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Noah Kahan © Patrick McCormack
Features, Interviews, MusicMarch 29, 2023<March 2, 2025

Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself

by Mitch Mosk
Wednesday © Zachary Chick
Columns, Music, Today's SongMarch 29, 2023<April 30, 2023

Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road

by Kylie Gurewitz
ISHAN © Marcello Anthony
Columns, Music, Today's SongMarch 28, 2023<April 30, 2023

Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce

by Mitch Mosk
DAMOYEE "phobia" © courtesy of the artist
Music, Music Videos, PremieresMarch 28, 2023<April 30, 2023

Premiere: DAMOYEE Faces Fear & Love in “Phobia,” Her Beautifully Vulnerable, Achingly Raw Ethereal Folk Song

by Mitch Mosk
Becca Bowen © Artisan Imagery
Essays, Music, Women's History MonthMarch 28, 2023<April 30, 2023

“The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month

by Guest Writer
Au Gres © Bryan Hugo Iglesias
Music, PremieresMarch 28, 2023<April 30, 2023

Premiere: Au Gres Explores the Struggle Between Personal & Material Identity in “Leaving”

by Isabella Le
Mary Anne's Polar Rig © Ebba Ågren
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“A Beautiful Mess”: Mary Anne’s Polar Rig Dive into the Unapologetic Fever Dream of ‘Makes You Wonder’

by Mitch Mosk
Darren Jessee © Dustin Condren
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“Connection with Everything”: Darren Jessee Shines on ‘Central Bridge’, His Lyrical, Tuneful, & Captivating Third LP

by Mitch Mosk
Tow’rs © 2023
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“There isn’t a world you aren’t creating”: Tow’rs Explore Life Through an Intimate Lens on ‘Joy Alchemy’

by Mitch Mosk
LØLØ © 2023
Columns, Music, Today's SongMarch 27, 2023<April 30, 2023

Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire

by Rachel Leong
The Natural Lines © Jesse Dufault
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023

“Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 24, 2023
Columns, Features, Music, Weekly RoundupMarch 24, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 24, 2023

by Atwood Magazine Staff
Phoneboy © Walter Orellana
Features, Interviews, MusicMarch 24, 2023<April 30, 2023

Interview: NJ’s Phoneboy Are Moving Up & ‘Moving Out’ with Their Sophomore Album

by Minna Abdel-Gawad
Claire Guerreso
Essays, Music, Women's History MonthMarch 24, 2023<April 30, 2023

“The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month

by Guest Writer
Yarin Glam © 2023
Columns, Music, Today's SongMarch 24, 2023<April 30, 2023

Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects”

by Julius Robinson
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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