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McCall © Ren Shelborne
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 10, 2022<August 10, 2022

Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’

by Mitch Mosk
Rudy Lyle, The Unsung Hero of the Five-String Banjo - Max Wareham
Books, Music, ReviewsAugust 10, 2022<August 10, 2022

Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo”

by Guest Writer
Emei © 2022
Columns, Music, Today's SongAugust 10, 2022<August 10, 2022

The Never-Ending Pursuit of Perfection with Emei’s “That Girl”

by Sophie Severs
Nightlands (Dave Hartley) © Charlie Boss
Features, Interviews, MusicAugust 9, 2022<August 9, 2022

Interview: Dave Hartley of The War On Drugs Talks Solo Project Nightlands, Building His Own Recording Studio & The Miracle of Songwriting

by Beau Hayhoe
Dreamcastmoe © 2022
Music, ReviewsAugust 9, 2022<December 6, 2022

Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’

by Kevin Krein
Heavy Gus © Lauren Jacobson
Debut, Features, Music, Track-by-TrackAugust 5, 2022<March 2, 2025

“Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’

by Mitch Mosk
Odesza live © Ben Niesen
A Casual Ramble, Columns, MusicAugust 4, 2022<August 4, 2022

A Casual Ramble: Meandering Towards the Last Goodbye in Seattle… Or Was It?

by Ben Niesen
FloydFest 2022, Turnpike Troubadours crowd shot © Bob Adamek
Festival, Music, ReviewsAugust 4, 2022<August 5, 2022

FloydFest 2022: Made for These Times

by Guest Writer
Launder © Cameron McCool
Debut, Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder

by Isabella Le
EDEN © Alex Waespi
Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Balling and Bruised: The Road to EDEN’s Third Full-Length Album

by Coco Rich
Arlie's Nathaniel Banks © Gabe Drechsler
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022

BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album

by Mitch Mosk
Madison Cunningham © Claire Marie Vogel
Features, Interviews, MusicAugust 3, 2022<September 29, 2022

“No One’s Holding You Back Now”: Madison Cunningham Surrenders to the Process, Welcoming Discomfort with Open Arms

by Sophie Severs
Harrison Whitford "Secret Garden" still © Michael Erik Nikolla
Music, Music Videos, PremieresAugust 3, 2022<August 3, 2022

Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden”

by Mitch Mosk
Analog Party © Joshua Kern (left to right: Charles Horin, Animaan Pathak)
Music, PremieresAugust 3, 2022<August 3, 2022

Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child

by Mitch Mosk
Spoon Benders © Ben Niesen
Features, Interviews, MusicAugust 2, 2022<August 2, 2022

Right Behind You: A Conversation with Portland’s Resident Spoon Benders

by Ben Niesen
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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