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Arc Music Festival 2022
Festival, Music, PreviewsAugust 10, 2023<March 2, 2025

Chicago’s Home Base for House Music: A Preview of ARC Music Festival 2023!

by Nick Polak
viisi © SJ Spreng
Columns, Music, Today's SongAugust 10, 2023<August 10, 2023

Today’s Song: viisi’s Cold-Cutting “god damn!” Turns Warranted Exasperation into Infectious Pop

by Julius Robinson
Welcome To My House - YONAKA 8.9
Music, Our Take, ReviewsAugust 10, 2023<August 10, 2023

Our Take: YONAKA’s ‘Welcome to My House’ Finds Vindication in Reclaiming Power

by Kendall Graham
Paulina © Matt Pettigrew
Debut, Features, Interviews, Music, Premieres, Track-by-TrackAugust 10, 2023<August 10, 2023

Premiere: Paulina’s Achingly Intimate, Hopeful & Healing Debut EP, ‘Just Know, It’ll Be Okay’

by Mitch Mosk
FEEL © Cameron Ahlvers
Music, PremieresAugust 10, 2023<August 10, 2023

Premiere: “Find a Love” in FEEL, Your New Favorite Rock Band

by Mitch Mosk
Cereus Bright © Ross Bustin
Music, PremieresAugust 10, 2023<August 10, 2023

Premiere: The Ache & Inner Longing of Cereus Bright’s “Chasing the Feeling”

by Mitch Mosk
Noble Oak © Scott Wong
Features, Interviews, Music, Track-by-TrackAugust 9, 2023<August 9, 2023

Feature: Noble Oak Embraces Inspiration & Catharsis on Intimate New Album, ‘When It Finds You’

by Mitch Mosk
The Dandys © Tom Vu
Music, PremieresAugust 9, 2023<August 9, 2023

Premiere: The Dandys Erupt in “Gums,” a Liberating, Visceral & Volatile Indie Rock Fever Dream

by Mitch Mosk
ZZ © 2023
Interviews, MusicAugust 9, 2023<August 9, 2023

Interview: Meet ZZ, A New Delhi Native Now Rockin’ the Mics in the States

by Josh Weiner
Paris Texas © Saru Hagher 8.6
Debut, Music, Our Take, ReviewsAugust 9, 2023<August 9, 2023

Our Take: Paris Texas Rise to Their Moment on Debut Album ‘MID AIR’

by Leo Culp
Anieszka © Kobla Photography
Columns, Music, Today's SongAugust 9, 2023<August 9, 2023

Today’s Song: Anieszka’s Emotional Ascension in “Divine”

by Lauren Hicks
Oceans Calling Festival 2023
Festival, Music, PreviewsAugust 8, 2023<August 8, 2023

Preview: Oceans Calling Festival Reboots for 2023!

by Michael Greco
Chance Peña © Shervin Lainez
Features, Interviews, MusicAugust 8, 2023<August 7, 2023

Interview: Chance Peña Speaks on the Artist’s “Eternal Plight”

by Nick Polak
Toto Peña © River Stephenson
Music, PremieresAugust 8, 2023<August 7, 2023

Premiere: Toto Peña’s Sultry & Smoldering “Now” Captures the Heat of the Moment

by Mitch Mosk
Brooke Combe © Jack Finnigan
Columns, Music, Today's SongAugust 8, 2023<August 7, 2023

Today’s Song: Brooke Combe Takes Total Control on “Impress You”

by Kendall Graham
Posts pagination
1 … 187 188 189 190 191 … 741

Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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