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Atwood Magazine's Editors Picks 74
Columns, Editor's Picks, Features, MusicSeptember 27, 2022<March 11, 2023

Editor’s Picks 74: L.S. Dunes, Charlotte Lawrence, Peace Ritual, Sadurday, Dear Boy, & Abby Sage!

by Mitch Mosk
the Mountain Goats © Spence Kelly
Columns, Music, Reviews, Today's SongSeptember 27, 2022<September 27, 2022

Today’s Song: The Mountain Goats Revel in Villainy with Their Action Movie Ode “Hostages”

by James Crowley
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

Feature: Timothy Edward Carpenter’s Brutally Honest & Breathtakingly Vulnerable ‘PREP SCHOOL’ EP

by Mitch Mosk
Why Bonnie © Alec Castillo
Debut, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

“Lonely times are louder in the Lone Star State”: The Reckoning & Raw Reflection of Why Bonnie’s Standout Debut ’90 in November’

by Mitch Mosk
Asylums © Alistair Underwood
Artist to Watch, Music, PremieresSeptember 26, 2022<September 26, 2022

Premiere: Asylums’ Spirited “Instant Coffee” Is a Highly Caffeinated, Deeply Cathartic Anthem for the Broken & Bitter

by Mitch Mosk
Tim Bernardes © Tim Bernardes @ Marco Lafer and Isabela Vdd|
Columns, Music, Today's SongSeptember 26, 2022<September 26, 2022

Today’s Song: Tim Bernardes Poetically Defines the Meaning of Life with “Nascer, Viver, Morrer”

by Frankie Rose
Portola Music Festival 2022 lineup
A Casual Ramble, Music, Previews, ReviewsSeptember 23, 2022<September 23, 2022

A Casual Portola Festival Preview: Charli XCX, Yves Tumor, Jamie xx, Kelly Lee Owens, L’Impératrice, & More!

by Ben Niesen
Talk Show © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 23, 2022<March 14, 2024

Touch the Ground: London’s Talk Show Kiss the Sky with Feverish Industrial Post-Punk EP

by Mitch Mosk
Editors © Rahi Rezvani
Music, ReviewsSeptember 23, 2022<September 23, 2022

Potency & Emancipation: The Wonders of Editors’ 7th Album, ‘EBM’

by David Buyze
Atwood Magazine's Weekly Roundup | September 23, 2022
Columns, Features, Music, Weekly RoundupSeptember 23, 2022<September 25, 2022

Atwood Magazine’s Weekly Roundup: September 23, 2022

by Atwood Magazine Staff
Tamino © Jeton Bakalli
Features, Interviews, MusicSeptember 23, 2022<March 11, 2023

Feature: Tamino’s Sophomore Album ‘Sahar’ Mediates the Intersection Between Light & Dark, Love & Pain

by Lilly Eason
Corey Harper © Harper Smith
Debut, Features, Interviews, MusicSeptember 23, 2022<September 29, 2022

Interview: Corey Harper Talks Embracing Change, Hope, & Comfort in the Storm on His Debut Album ‘Future Tense’

by Rachel Leong
Slaney Bay © Henry Ager
Artist to Watch, Debut, Features, Interviews, MusicSeptember 22, 2022<November 11, 2022

“Where the Horror Meets the Healing”: A Conversation with London Indie Rock Trio Slaney Bay

by Mitch Mosk
Neev © 2022
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: The Soft Swell of Neev’s Captivating “Seawall,” a Beautiful Song of Burnout & Fatigue

by Mitch Mosk
Roses & Revolutions © Jacalyn Meyvis
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: Roses & Revolutions’ Quietly Stunning “Moon Song” Dwells in a Beautiful Moment of Stillness & Stasis

by Mitch Mosk
Posts pagination
1 … 228 229 230 231 232 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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