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Atwood Magazine's Weekly Roundup | October 7, 2022
Columns, Features, Music, Weekly RoundupOctober 7, 2022<October 11, 2022

Atwood Magazine’s Weekly Roundup: October 7, 2022

by Atwood Magazine Staff
Pearla © Tonje Thilesen
Columns, Music, Today's SongOctober 7, 2022<October 7, 2022

Pearla’s “About Hunger, About Love” Is a Pondering of Loneliness in a Not So Lonesome Way

by Frankie Rose
easy life © Jack Bridgland
Features, Interviews, MusicOctober 7, 2022<March 11, 2023

Interview: easy life’s ‘MAYBE IN ANOTHER LIFE…’ Is a Party Unlike Any You’ve Attended

by Mitch Mosk
Russian Baths © 2022
Music, PremieresOctober 6, 2022<October 6, 2022

Premiere: The Unabating Intensity of Russian Baths’ Haunting “Rise Again”

by Mitch Mosk
We Will Find the Light - Aarktica
Features, Interviews, Music, Track-by-TrackOctober 6, 2022<October 6, 2022

Intimacy Manifest: Jon DeRosa Opens Up About Aarktica’s Stirring New LP, ‘We Will Find the Light’

by Mitch Mosk
Charlie Burg © Angela Ricciardi
Debut, Features, Interviews, Music, Track-by-TrackOctober 6, 2022<October 6, 2022

“Hometowns are for leaving”: Charlie Burg Soars on His Warm, Wide, Wishful Debut LP, ‘Infinitely Tall’

by Mitch Mosk
Joulie Fox © Hania Kantor
Music, Reviews, Track-by-TrackOctober 6, 2022<October 6, 2022

Track-by-Track: Devour Lustrous Euphoria with Joulie Fox’s New EP ‘Love Is a Blessing’

by Joe Beer
Adam Melchor © Daniel Topete
Columns, Music, Today's SongOctober 6, 2022<October 6, 2022

Today’s Song: Adam Melchor’s “Cry” is Pure Escapism & Unapologetic Reflection

by Rachel Leong
Villages © Matt Horseman
Music, PremieresOctober 6, 2022<October 5, 2022

Premiere: Villages’ “Love Will Live On” Emphasizes the Charm of Simple Living

by Frankie Rose
Billy Raffoul © Vanessa Heins
Music, PremieresOctober 6, 2022<October 5, 2022

Premiere: Billy Raffoul Breaks Free on “We Could Get High”

by Anthony Kozlowski
Indigo Sparke © Angela Ricciardi
Features, Interviews, MusicOctober 5, 2022<March 11, 2023

Tides of the Self: A Conversation with Indigo Sparke on Fearless Sophomore Album ‘Hysteria’

by Coco Rich
Suki Waterhouse "Nostalgia" © Émilie Richard-Froozan
Columns, Music, Music Videos, Today's SongOctober 5, 2022<October 4, 2022

Today’s Song: Suki Waterhouse Travels Back in Time with Romantic & Wistful “Nostalgia”

by Nic Nichols
Young Jesus © Brit Marling
Features, Interviews, MusicOctober 4, 2022<October 4, 2022

Interview: Young Jesus on Grief, Beauty, and Gardening

by Collin Leonard
Archer Oh © 2022
Columns, Music, Today's SongOctober 4, 2022<October 4, 2022

Today’s Song: Moreno Valley, CA’s Archer Oh Explore Grief & Its Complex Cycles in “Rotary”

by Chloe Robinson
Orange Blood - Mt. Joy
Features, Interviews, MusicOctober 4, 2022<March 11, 2023

The Hot Honey Sauce of Bands: An Interview with Mt. Joy’s Matt Quinn on Irreverence, Inside Jokes, & Their 3rd LP, ‘Orange Blood’

by Mitch Mosk
Posts pagination
1 … 226 227 228 229 230 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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