Columns, Music, Today's SongFebruary 2, 2023<February 2, 2023 Today’s Song: Julia Michaels’ “Sorry To Me Too” Is Vulnerable, Heartbreaking, & Filled with Self-Empowerment by Lauren Turner
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023 Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz! by Mitch Mosk
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023 Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023 Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder by Mitch Mosk
Artist to Watch, Columns, Music, Today's SongJanuary 31, 2023<January 31, 2023 Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love” by Oliver Crook
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023 Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ by Nasim Elyasi
Artist to Watch, Features, Lists, MusicJanuary 30, 2023<February 4, 2025 Atwood Magazine’s 2023 Artists to Watch by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023 Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 27, 2023 Feature: Humanity’s Existential Crisis Shines on Tuomo & Markus’ ‘Game Changing’ New Album by Mitch Mosk
Columns, Features, Music, Weekly RoundupJanuary 27, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: January 27, 2023 by Atwood Magazine Staff
Columns, Music, Today's SongJanuary 27, 2023<January 27, 2023 Today’s Song: Gatlin Wears Her Heart on Her Sleeve & Lets It All Go in New Single “Still Not Me” by Rachel Leong
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2023<January 26, 2023 “Ode to a Love That’s Free”: Ging’s (ex-Frank Dukes) Debut Album ‘We’re Here, My Dear’ Is a Breathtakingly Raw Reckoning by Mitch Mosk
Columns, Music, Today's SongJanuary 26, 2023<May 18, 2023 Today’s Song: “Ohio Laundry Room” Is Abby Holliday’s Beautiful, Raw Reckoning with Grief, Love, & Death by Mitch Mosk
Music, PremieresJanuary 26, 2023<January 26, 2023 Premiere: James Crowley Lets the Light in on “By You,” a Raw Reckoning Wrapped in Indie Folk Dreams by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023 Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes by Mitch Mosk
For the Love of Music
For the Love of Music
