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Roo Panes 'Suburban Pines' © Beetle Rhind
Features, Interviews, Music, Track-by-TrackMarch 31, 2023<April 30, 2023

Feature: Singer/Songwriter Roo Panes’ ‘The Summer Isles’ Is a Celebration of Connection, Stillness, & Life Itself

by Mitch Mosk
Racquel Jones "Elated" © Natalia Fernandez
Columns, Music, Today's SongMarch 31, 2023<April 30, 2023

Racquel Jones’ Triumphant “Elated” Is a Joyful Song of Healing & Celebration

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 31, 2023
Columns, Features, Music, Weekly RoundupMarch 31, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 31, 2023

by Atwood Magazine Staff
boygenius © Shervin Lainez
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024

Roundtable Discussion: A Review of boygenius’ ‘the record’

by Atwood Magazine Staff
Irene Diaz © 2023
Columns, Editorials, Music, Women's History MonthMarch 31, 2023<April 30, 2023

“Lost and Found: A Los Angeles Story”: An Essay by Irene Diaz for Women’s History Month

by Guest Writer
Anna of the North © Robin Bøe
Music, PremieresMarch 31, 2023<April 30, 2023

Premiere: Anna of the North’s Funky, Feel-Good “Try My Best”

by Kelly McCafferty Dorogy
Cliffs + Caves © Kirby Trapolino
Music, PremieresMarch 30, 2023<April 30, 2023

Conspiracy & Catharsis: Cliffs + Caves Search for Truth in Achingly Raw “Mint Gum” ft. David Ramirez

by Mitch Mosk
Meris Gantt © Enowen Photography
Columns, Editorials, Music, Women's History MonthMarch 30, 2023<April 30, 2023

“Overcoming the Patriarchy Effect”: An Essay by Meris Gantt for Women’s History Month

by Guest Writer
How To Lose A Girl in 7 Songs - Knox
Debut, Features, Interviews, Music, Track-by-TrackMarch 30, 2023<April 30, 2023

Feature: Knox’s Debut EP ‘How to Lose a Girl in 7 Songs’ Is a Passion-Fueled Pop/Rock Frenzy

by Mitch Mosk
Foley © Jack Pompe
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Brooklyn’s Foley Lay Down a Smoldering, Dreamy Groove on “Hold Within”

by Mitch Mosk
Sondre Lerche © Hilde Solli
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Sondre Lerche Channels Pain & Grief into Musical Beauty on “The Most Savage Joke”

by Mitch Mosk
MisterWives © Matty Vogel
Columns, Music, Today's SongMarch 30, 2023<April 30, 2023

Today’s Song: MisterWives Enter a New Era with Punk Rock Rager, “Out of Your Mind”

by Kelly McCafferty Dorogy
B-Drop
Features, Music, PremieresMarch 29, 2023<April 30, 2023

Premiere: B-Drop Worldwide Showcases Coline Creuzot & Lucius Arthur

by Mitch Mosk
Atwood Magazine's Editor's Picks 94
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023

Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie!

by Mitch Mosk
Tunes & Tumblers x mazie 2023
Music, Podcast, Tunes & TumblersMarch 29, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey

by Atwood Magazine Staff
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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