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Depeche Mode © Anton Corbijn
Music, ReviewsApril 10, 2023<April 30, 2023

Album Review: Shimmering Epiphanies in Depeche Mode’s ‘Memento Mori’

by David Buyze
Matt Corby © Billy Zammit
Features, Interviews, MusicApril 10, 2023<April 30, 2023

Matt Corby & ‘Everything’s Fine’: Growth, Introspection, and the Age of Social Media

by Rachel Leong
Lyric Christian © Joe Walker
Columns, Music, Today's SongApril 10, 2023<April 30, 2023

Today’s Song: Lyric Christian Teams Up with Robert PM for Empowering “Hands Off (My Crown)”

by Chloe Robinson
Cub Sport © Diego Campomar 2023
Features, Interviews, Music, Track-by-TrackApril 7, 2023<April 30, 2023

Track-by-Track: Cub Sport Explore Love, Life, and a New Sound In ‘Jesus At The Gay Bar’

by Lauren Turner
Billie Marten © Katie Silvester
Features, Interviews, MusicApril 7, 2023<April 30, 2023

Interview: Billie Marten Is Radically Open in Her Fourth Album ‘Drop Cherries’

by Minna Abdel-Gawad
Rebounder © 2023
Columns, Music, Today's SongApril 7, 2023<April 30, 2023

Today’s Song: NYC Tastemakers Rebounder Realize Home Is Where the Heart Is on New Single “Dreamland”

by Beau Hayhoe
Allison Ponthier © Maris Jones
Columns, Music, Today's SongApril 6, 2023<April 30, 2023

Today’s Song: Allison Ponthier’s Main Character Anthem, “Character Development”

by Kelly McCafferty Dorogy
Hayden © Christie Greyerbiehl
Music, ReviewsApril 5, 2023<April 30, 2023

Are We Good? Canadian Folk Icon Hayden Desser Asks a Difficult Question on His First LP in 8 Years

by Kevin Krein
phem © Jason Puma
Columns, Music, Today's SongApril 5, 2023<April 30, 2023

Today’s Song: phem Sheds Her Old Masks with Explosive New Single “slippery slope”

by Rachel Leong
Sami Thompson © 2023
Columns, Essays, Music, Women's History MonthApril 5, 2023<April 30, 2023

“I Don’t Hate Men”: An Essay by Sami Thompson

by Guest Writer
Royel Otis © Alex Wall
Features, Interviews, Music, Track-by-TrackApril 4, 2023<December 19, 2023

All Hail the ‘Sofa Kings’: Royel Otis’ Euphoric Third EP Is Soaked in Freedom & Trust

by Mitch Mosk
Wallice © Le3ay
Features, Interviews, MusicApril 4, 2023<April 30, 2023

Protecting Her Peace: Wallice on Coming of Age in the Music Industry and What Defines ‘Success’

by Sophie Severs
Tunes & Tumblers x Beach Weather 2023
Music, Podcast, Tunes & TumblersApril 4, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Beach Weather and a Pineapple Sunrise

by Atwood Magazine Staff
Abi Ocia © Elena Cremona
Columns, Music, Today's SongApril 4, 2023<April 30, 2023

Today’s Song: Abi Ocia’s Soul-Stirring “30 Underwater” Is an Achingly Raw Reckoning with Time

by Mitch Mosk
Big in the USA - Kris Ulrich
Features, Interviews, Music, Track-by-TrackApril 3, 2023<April 30, 2023

Big in the USA: Winnipeg’s Kris Ulrich Dives into His Charismatic & Charming Sophomore LP

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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