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Thee Sacred Souls © Gustavo Olivares
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022

Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done”

by Lauren Hicks
Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

by Mitch Mosk
Éclo © Akvilė Bukauskaite
Debut, Music, PremieresJune 30, 2022<June 30, 2022

“Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut

by Mitch Mosk
Jada Michael © 2022
Columns, Editorials, Music, Pride MonthJune 30, 2022<June 30, 2022

“Ready to GO”: A Pride Month Essay by Jada Michael

by Guest Writer
Agender © Lindsey Byrnes
Columns, Editorials, Music, Pride MonthJune 30, 2022<June 30, 2022

“QUEER CORE”: A Pride Month Essay by Agender’s Romy Hoffman

by Guest Writer
globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

by Jamie Kahn
Tunes & Tumblers x Max Frost 2022
Music, Podcast, Tunes & TumblersJune 29, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Max Frost and a Flying Machine

by Atwood Magazine Staff
Atwood Magazine's Editors Picks 69
Columns, Editor's Picks, Features, MusicJune 29, 2022<September 29, 2022

Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE!

by Mitch Mosk
The Rare Occasions © Alex Justice
Music, PremieresJune 29, 2022<August 29, 2024

Premiere: The Rare Occasions Surf Stormy Waves on Spirited New Single “Seasick”

by Mitch Mosk
McCall © Haley Minyoung Kreofsky
Columns, Editorials, Music, Pride MonthJune 29, 2022<January 20, 2023

“Corporate Pride: Selling Our Identity Back to Us”: A Pride Month Essay by McCall

by Guest Writer
Long Neck © 2022
Columns, Music, Today's SongJune 29, 2022<June 28, 2022

Today’s Song: Long Neck Revisits the Tensions of Being an ‘Essential Worker’ on “558”

by Kevin Krein
KEZRA © Corey Adams
Music, Music Videos, PremieresJune 28, 2022<June 28, 2022

Premiere: Dwelling in the Dark, Distorted Depths of KEZRA’s “Back Home”

by Mitch Mosk
Geese © Daniel Topete
Features, Interviews, MusicJune 28, 2022<June 28, 2022

Opportunity’s Knocking: A Conversation with New York City’s Geese

by Ben Niesen
LonelyTwin © Märta Thisner
Columns, Editorials, Music, Pride MonthJune 28, 2022<May 27, 2024

“What Coming Out Made Me Realize”: A Pride Month Essay by LonelyTwin’s Madelene Eliasson

by Guest Writer
Julia Jacklin © Nick Mckk
Columns, Music, Today's SongJune 28, 2022<June 28, 2022

Today’s Song: Julia Jacklin Adds a Splash of Color into Our Lives with “I Was Neon”

by Sophie Severs
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1 … 224 225 226 227 228 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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