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Debut, Music, Music Videos, PremieresMay 2, 2023<June 9, 2023 Video Premiere: Joshua Idehen’s Moving “Learn to Swim Pt 2” Is Food for the Soul by Mitch Mosk
Columns, Music, Today's SongMay 2, 2023<May 2, 2023 Today’s Song: Ryan Beatty’s “Ribbons” Marks a Delicate, Intimate Comeback by Brendan Le
Features, Interviews, Music, Track-by-TrackMay 1, 2023<May 2, 2023 Feature: Lisa/Liza’s ‘Breaking and Mending’ Is an Album About Processing Trauma & Life Itself by Mitch Mosk
Columns, Music, Music You Should KnowMay 1, 2023<May 1, 2023 Music You Should Know: Peso Pluma Fans Enter Their Corrido Era by Julia Dzurillay
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Columns, Music, Today's SongMay 1, 2023<May 1, 2023 “I’m coming home to you”: grentperez’s Dance-Ready “When The Day Is Done” Is a Sun-Soaked Celebration of Love by Mitch Mosk
9.1 Music, Our Take, ReviewsMay 1, 2023<May 1, 2023 Our Take: The National Fight Through the Darkness to Deliver Stunning ‘First Two Pages of Frankenstein’ by Beau Hayhoe
Music, Podcast, Tunes & TumblersApril 30, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features LØLØ and a Life Cycle by Atwood Magazine Staff
Music, ReviewsApril 29, 2023<April 30, 2023 EP Review: Indie Rock Outlaws Hippo Campus Return with ‘Wasteland’ by Nasim Elyasi
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Columns, Features, Music, Weekly RoundupApril 28, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: April 28, 2023 by Atwood Magazine Staff
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For the Love of Music
For the Love of Music
