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Aidan Bissett © Brooke James
Debut, Features, Interviews, MusicDecember 12, 2022<December 12, 2022

Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’

by Kelly McCafferty Dorogy
Atwood Magazine's 2022 EPs of the Year
Features, Lists, MusicDecember 12, 2022<March 11, 2023

The 22 Best EPs of 2022

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 82
Columns, Editor's Picks, Features, MusicDecember 9, 2022<March 11, 2023

Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2022
Columns, Features, Music, Weekly RoundupDecember 9, 2022<December 9, 2022

Atwood Magazine’s Weekly Roundup: December 9, 2022

by Atwood Magazine Staff
The Veils © Matt Hollyoak
Columns, Music, Today's SongDecember 9, 2022<December 9, 2022

Today’s Song: Inside The Veils’ Misty, Mesmerizing & Utterly Seductive “Undertow”

by Chloe Robinson
Peter Stone © Dani Fresh
Columns, Music, Today's SongDecember 8, 2022<December 8, 2022

Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs”

by Mitch Mosk
Astronaut - Bailey Tomkinson © Lewis King
Music, PremieresDecember 8, 2022<December 8, 2022

Premiere: Cornwall’s Bailey Tomkinson Aches with Raw, Intimate, & Impassioned Song “Astronaut”

by Mitch Mosk
Jenny Kern - Your Heart Knows
Music, Reviews, Track-by-TrackDecember 8, 2022<December 8, 2022

Track-by-Track: Jenny Kern’s Emotionally Encapsulated EP ‘Your Heart Knows’ Soars with Unparalleled Confessionalism & Creativity Alike

by Joe Beer
Smut © Jaycee Rockhold
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2022<December 7, 2022

“How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album

by Mitch Mosk
Victoria Bigelow © Devan Skaggs
Artist to Watch, Columns, Music, Today's SongDecember 7, 2022<December 7, 2022

“I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning

by Mitch Mosk
Wilby © Christina Coleman
Artist to Watch, Music, PremieresDecember 7, 2022<December 7, 2022

Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance

by Mitch Mosk
The Burma @ Ciara O'Toole
Features, Interviews, Music, Track-by-TrackDecember 6, 2022<December 6, 2022

Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut

by Mitch Mosk
Gable Price & Friends © 2022
Features, Interviews, MusicDecember 6, 2022<December 6, 2022

“Everything is contrast, and I find that beautiful”: Gable Price and Friends on ‘The Consequence of Being Alive’

by Rachel Leong
Entergalactic - Kid Cudi © 2022
Columns, Music, Today's SongDecember 6, 2022<December 6, 2022

Today’s Song: Kid Cudi Explores Heartbreak, Love, & Hope in “Willing to Trust,” a Journey Through an Anxious Mind

by Nick Polak
Atwood Magazine's Mistletones 2022, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 5, 2022<December 17, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 1

by Atwood Magazine Staff
Posts pagination
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Brand New

  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full

:: discover something new ::

Recent Posts

  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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