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Polartropica © Olivia Hemaratanatorn
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 30, 2023<May 30, 2023

“Embracing Heritage, Championing Authenticity, & the Dazzling Journey of an Asian American Girl with Big Pop Dreams”: An Essay by Polartropica for AAPI Heritage Month

by Guest Writer
Jorydn Shellhart © Jory Lee Cordy
Debut, Features, Interviews, MusicMay 30, 2023<May 30, 2023

“God makes art of ugly things”: Jordyn Shellhart on Making Her Debut Record ‘Primrose’ & What Vulnerability Sounds Like

by Emily Frances Algar
Jawny © Michael Tyrone Delaney
Debut, Features, Interviews, MusicMay 30, 2023<June 9, 2023

Interview: Why JAWNY Continues to Leave Us “Wide-Eyed, Tongue-Tied”

by Sophie Severs
eundohee © Chris da Canha
Features, Interviews, Music, Track-by-TrackMay 26, 2023<June 1, 2023

Lifting the Fog: Seoul’s eundohee Enchants & Inspires with Breathtaking Indie Folk on ‘Kookaburra’ EP

by Mitch Mosk
The Fae © 2023
Columns, Music, Today's SongMay 26, 2023<May 26, 2023

Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 26, 2023
Columns, Features, Music, Weekly RoundupMay 26, 2023<May 26, 2023

Atwood Magazine’s Weekly Roundup: May 26, 2023

by Atwood Magazine Staff
Yueku © Gina De Maio
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 25, 2023<May 25, 2023

“Where do I look?”: An Essay by Yueku for AAPI Heritage Month

by Guest Writer
Charlie Hall © Lloyd Bishop
Features, Interviews, MusicMay 25, 2023<May 25, 2023

Interview: Charlie Hall Floats Through Lovely Soundscapes on Debut Solo Album ‘Invisible Ink’

by Beau Hayhoe
Blake Ruby © Sean Bryan
Features, Interviews, Music, Track-by-TrackMay 25, 2023<May 25, 2023

Interview: Blake Ruby’s Intimate, Sincere Take on Nurturing Love

by Miles Campbell
Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

by Mitch Mosk
Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

by Mitch Mosk
Agust D © Freya Rinaldi
Concerts, Music, ReviewsMay 24, 2023<May 24, 2023

Live Review: Suga of BTS Takes Over the Kia Forum for 3 Unforgettable Sold-Out Nights in Los Angeles!

by Freya Rinaldi
Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

by Mitch Mosk
John Roberts © 2023
Interviews, MusicMay 24, 2023<May 24, 2023

Interview: Queer Synth Meets ’80s Electropop in John Roberts’ “DANGER”

by Julius Robinson
Roskamala © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 24, 2023<May 24, 2023

“Feeling Like a Global Misfit as an AAPI Artist”: An Essay by Roskamala for AAPI Heritage Month

by Guest Writer
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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