales’ Visceral, Volatile, & Breathtakingly Beautiful ‘Mercy Kill’ EP

by Mitch Mosk
Buddie © 2023
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 25, 2023

Urgency, Change, & Optimism: The Charm and Churn of Buddie’s Disruptive ‘Agitator’

by Mitch Mosk
Jess Nolan © Taylor Ann Bogner
Columns, Music, Today's SongJuly 25, 2023<July 25, 2023

Today’s Song: Jess Nolan’s Empowering & Invigorating Self-Help Anthem, “Emergency Landing”

by Mitch Mosk
Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackJuly 24, 2023<December 11, 2025

Feature: Nick & June Delve into Their Dreamy, Intimate, & Raw ‘Beach Baby, Baby’

by Mitch Mosk
SOFI TUKKER © Vanessa Vlandis
Features, Interviews, MusicJuly 24, 2023<July 24, 2023

“There’s Power in Language”: A Conversation With Grammy-Nominated EDM Duo SOFI TUKKER

by Nick Polak
Ships Have Sailed © Gentle Giant Digital
Columns, Music, Today's SongJuly 24, 2023<July 24, 2023

Today’s Song: Ships Have Sailed Capture the Warm Breeze of Possibility on “Edge of an Ocean”

by Mitch Mosk
Andrew Daly
Columns, Meet Our WritersJuly 23, 2023<July 29, 2023

Meet Our Writers: Long Island’s Andrew Daly!

by Andrew Daly
Kid Prexy © 2023
Columns, Music, Today's SongJuly 23, 2023<July 21, 2023

Today’s Song: Kid Prexy Shoots for the Stars With His Catchy, Appropriately-Titled “Shooting Star”

by Julius Robinson
Troye Sivan © Stuart Winecoff
Columns, Music, Today's SongJuly 22, 2023<July 21, 2023

Today’s Song: Be Consumed by the “Rush” with Troye Sivan

by Brendan Le
Posts pagination
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Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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