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Atwood Magazine's Weekly Roundup | February 3, 2023
Columns, Features, Music, Weekly RoundupFebruary 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 3, 2023

by Atwood Magazine Staff
Cal in Red © 2023
Columns, Music, Today's SongFebruary 3, 2023<February 2, 2023

Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’

by Beau Hayhoe
Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

by Mitch Mosk
Cristóvam © Timothy Lima
Music, Reviews, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Cristóvam Delves into Emotive Catharsis & an Ever-Evolving Narrative with ‘Songs on a Wire’

by Joe Beer
Julia Michaels "Sorry To Me Too" © 2023
Columns, Music, Today's SongFebruary 2, 2023<February 2, 2023

Today’s Song: Julia Michaels’ “Sorry To Me Too” Is Vulnerable, Heartbreaking, & Filled with Self-Empowerment

by Lauren Turner
Atwood Magazine's Editor's Picks 86
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023

Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz!

by Mitch Mosk
Evelyn Frances © Heather Skye photography
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023

Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City

by Mitch Mosk
Fly Yeti Fly © courtesy of the artist
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023

Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder

by Mitch Mosk
English Teacher © Tatiana Ponzuelo
Artist to Watch, Columns, Music, Today's SongJanuary 31, 2023<January 31, 2023

Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love”

by Oliver Crook
boygenius (L-R: Phoebe Bridgers, Lucy Dacus & Julien Baker) © Harrison Whitford
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023

Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’

by Nasim Elyasi
Atwood Magazine's 2023 Artists to Watch
Artist to Watch, Features, Lists, MusicJanuary 30, 2023<February 4, 2025

Atwood Magazine’s 2023 Artists to Watch

by Atwood Magazine Staff
The Crystal Casino Band © Cagla Akcadag
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023

Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph

by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 27, 2023

Feature: Humanity’s Existential Crisis Shines on Tuomo & Markus’ ‘Game Changing’ New Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | January 27, 2023
Columns, Features, Music, Weekly RoundupJanuary 27, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: January 27, 2023

by Atwood Magazine Staff
Gatlin © Luke Rogers
Columns, Music, Today's SongJanuary 27, 2023<January 27, 2023

Today’s Song: Gatlin Wears Her Heart on Her Sleeve & Lets It All Go in New Single “Still Not Me”

by Rachel Leong
Posts pagination
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Brand New

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything

:: discover something new ::

Recent Posts

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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