• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
flipturn © Amanda Laferriere
Features, Interviews, MusicJuly 12, 2023<July 12, 2023

Humble & Hungry Rockstars: A Conversation With Indie Rock Band flipturn

by Nick Polak
Alice Merton 'S.I.D.E.S.' © Aykut Aydoğdu
Features, InterviewsJuly 11, 2023<July 11, 2023

“There is strength in being vulnerable”: Alice Merton Embraces Life’s Many S.I.D.E.S. With an Honest Heart & Open Soul

by Mitch Mosk
Niall Horan © Christian Tierney
Music, ReviewsJuly 11, 2023<July 11, 2023

Review: Niall Horan Puts on an Emotional Performance in Third LP ‘The Show’

by Brianna Corrine
The Warning © 2023
Columns, Music, Today's SongJuly 11, 2023<July 11, 2023

Today’s Song: The Warning Pack an Electric Punch on “MORE”

by Kendall Graham
Crave! - Frankie Morrow © Tabitha Wykeham
Columns, Music, Today's SongJuly 10, 2023<July 10, 2023

Today’s Song: Frankie Morrow’s “Crave!” Burns with a Seductive & Sweltering Heat

by Mitch Mosk
Hanne Mjøen © 2023
Music, ReviewsJuly 10, 2023<July 10, 2023

Track-by-Track: Hanne Mjøen Sings of Love’s Trials & Tribulations in ‘Fall in Love / Apart’ EP

by Joe Beer
Kevin Gates © Jimmy Fontaine
Interviews, MusicJuly 10, 2023<July 10, 2023

Interview: Two Questions with Kevin Gates, the Man Behind the Hit Song, “Two Phones”

by Nick Polak
Liz Phair’s ‘Exile in Guyville,’ 30 Years Later
Essays, Music, ReviewsJuly 10, 2023<July 10, 2023

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later

by Claire Meyer
Hanne Kah © 2023
Columns, Essays, Music, Pride MonthJuly 10, 2023<July 10, 2023

“Why Role Models are Crucial in the Queer Community”: A Pride Month Essay by Hanne Kah

by Guest Writer
Atwood Magazine's Weekly Roundup | July 7, 2023
Columns, Features, Music, Weekly RoundupJuly 7, 2023<July 7, 2023

Atwood Magazine’s Weekly Roundup: July 7, 2023

by Atwood Magazine Staff
Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

by Josh Weiner
Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

by Mitch Mosk
Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

by Mitch Mosk
Noel Gallagher © Matt Crockett
Music, ReviewsJuly 7, 2023<July 7, 2023

Review: ‘Council Skies’ Is a Soaring Exploration of Talent From Noel Gallagher’s High Flying Birds

by Brianna Corrine
Portugal. The Man © Michael Greco
MusicJuly 6, 2023<July 6, 2023

Festival Review: Tennessee Heat Boils Over at Bonnaroo 2023

by Michael Greco
Posts pagination
1 … 194 195 196 197 198 … 741

Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services