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Homes at Night © Zach Pigg
Debut, Music, Music Videos, PremieresAugust 2, 2022<August 2, 2022

Premiere: Nashville Duo Homes at Night’s Raw & Catchy Alt-Rock Reeling, “Tell Emma”

by Mitch Mosk
Gemma Laurence © Beatrice Helman
Music, PremieresAugust 2, 2022<August 2, 2022

“I wanted to write a song that captured the joy of coming out”: Gemma Laurence Soars & Stirs on “Lavender”

by Mitch Mosk
Louyah © 2022
Columns, Music, Today's SongJuly 27, 2022<August 1, 2022

Today’s Song: Louyah Finds His Inner “Peter Pan” in Authentic New Single

by Joe Beer
Lupe Fiasco © 2022 7.6
Music, Our Take, ReviewsJuly 25, 2022<July 12, 2022

Our Take: Lupe Fiasco Goes Jazzy, Stays Provocative on ‘Drill Music in Zion’

by Josh Weiner
Wasia Project © 2022
Music, ReviewsJuly 21, 2022<July 13, 2022

Review: Wasia Project’s Debut EP ‘how can i pretend?’ Is Your Next Heartstopper

by Madeleine Eggen
Fever Dream - Lia Rye
Debut, Music, Reviews, Track-by-TrackJuly 20, 2022<July 12, 2022

“Kaleidoscope of Catharsis”: A Track-by-Track Review of Lia Rye’s ‘Fever Dream’ EP

by Joe Beer
Claire Rosinkranz © Austin Cieszko
Features, Interviews, MusicJuly 19, 2022<July 12, 2022

Keeping it Real: How Claire Rosinkranz Stays Grounded within Today’s Whirlwind Industry

by Sophie Severs
Sydney Sprague © 2022
Columns, Music, Today's SongJuly 18, 2022<July 13, 2022

Sydney Sprague’s “Think Nothing” is a Ferocious Refusal Against Anxieties

by Kevin Krein
Easy Honey © 2022
Columns, Music, Today's SongJuly 15, 2022<August 1, 2022

Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time

by Lilly Eason
Launder © Cameron McCool
Columns, Music, Today's SongJuly 14, 2022<August 4, 2022

Today’s Song: “Intake” a Selcouth, Fresh Breath of Air in Launder’s New Single

by Isabella Le
Josie Dunne © Bree Marie Fish
Debut, Features, Interviews, MusicJuly 14, 2022<July 13, 2022

“TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album

by Mitch Mosk
Atwood Magazine's Editor's Picks 71
Columns, Editor's Picks, Features, MusicJuly 13, 2022<September 29, 2022

Editor’s Picks 71: Chad Price, Rat Tally, CMON CMON, November Ultra, Forest Claudette, & James BKS!

by Mitch Mosk
From Capelton Hill - Stars
Features, Interviews, MusicJuly 13, 2022<July 13, 2022

“We’re just trying to be a kitchen sink band”: Stars’ Torquil Campbell Discusses Ghosts, Songwriting, & New Album ‘From Capelton Hill’

by Mitch Mosk
French for Rabbits © 2022
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’

by Mitch Mosk
Goon © Josh Beavers
Features, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’

by Mitch Mosk
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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