Music, PremieresFebruary 16, 2023<February 16, 2023 Premiere: Brighton’s Comforts Settle into “The City” with a Dreamy, Vulnerable Charm by Mitch Mosk
Columns, Music, Today's SongFebruary 15, 2023<February 15, 2023 Today’s Song: PVRIS Sets Flames Ablaze and Defiantly Bites Back on “GODDESS” by Isabella Le
Concerts, MusicFebruary 14, 2023<May 11, 2023 Live Review: Bob Weir & Wolf Bros Wrap Up a Four-Night Run at The Capitol Theatre by Max Kalnitz
Music, Podcast, Tunes & TumblersFebruary 14, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Anna of the North and a Crazy Sour by Atwood Magazine Staff
Features, Music, PlaylistsFebruary 14, 2023<January 17, 2024 Our Favorite New Love Songs: A Valentine’s Day Music Celebration! by Atwood Magazine Staff
Interviews, MusicFebruary 14, 2023<February 14, 2023 Interview: Guitar Extraordinaire Grant Gordy Discusses His Genre-Breaking Album, ‘Peripheral Visions’ by Guest Writer
Columns, Debut, Music, Today's SongFebruary 14, 2023<February 14, 2023 Today’s Song: Afro Caribbean Trio Nite Bjuti Examine a Collective Life Cycle in Debut Single “Mood (Liberation Walk)” by Chloe Robinson
Music, PremieresFebruary 13, 2023<February 13, 2023 “You loved me all way”: Hot Moms Club Premieres “i love you, mom,” a Beautiful, Dreamy Ode to Mothers by Mitch Mosk
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023 Feature: Indie Pop Artist Dror Embraces Change in the New Year by Ankita Bhanot
Columns, Music, Today's SongFebruary 13, 2023<February 13, 2023 Artist to Watch: Brian Dunne Accepts “Bad Luck” in His Liberating & Lively New Anthem by Mitch Mosk
Debut, Features, Interviews, MusicFebruary 13, 2023<February 19, 2023 Feature: Traveling into the Imaginary Universe of Pearla with Her Debut Album, ‘Oh Glistening Onion, The Nighttime Is Coming’ by Frankie Rose
Columns, Music, Today's SongFebruary 11, 2023<February 10, 2023 Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again” by David Buyze
Debut, Features, Interviews, Music, Track-by-TrackFebruary 10, 2023<February 18, 2023 Feature: WILSN Is Unleashed on ‘Those Days Are Over,’ a Debut Full of Confidence, Raw Energy, & Smoldering Soul by Mitch Mosk
Artist to Watch, Columns, Music, Today's SongFebruary 10, 2023<April 2, 2023 Artist to Watch: South London’s Jasmine Jethwa Lights a Fire Inside with “Money to Burn” by Mitch Mosk
Columns, Features, Music, Weekly RoundupFebruary 10, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: February 10, 2023 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
