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Rina Sawayama © Paigge Warton
Concerts, Music, ReviewsJune 12, 2023<June 12, 2023

Review: Rina Sawayama Moseys “Hold the Girl: Reloaded” Tour to New York City’s Governors Ball Music Festival

by Julia Dzurillay
Michael Greco
Columns, Meet Our WritersJune 11, 2023<June 11, 2023

Meet Our Writers: Philadelphia’s Michael Greco!

by Michael Greco
Lauren Turner
Columns, Meet Our WritersJune 10, 2023<June 10, 2023

Meet Our Writers: Los Angeles’ Lauren Turner!

by Lauren Turner
BTS © BIGHIT MUSIC
Music, ReviewsJune 10, 2023<June 13, 2023

Forever 7: BTS Release Single “Take Two” As a Full Group for Their 10-Year Anniversary

by Freya Rinaldi
Joshua Idehen 'Learn To Swim' © Agatha Powa
Debut, Features, Interviews, Music, Track-by-TrackJune 9, 2023<July 21, 2023

“The ways and hows of healing”: Inside Joshua Idehen’s Spoken Word Dance Album, ‘Learn To Swim, A Mixtape’

by Mitch Mosk
Joya © Stephanie Teng
Columns, Music, Today's SongJune 9, 2023<June 9, 2023

Today’s Song: Joya’s “If Ever She Goes” Aches with the Heartrending Beauty & Power of Love

by Mitch Mosk
DOV © Oscar Ouk
Columns, Essays, Music, Pride MonthJune 9, 2023<June 9, 2023

“Toxic Masculinity in the Queer Community, Our Own Worst Enemies”: A Pride Month Essay by DOV

by Guest Writer
Sarah Kinsley © Julia Khoroshilov
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Interview: Sarah Kinsley Tackles Spirituality, Personified Objects, & Late ’70s Rock with ‘Ascension’ EP

by Julia Dzurillay
Atwood Magazine's Weekly Roundup | June 9, 2023
Columns, Features, Music, Weekly RoundupJune 9, 2023<June 10, 2023

Atwood Magazine’s Weekly Roundup: June 9, 2023

by Atwood Magazine Staff
Bob Moses © Zackery Michael
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Feature: Bob Moses on the Ambient Psychic Unrest of ‘The Silence in Between’

by Anthony Kozlowski
Atwood Magazine's Editor's Picks 101!
Columns, Editor's Picks, Features, MusicJune 8, 2023<June 14, 2023

Editor’s Picks 101: Sydney Sprague, The Aces, Bear’s Den, Bleach Lab, Pacifica, & Eyedress!

by Mitch Mosk
Bishop Briggs © Ashley Osborn
Columns, Music, Today's SongJune 8, 2023<June 8, 2023

Today’s Song: Bishop Briggs Owns Her Mess in “Baggage,” an Impassioned Anthem of Empowerment & Acceptance

by Mitch Mosk
Governors Ball Music Festival
Festival, Music, Preview, Previews, ReviewsJune 8, 2023<June 8, 2023

2023 Governors Ball Music Festival Preview: The Premier East-Coast Party Featuring Lizzo, Kendrick Lamar, & Odesza!

by Nick Polak
J Lind © Torrey Lind
Music, PremieresJune 8, 2023<June 8, 2023

Premiere: J Lind Reminds Us to Unplug & Live in the Moment on “Oxford Sweater”

by Mitch Mosk
Tunes & Tumblers x BottleRock Napa Valley 2023
Music, Podcast, Tunes & TumblersJune 7, 2023<June 7, 2023

Podcast: Tunes & Tumblers’ Great BottleRock Adventure!

by Atwood Magazine Staff
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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