• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Christmas is Canceled - Mikey Mike
Columns, Music, Today's SongJanuary 10, 2023<January 10, 2023

Mikey Mike Speaks on the Absurdity of Today’s World on “Christmas Is Canceled”

by Nick Polak
Atwood Magazine's Editor's Picks 83
Columns, Editor's Picks, Features, MusicJanuary 9, 2023<March 11, 2023

Editor’s Picks 83: Kids That Fly, Gordi, Brian Dunne, OTNES, Tommy Ashby, & Maya Delilah!

by Mitch Mosk
Ester's Anna Holmquist © Ash Dye
Columns, Music, Today's SongJanuary 9, 2023<August 28, 2023

The Lonely, Heavy Weight of Ester’s Lockdown Song, “Red Rover”

by Mitch Mosk
LIFE © Luke Hallett
Features, Interviews, Music, Track-by-TrackJanuary 7, 2023<March 11, 2023

Feature: LIFE’s Intimate, Expansive, & Brooding ‘North East Coastal Town’ Is a Post-Punk Love Letter Home

by Mitch Mosk
The Snuts © Edward Cooke
Features, Interviews, MusicJanuary 6, 2023<January 6, 2023

Interview: The Snuts Guitarist Joe McGillveray Muses on His Musical Past, Present, & Future

by Andrew Daly
Peach Pit © Mackenzie Walker
Columns, Music, Today's SongJanuary 6, 2023<January 6, 2023

Today’s Song: “Up Granville” Is Peach Pit’s Ode to the Woes of Solitude

by Miles Campbell
La Femme © JD Fanello
Features, Interviews, MusicJanuary 5, 2023<January 10, 2023

Feature: The Escapist Fantasy of La Femme’s ‘Teatro Lúcido’

by Lilly Eason
Tommy Newport © courtesy of the artist
Columns, Music, Today's SongJanuary 5, 2023<January 5, 2023

Today’s Song: Delving into Genre-Blending Euphony with Tommy Newport & Jazz Cartier’s Latest Offering “Jackpot”

by Joe Beer
Marketa Irglova © Lena Bushart
Features, Interviews, MusicJanuary 5, 2023<January 17, 2023

Interview: Markéta Irglová’s Roots Go Deep on Beautifully Vulnerable Album ‘Lila’

by Nasim Elyasi
EMELINE © Andrea Riba
Features, Interviews, MusicJanuary 4, 2023<January 5, 2023

“It Felt Like a Birth”: EMELINE on Her Explosive Debut and Latest Single, “Venting to Strangers”

by Nic Nichols
SOS - SZA 8.6
Music, Our Take, ReviewsJanuary 4, 2023<September 20, 2023

Our Take: SZA Shines on Outstanding Sophomore Album ‘SOS’

by Josh Weiner
The Lemon Twigs © Eva Chambers
Columns, Music, Today's SongJanuary 4, 2023<January 4, 2023

Today’s Song: The Lemon Twigs Declare Love at Second Sight with New Single, “Corner of My Eye”

by Sophie Severs
Atwood Magazine's 2022 Albums of the Year
Features, Lists, MusicDecember 21, 2022<December 21, 2022

Atwood Magazine’s 2022 Albums of the Year

by Atwood Magazine Staff
SPIN - OTNES
Artist to Watch, Debut, Interviews, MusicDecember 20, 2022<April 26, 2023

Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN”

by Mitch Mosk
Andy Frasco & The U.N. © Andrew Hutchins
Columns, Interviews, Music, Today's SongDecember 20, 2022<December 20, 2022

“I’m trying to keep rock and roll alive”: Andy Frasco on the Most Important Song He’s Ever Written

by Nick Polak
Posts pagination
1 … 225 226 227 228 229 … 736

Brand New

  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full

:: discover something new ::

Recent Posts

  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services