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Dizzy © Boy Wonder
Columns, Music, Today's SongNovember 11, 2022<May 18, 2023

Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog”

by Frankie Rose
Suki Waterhouse © Émilie Richard-Froozan
Features, Interviews, MusicNovember 10, 2022<November 10, 2022

Coolest Girl in the World: Suki Waterhouse Talks Nostalgia, Tour, and Her ‘Milk Teeth’ EP

by Nic Nichols
Inhaler © Lewis Evans
Columns, Music, Today's SongNovember 10, 2022<November 3, 2022

Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track

by Isabella Le
Jagwar Twin © Josh Hubberman
Features, Interviews, MusicNovember 9, 2022<November 5, 2022

Interview: LA’s Own Jagwar Twin Breaks New Ground on Sophomore Album ‘33’

by Michael Greco
Atwood Magazine's Editor's Picks 79
Columns, Editor's Picks, Features, MusicNovember 9, 2022<March 11, 2023

Editor’s Picks 79: Overcoats, The Coronas, First Aid Kit, Liv.e, props, & Rocky Votolato!

by Mitch Mosk
Greyson Chance 'Palladium' © Broderick Baumann
Features, Interviews, MusicNovember 9, 2022<May 16, 2023

Interview: Greyson Chance Shows All His Layers on ‘Palladium,’ a Record of Growth, Pride, & Realization

by Lauren Hicks
Jaws of Love. © Joey Wasilewski
Columns, Music, Today's SongNovember 8, 2022<November 1, 2022

Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby”

by Beau Hayhoe
Emei © Ryan Clemens
Debut, Features, Interviews, MusicNovember 8, 2022<November 2, 2022

Interview: Emei Releases Debut EP, ‘End of an Era’ — But This Is Just the Beginning

by Sophie Severs
Goo Goo Dolls © Claire Marie Vogel
Features, Interviews, MusicNovember 7, 2022<March 11, 2023

“Just Keep At It, Man”: Goo Goo Dolls’ Robby Takac on Donuts, New York, & New Album ‘Chaos in Bloom’

by Madeleine Eggen
Waste My Time - Linebeck
Columns, Music, Today's SongNovember 7, 2022<October 30, 2022

Today’s Song: Linebeck’s Catchy “Waste My Time” Is a Cinematic & Hazy Dream Pop Tempest

by Mitch Mosk
B-Drop
Features, Music, PremieresNovember 4, 2022<November 4, 2022

Premiere: B-Drop Worldwide Showcases KTJ & Carly and Stephanie Hatzinikolis

by Mitch Mosk
Teeyago © Jared Robinson
Interviews, Music, PremieresNovember 4, 2022<March 21, 2023

Premiere: Teeyago’s Unfiltered Visuals for His ‘D.R.U.G.S’ EP Construct a Crazy High

by Chloe Robinson
blink-182 © Jack Bridgland
Columns, Music, Today's SongNovember 4, 2022<November 3, 2022

Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits

by Isabella Le
Bleach Lab © Rory Dunn
Features, Interviews, Music, Track-by-TrackNovember 4, 2022<March 11, 2023

If You Only Feel It Once: London’s Bleach Lab Seduce the Heart with Hauntingly Beautiful, Nostalgic, & Brutally Raw Third EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 4, 2022
Columns, Features, Music, Weekly RoundupNovember 4, 2022<November 3, 2022

Atwood Magazine’s Weekly Roundup: November 4, 2022

by Atwood Magazine Staff
Posts pagination
1 … 220 221 222 223 224 … 727

Brand New

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

:: discover something new ::

Recent Posts

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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