• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Duo Jatekok © Tina Dubrovsky
Interviews, MusicSeptember 7, 2022<September 6, 2022

Interview: Duo Jatekok Deliver The Most Elegant Rammstein You’ve Ever Heard

by Josh Weiner
Arctic Monkeys © Zackery Michael
Columns, Music, Today's SongSeptember 7, 2022<September 7, 2022

Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction

by Lilly Eason
Similar Kind © Sam Lockyer
Features, Interviews, Music, Track-by-TrackSeptember 6, 2022<April 21, 2023

“Eclectic, Electric, & Eccentric”: Similar Kind’s ‘Commercial Break’ Proves a Passion-Fueled Time Capsule

by Mitch Mosk
Cumulus © 2022
Music, Music Videos, PremieresSeptember 6, 2022<September 6, 2022

“The way you love me, it gets into my bloodstream”: Cumulus Returns with “Sunbeam,” a Radiant Ode to Love

by Mitch Mosk
Alvvays © Eleanor Petry
Columns, Music, Today's SongSeptember 6, 2022<September 5, 2022

Today’s Song: “Pharmacist” Signals an Impressive, Long-Awaited Return for Alvvays

by Beau Hayhoe
Karina Rykman © Steph Port
Features, Interviews, MusicSeptember 5, 2022<September 5, 2022

Bringing the Bass: An Interview with Karina Rykman

by Christopher Snyder
Claptrap - Duncan Sheik
Music, ReviewsSeptember 5, 2022<September 7, 2022

Duncan Sheik Continues His Efforts to Merge Electronic & Acoustic Worlds on ‘Claptrap,’ His First Pop Record in 7 Years

by Kevin Krein
Get a Job - Games We Play
Columns, Music, Today's SongSeptember 5, 2022<May 24, 2024

Today’s Song: Games We Play Delivers a Rebel Anthem with “Get a Job”

by Kelly McCafferty Dorogy
Kira McSpice © Mika Lungulov-Klotz
Columns, Music, Today's SongSeptember 2, 2022<September 1, 2022

Today’s Song: Kira McSpice Gives Herself Over to “Mirth”

by Sophie Prettyman-Beauchamp
Atwood Magazine's Weekly Roundup | September 2, 2022
Columns, Features, Music, Weekly RoundupSeptember 2, 2022<September 1, 2022

Atwood Magazine’s Weekly Roundup: September 2, 2022

by Atwood Magazine Staff
Älskar - Nina Nesbitt
Features, Interviews, MusicSeptember 2, 2022<March 11, 2023

Interview: Nina Nesbitt Finds Her Love Language on Third LP ‘Älskar’

by Mitch Mosk
Darcy Lane © Tara Johnson
Debut, Music, PremieresSeptember 1, 2022<September 1, 2022

EP Premiere: Sydney’s Darcy Lane Debuts with ‘Heartquakes,’ a Record of Young Love’s Turmoil

by Mitch Mosk
Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

by David Buyze
Features, Interviews, Music, Track-by-TrackAugust 31, 2022<August 31, 2022

The Best She Can: Savannah Conley’s New EP is Eleven Minutes of Beautifully Charged Unapologetic Upheaval

by Mitch Mosk
SEVENTEEN © PLEDIS Entertainment
Concerts, Music, ReviewsAugust 31, 2022<August 31, 2022

Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles

by Isabella Le
Posts pagination
1 … 232 233 234 235 236 … 727

Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services