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Flowers - Miley Cyrus
Columns, Music, Today's SongJanuary 17, 2023<January 17, 2023

Today’s Song: Miley Cyrus’ Self-Empowering & Inspiring “Flowers” Introduces a New Era

by Lauren Turner
Circa Waves © Lewis Vorne
Columns, Music, Today's SongJanuary 16, 2023<January 16, 2023

Today’s Song: Circa Waves Take Aim at Climate Change & an Uncertain Future with “Never Going Under”

by Beau Hayhoe
The Horn 'Do It Now' © 2022
Features, Interviews, Music, Track-by-TrackJanuary 13, 2023<January 13, 2023

“Welcome to the Power Show”: The Horn ‘Do It Now’ (and Do It Well) on Catchy, Punchy, & Unapologetic Debut

by Mitch Mosk
Jessie Reid © Emilie Cotterill
Music, PremieresJanuary 13, 2023<January 13, 2023

Premiere: Jessie Reid Brings Us “A Little Closer” with Achingly Intimate & Breathtakingly Beautiful New Single

by Mitch Mosk
Callie Reiff © Bellamy Brewster
Interviews, MusicJanuary 13, 2023<January 13, 2023

“Watch Out, It’s a Chain Reaction”: A Conversation with Soaring EDM Talent Callie Reiff

by Josh Weiner
The Sarandons © Steph Montani
Columns, Music, Today's SongJanuary 13, 2023<January 13, 2023

Today’s Song: Canadian Heartland Rockers The Sarandons Get Introspective with “Sightlines”

by Beau Hayhoe
Circa Waves © Lewis Vorne
Features, Interviews, MusicJanuary 13, 2023<March 11, 2023

“An Act of Resilience”: Circa Waves Cling to Optimism in Fifth Album ‘Never Going Under’

by Anthony Kozlowski
Good Karma - J French
Features, Interviews, Music, Track-by-TrackJanuary 12, 2023<March 2, 2025

“These are not just songs; these are mantras.”: J French Finds His Light in Uplifting, Hopeful, & Soulful ‘Good Karma’ LP

by Mitch Mosk
High Tea © Robin Siddall
Debut, Interviews, Music, Reviews, Track-by-TrackJanuary 12, 2023<January 12, 2023

Track-by-Track: The Simple Untamed Wanderlust of High Tea’s ‘Old Cowboy’

by Mitch Mosk
Matilda Mann & Spill Tab © 2023
Columns, Music, Today's SongJanuary 12, 2023<January 12, 2023

Today’s Song: “Borderline Insane” Is Matilda Mann & spill tab’s Irresistible Grunge Pop Anthem

by Minna Abdel-Gawad
MILK - Natalie Shay
Music, Reviews, Track-by-TrackJanuary 11, 2023<January 11, 2023

Track-by-Track: In an Explorative Realm of Growth & Self-Discovery with Natalie Shay’s ‘MILK’ EP

by Joe Beer
Flipturn © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackJanuary 11, 2023<January 12, 2023

“Shimmery, Gritty, & Reflective”: The Weight & Warmth of flipturn’s Soul-Stirring Debut Album ‘Shadowglow’

by Mitch Mosk
Sun Room © Kelly Hammond
Columns, Music, Today's SongJanuary 11, 2023<January 11, 2023

Today’s Song: Sun Room’s Fast & Loud “Cadillac” Is a Euphonious Time Machine

by Lilly Eason
Jo-Jo & The Teeth © 2022 7.1
Debut, Music, Our Take, ReviewsJanuary 10, 2023<January 10, 2023

Our Take: Brace Yourself for Jo-Jo & The Teeth’s High Octane Debut Album, ‘No More Good News’

by Dominic Kureen
Christmas is Canceled - Mikey Mike
Columns, Music, Today's SongJanuary 10, 2023<January 10, 2023

Mikey Mike Speaks on the Absurdity of Today’s World on “Christmas Is Canceled”

by Nick Polak
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Brand New

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything

:: discover something new ::

Recent Posts

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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