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Hangout Music Festival 2023
Festival, Music, ReviewsJune 5, 2023<June 5, 2023

A Perfect Weekend of Poolside Paradise: A Review of Hangout Music Festival 2023!

by Nick Polak
The Aces © Julian Burgueño
Columns, Music, Today's SongJune 5, 2023<June 5, 2023

Today’s Song: The Aces Aren’t Fading Away Anytime Soon with “Not the Same”

by Julia Dzurillay
Foo Fighters © Danny Clinch
Music, ReviewsJune 2, 2023<June 2, 2023

Review: Foo Fighters’ ‘But Here We Are’ Is a Tempest of Grief, Loss, and Reckoning

by Mitch Mosk
ep 1 - two blinks, i love you
Debut, Features, Interviews, Music, Track-by-TrackJune 2, 2023<November 29, 2023

Warmth, Weight, & Wonder: Liverpool’s two blinks, i love you Shares His with Organic, Romantic & Radiant ‘ep 1’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 2, 2023
Columns, Features, Music, Weekly RoundupJune 2, 2023<June 2, 2023

Atwood Magazine’s Weekly Roundup: June 2, 2023

by Atwood Magazine Staff
Samuel Warburton © 2023
Columns, Essays, Music, Pride MonthJune 2, 2023<June 6, 2023

“Farm Boy to the Big Stage”: A Pride Month Essay by Samuel Warburton

by Guest Writer
Drew Holcomb & The Neighbors © Ashtin Paige
Features, Interviews, MusicJune 2, 2023<June 8, 2023

“We’re in This Together”: Drew Holcomb and The Neighbors Inspire Unity in Ninth Album, ‘Strangers No More’

by Lauren Hicks
Milky Chance © Anthony Molina
Columns, Music, Today's SongJune 2, 2023<July 8, 2023

Today’s Song: Milky Chance Take on a Fractured World with “Living in a Haze”

by Beau Hayhoe
The Milk Carton Kids © Brendan Pattengale
Features, Interviews, Music, Track-by-TrackJune 1, 2023<June 1, 2023

Track-by-Track: The Milk Carton Kids Dive into ‘I Only See the Moon,’ Their Intimate & Cinematic 7th Album

by Mitch Mosk
St. Humain "Dial Tones (발신음)" feat. SOIN © 2023
Features, Interviews, MusicJune 1, 2023<June 1, 2023

Interview: St. Humain Speaks About Love’s Complexities In “Dial Tones (발신음)”

by Joe Beer
Tinsley © William Daniel Harvey
Music, PremieresJune 1, 2023<June 1, 2023

Premiere: Tinsley’s New Love Song Is an Intimate, Instant “Classic”

by Mitch Mosk
CMAT © Sarah Doyle
Columns, Music, Today's SongJune 1, 2023<October 3, 2023

CMAT Reminds Us to “Have Fun!” (Despite Life’s Madness) on the Spirited New Single Off Her Sophomore LP ‘Crazymad, For Me’

by Mitch Mosk
Say Yes To Heaven - Lana Del Rey
Columns, Music, Today's SongMay 31, 2023<May 31, 2023

“Say Yes to Heaven, Say Yes to Me”: A Love Letter to Lana Del Rey’s Magical, Not-So-New Single

by Jamie Kahn
Freya Rinaldi
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 31, 2023<May 31, 2023

“Teaching Myself English”: A Personal Essay on the Asian-American Experience

by Freya Rinaldi
AAPI Heritage Month 2023 | Atwood Magazine
Asian American and Pacific Islander Heritage Month, Columns, Features, MusicMay 31, 2023<May 31, 2023

Celebrating Asian & Pacific Islander Representation in Music for AAPI Heritage Month 2023!

by Atwood Magazine Staff
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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