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Geographer © Brit O'Brien
Music, Music Videos, PremieresApril 27, 2023<April 30, 2023

Premiere: Geographer’s “One / Other” Is a Radiant Reckoning of Love & Power

by Mitch Mosk
Hayfitz © Sam Cope
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Music Room” Is Hayfitz’s Achingly Intimate & Breathtakingly Beautiful Indie Folk Confessional

by Mitch Mosk
Ed Patrick © Piers McEwan
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: The Tender Glow of Ed Patrick’s “Leaf,” a Sun-Kissed Whisper on the Wind

by Mitch Mosk
Moonatic © Cons Kaye
Features, Interviews, MusicApril 26, 2023<April 30, 2023

Moonatic’s ‘Music for Wandering’: A Brilliant Album That Isn’t Worried About Losing Our Attention

by Diego Morales
Noble Oak © Scott Wong
Music, PremieresApril 26, 2023<April 30, 2023

“With you by my side, I know I’ll find a way”: Noble Oak Premieres His Enchanting & Uplifting Anthem “Your Favourite Place” Off New LP, ‘When It Finds You’

by Mitch Mosk
Jimin © BIGHIT MUSIC 7.1
Music, Our Take, ReviewsApril 26, 2023<April 30, 2023

Our Take: Jimin Sheds His Skin with ‘FACE,’ His First Solo Project Outside of BTS

by Julia Dzurillay
Beale Street Music Festival Commemorative Poster © Danny Broadway
Festival, Music, PreviewsApril 26, 2023<May 1, 2023

2023 Beale Street Music Festival Preview: A Blending of Genres at Memphis’ Scenic Tom Lee Park

by Nick Polak
OTNES © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongApril 26, 2023<November 9, 2023

“LIGHT AS A FEATHER” Is OTNES’ Beautifully Cathartic Song of Loss, Grief, & Healing

by Mitch Mosk
Marti West © Daniel Israel-Quinn
Columns, Music, Today's SongApril 26, 2023<April 30, 2023

Today’s Song: London’s Marti West Dances Through the Pain on “Somebody New”

by Mitch Mosk
St. Paul & The Broken Bones' Paul Janeway © Paige Sara
Features, Interviews, Music, Track-by-TrackApril 25, 2023<April 30, 2023

Paul Janeway Dives into ‘Angels in Science Fiction,’ St. Paul & The Broken Bones’ Heartfelt, Beautiful, & Soothing 5th Album

by Mitch Mosk
after EP - néomí © Stijn Mulder
Features, Interviews, Music, Track-by-TrackApril 25, 2023<April 30, 2023

“Heartbreak, Growth, & Healing”: néomí Spills Her Soul in Achingly Intimate & Beautifully Raw ‘after’ EP

by Mitch Mosk
Gracie and Rachel "Middle Ground" © Louise de Nexon
Music, Music Videos, PremieresApril 25, 2023<April 30, 2023

“Lose your heart in the process”: Gracie and Rachel Find the “Middle Ground” in Stirring New Song & Video

by Mitch Mosk
The National © Josh Goleman
Columns, Music, Today's SongApril 25, 2023<April 30, 2023

The National & Phoebe Bridgers Deliver Somber Reminder on “Your Mind Is Not Your Friend”

by Beau Hayhoe
Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Features, Interviews, Music, Track-by-TrackApril 24, 2023<April 30, 2023

“Immediate, Defiant, & Vulnerable”: Jasmine Jethwa Shines on Intimate, Soul-Stirring EP ‘Same Streets But I Don’t See You Around’

by Mitch Mosk
J.E. Sunde © Nicholas Despis
Music, PremieresApril 24, 2023<April 30, 2023

“I got one life to live, but I’m not doing it right…”: J.E. Sunde Premieres “Stop Caring,” an Existential Crisis Solved in Song

by Mitch Mosk
Posts pagination
1 … 194 195 196 197 198 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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