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No Guitar - Curling
Features, Interviews, Music, Track-by-TrackAugust 30, 2023<August 30, 2023

“Eclectic, Spontaneous, and Still a Bit Neurotic”: Inside Curling’s Labor of Love, ‘No Guitar’

by Mitch Mosk
Hannah Georgas © Vanessa Heins
Music, ReviewsAugust 30, 2023<August 30, 2023

Singer/Songwriter Hannah Georgas Searches for Her Sense of Self on the Dense & Intricate ‘I’d Be Lying If I Said I Didn’t Care’

by Kevin Krein
Slowdive © Ingrid Pop
Columns, Music, Today's SongAugust 30, 2023<August 30, 2023

Today’s Song: Slowdive Make (Another) Long-Awaited Return With Enchanting Single “The Slab”

by Beau Hayhoe
Menajerie © 2023
Music, PremieresAugust 30, 2023<August 30, 2023

“Selective deafness, but now you know”: Menajerie’s Soul-Stirring “Holding Pattern” Is an Empowering & Emotionally Charged Seduction

by Mitch Mosk
Phosphene © Jeffrey Placencia
Music, PremieresAugust 30, 2023<August 30, 2023

A Bittersweet Romance: Phosphene Premiere Their Tender Tempest “Wandering” Off New Album ‘Transmute’

by Mitch Mosk
"i’m confident that i’m insecure" - Lawrence © Deanie Chen
Features, Interviews, MusicAugust 29, 2023<August 30, 2023

“I’m confident that I’m insecure”: Lawrence Are More Fun, Quirky, & Vulnerable Than Ever

by Mitch Mosk
GRAYtheband & K-Riz © Emily Welz
Interviews, MusicAugust 29, 2023<August 29, 2023

Interview: GRAYtheband Opens Up About Existential Feelings in “‘Bit Late” (ft. K-Riz)

by Joe Beer
Mick Flannery © Susie Conroy
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Mick Flannery Explores the Arc of Life on “Young,” a Visceral & Radiant Reckoning

by Mitch Mosk
Beharie © Shawn Arvind
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Beharie’s Soul-Stirring “We Never Knew” Is a Passionate Postmortem on Lost Love

by Mitch Mosk
Speak Now (Taylor's Version) - Taylor Swift
Columns, Music, Nostalgia TracksAugust 29, 2023<August 29, 2023

Nostalgia Tracks: Reconnecting With Taylor Swift’s ‘Speak Now,’ 13 Years Later

by Lauren Turner
Isaac Watters © Stone Shannon
MusicAugust 28, 2023<August 28, 2023

EP Premiere: The Gentle Warmth & Wonder of Isaac Watters’ ‘Extended Play 002’

by Mitch Mosk
Ester © Ash Dye
Music, PremieresAugust 28, 2023<August 28, 2023

Premiere: Ester’s “Seed, Sun, Soil” Is an Aching, Enchanting, & Tender Lament

by Mitch Mosk
grentperez © Theo Batterham
Features, Interviews, MusicAugust 28, 2023<September 5, 2023

Interview: grentperez Talks Upcoming Tour, Filipino-Australian Roots, and the “E” in His Name

by Freya Rinaldi
PVRIS © Matty Vogel
Features, Interviews, MusicAugust 28, 2023<August 28, 2023

“A testament to longevity and sustainability”: PVRIS Explores Artistry, Identity, & Life in the Digital Age on ‘EVERGREEN’

by Isabella Le
Ella Collier © 2023
Columns, Music, Today's SongAugust 28, 2023<August 28, 2023

Today’s Song: Ella Collier Cautions Us to the Dangers of Being Controlled by Emotion in “Second Arrow”

by Chloe Robinson
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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