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Leona Naess © Laura Bailey
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’

by Mitch Mosk
BIG THANK - King Youngblood
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’

by Mitch Mosk
Ashton York © Zachary Sun
Music, PremieresJuly 11, 2022<July 11, 2022

“In that broken place, the universe gave me songs”: Ashton York Premieres His Raw, Vulnerable, & Beautiful New Song, “Awful Time”

by Mitch Mosk
Demi Lovato © Brandon Bowen
Columns, Music, Today's SongJuly 11, 2022<July 11, 2022

Today’s Song: Demi Lovato’s “SKIN OF MY TEETH” Rehashes the Past in a New Way

by Sam Franzini
ELIS NOA © Dominik Friess
Features, Interviews, Music, Track-by-TrackJuly 8, 2022<July 8, 2022

‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album

by Mitch Mosk
Stay Proud of Me - NoSo
Debut, Features, Interviews, Music, Track-by-TrackJuly 8, 2022<April 24, 2023

‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 8, 2022
Columns, Features, Music, Weekly RoundupJuly 8, 2022<July 8, 2022

Atwood Magazine’s Weekly Roundup: July 8, 2022

by Atwood Magazine Staff
Matilda Mann © Dominique Froud
Columns, Music, Today's SongJuly 8, 2022<July 8, 2022

Today’s Song: Matilda Mann Gives Us a Glimpse of “Hell” with Her Newest Single

by Sophie Severs
James Bay © 2022
Features, Interviews, MusicJuly 8, 2022<March 11, 2023

Lessons of Love: James Bay Shares Why ‘Leap’ Is His Most Vulnerable Album Yet

by Mitch Mosk
KTJ & CARLY © 2022
Features, Interviews, MusicJuly 7, 2022<July 6, 2023

Interview: KTJ & Carly Unveil Their Dazzling EP ‘Ego Death,’ a Reflection on Ego & Its Role in Our Lives

by Chloe Robinson
Abbie Ozard © Charlotte Rudd
Features, Interviews, Music, Reviews, Track-by-TrackJuly 7, 2022<July 7, 2022

Artist-to-Watch: Abbie Ozard Dives into Her ‘Water Based Lullabies’ EP, a Captivating & Charismatic Fever Dream

by Mitch Mosk
Ogi © Kanya Iwana
Debut, Features, Interviews, MusicJuly 7, 2022<July 7, 2022

Interview: Ogi Debuts Her Stunningly Soulful, Colorful & Expansive ‘Monologues’ EP

by Mitch Mosk
Doll Spirit Vessel © Doll Spirit Vessel
MusicJuly 7, 2022<July 7, 2022

Premiere: Doll Spirit Vessel’s Relaxing, Dreamy Sophomore Single “Something Small”

by Mitch Mosk
PRONOUN © 2021
Features, Interviews, Music, Track-by-TrackJuly 7, 2022<July 9, 2022

“The sound of depression trying to have a good time”: Pronoun’s Emotionally Charged ‘OMG I MADE IT’ EP

by Mitch Mosk
Atwood Magazine's Editor's Picks 70
MusicJuly 6, 2022<September 29, 2022

Editor’s Picks 70: Ash Grunwald, Sydney Sprague, Plastic Picnic, Louien, Motel Radio, & Georgie!

by Mitch Mosk
Posts pagination
1 … 237 238 239 240 241 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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