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Phoebe & Elliott - Kalina Tyne
Columns, Music, Today's SongOctober 30, 2022<October 29, 2022

Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem

by Mitch Mosk
L.S. Dunes "Permanent Rebellion" music video still
Columns, Music, Today's SongOctober 29, 2022<October 29, 2022

Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy

by Mitch Mosk
Player - Phoebe Go © Nick McKinlay
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2022<April 2, 2023

“I still shine from time to time”: Phoebe Go Stirs the Soul on Her Beautifully Raw Debut, ‘Player’

by Mitch Mosk
Midnights - Taylor Swift album art
Features, Music, Reviews, RoundtableOctober 28, 2022<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘Midnights’

by Atwood Magazine Staff
Field Guide - Field Guide
Features, Interviews, Music, Track-by-TrackOctober 28, 2022<October 28, 2022

Bet It All on the Music: Field Guide’s “Intimate, Vulnerable, & True” Self-Titled Album Aches with Dreamy Indie Folk Beauty

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 28, 2022
Columns, Features, Music, Weekly RoundupOctober 28, 2022<March 11, 2023

Atwood Magazine’s Weekly Roundup: October 28, 2022

by Atwood Magazine Staff
Kimbra © Spencer Ostrander
Features, Interviews, MusicOctober 28, 2022<March 11, 2023

Playing with Fire: Interview with Kimbra, a Creative Force Worthy of “A Reckoning”

by Josh Weiner
Midnights - Taylor Swift 9.1
Music, Our Take, ReviewsOctober 28, 2022<March 11, 2023

Our Take: Taylor Swift Stops Time with 10th Album ‘Midnights’

by Nic Nichols
Happy Hour - Morning Midnight
Debut, Features, Interviews, Music, Track-by-TrackOctober 27, 2022<April 5, 2023

“Different Flavors of Sad”: Morning Midnight’s ‘Happy Hour’ Is the Perfect Soundtrack to Sorrow

by Mitch Mosk
Paul Thomas Saunders © 2022
Music, ReviewsOctober 27, 2022<October 27, 2022

Paul Thomas Saunders’ ‘Figure in a Landscape’ Is a Sparkling Panoramic View of Growth, Realisation, & Liberation

by Rachel Leong
Sara Jean Kelley & David Borné © Anna Grace Borné
Music, PremieresOctober 27, 2022<October 27, 2022

Premiere: Sara Jean Kelley Buries Past Encounters with the Ghostly “Peaceful Rest” ft. David Borné

by Frankie Rose
The Mellons © 2022
Debut, Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

“Lost in a Moment, Caught in a Dream”: The Mellons Harness ‘Pet Sounds’ & ‘Sgt. Pepper’ on Stunning ’60s-Soaked Debut Album

by Mitch Mosk
Certainly So © Jackson Ross
Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

Dreams of Green: Nashville’s Certainly So Soar on Comforting, Sun-Kissed Sophomore LP

by Mitch Mosk
Cuffed Up © Ana Karotkaya
Music, PremieresOctober 26, 2022<October 26, 2022

Premiere: Cuffed Up’s Unapologetic New Post-Punk Song Is a Solid “10 for 10”

by Mitch Mosk
Laura Niquay © Monse Muro
Columns, Music, Music You Should Know, ReviewsOctober 26, 2022<October 25, 2022

Music You Should Know: The Energy and Emotion of Laura Niquay’s ‘Waska Matisiwin’

by Frankie Rose
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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