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Disco Lines © Coleman Reis
Interviews, MusicJuly 21, 2023<July 21, 2023

Interview: An Introduction to Disco Lines, The Young DJ & Label Head Launching Waves in the EDM World

by Nick Polak
Atwood Magazine's Weekly Roundup | July 21, 2023
Columns, Features, Music, Weekly RoundupJuly 21, 2023<July 21, 2023

Atwood Magazine’s Weekly Roundup: July 21, 2023

by Atwood Magazine Staff
The Rose © Christian Haahs
Columns, Music, Today's SongJuly 21, 2023<September 20, 2023

Today’s Song: South Korea’s The Rose Release Scream-Along Anthem “Back to Me”

by Freya Rinaldi
Arliston © Wolf James
Features, Interviews, Music, Track-by-TrackJuly 20, 2023<July 20, 2023

Track-by-Track: Inside Arliston’s Beautifully Tender Tempest, ‘How in Heaven’

by Mitch Mosk
B-Drop
Features, Music, PremieresJuly 20, 2023<July 20, 2023

Premiere: B-Drop Worldwide Showcases Mia Mormino & Gal Musette

by Mitch Mosk
Local Natives © Loma Vista
Columns, Music, Today's SongJuly 20, 2023<March 2, 2025

Today’s Song: Local Natives Find Their Way Back Together With New LP & Standout Track “Just Before The Morning”

by Beau Hayhoe
The Murlocs © Izzie Austin
Features, Interviews, MusicJuly 19, 2023<July 19, 2023

Living Under a Rock: A Long-Overdue Conversation With The Murlocs

by Ben Niesen
Hanging Valleys © 2023
Features, Interviews, Music, Track-by-TrackJuly 19, 2023<July 19, 2023

Growth, Distance, & Love: The Ambient Embrace of Hanging Valleys’ Soul-Stirring EP, ‘Tomorrow I’ll Be Gone’

by Mitch Mosk
Old Man Canyon © Cody Briggs
Music, PremieresJuly 19, 2023<July 19, 2023

Premiere: Old Man Canyon’s “Never Apart” Is a Groovy, Golden Dream of Human Connection & Healing

by Mitch Mosk
Fractures © Joey Clough
Columns, Music, Today's SongJuly 19, 2023<July 20, 2023

Today’s Song: Fractures Turns a New Leaf with Electric & Bold “Secret”

by Lauren Hicks
Rumours - Fleetwood Mac
Music, ReviewsJuly 18, 2023<July 20, 2023

Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer

by Guest Writer
Matilda Mann © Caity Krone
Features, Interviews, Music, Track-by-TrackJuly 18, 2023<July 18, 2023

Track-by-Track: Matilda Mann on the Romance, Lights, & Cinema of ‘You Look Like You Can’t Swim’ EP

by Mitch Mosk
The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

by Nasim Elyasi
Tunes & Tumblers x Curtis Waters
Columns, Music, Podcast, Tunes & TumblersJuly 18, 2023<July 25, 2023

Podcast: Tunes & Tumblers Features Curtis Waters and a Himalayan Himbo

by Atwood Magazine Staff
The Vegabonds, Courtesy of Hangout Music Festival © Alive Coverage
Interviews, MusicJuly 18, 2023<July 18, 2023

A Conversation With The Vegabonds: Built on a Southern Rock Foundation, But Not Afraid to Evolve

by Nick Polak
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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