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Young Jesus © Brit Marling
Features, Interviews, MusicOctober 4, 2022<October 4, 2022

Interview: Young Jesus on Grief, Beauty, and Gardening

by Collin Leonard
Archer Oh © 2022
Columns, Music, Today's SongOctober 4, 2022<October 4, 2022

Today’s Song: Moreno Valley, CA’s Archer Oh Explore Grief & Its Complex Cycles in “Rotary”

by Chloe Robinson
Orange Blood - Mt. Joy
Features, Interviews, MusicOctober 4, 2022<March 11, 2023

The Hot Honey Sauce of Bands: An Interview with Mt. Joy’s Matt Quinn on Irreverence, Inside Jokes, & Their 3rd LP, ‘Orange Blood’

by Mitch Mosk
Atwood Magazine's Editor's Picks 75
Columns, Editor's Picks, Features, MusicOctober 3, 2022<October 3, 2022

Editor’s Picks 75: thea wang, Victoria Bigelow, Death Cab for Cutie, Lady Blackbird, Say She She, & Pei!

by Mitch Mosk
BRUX © Dylan Reyes
Interviews, MusicOctober 3, 2022<October 3, 2022

Interview: BRUX Unleashes Her Inner ‘BADBOI’ on “Clubby, Heavy, & Urgent” New EP

by Josh Weiner
Oh Wonder "Can We Always Be Friends" © 2022
Columns, Music, Today's SongOctober 3, 2022<October 2, 2022

Today’s Song: Oh Wonder’s “Can We Always Be Friends?” Is a Celebration of Love As a Higher Power

by Mitch Mosk
Sabrina Song "To Know You" © Bao Ngo
Features, Interviews, Music, Today's SongSeptember 30, 2022<March 11, 2023

To Love and Be Loved: Sabrina Song Basks in the Present Moment in “To Know You”

by Sophie Severs
Julie Odell © Olivia Perillo
Debut, Features, Interviews, Music, Track-by-TrackSeptember 30, 2022<September 30, 2022

Stampeding, Tender, & Honest: Julie Odell Reckons & Roars on ‘Autumn Eve’, Her Transformational, Triumphant Debut Album

by Mitch Mosk
Are You Kidding Me????? - Henry Hall
Features, Interviews, MusicSeptember 30, 2022<September 30, 2022

Interview: Henry Hall Embraces His Neurotic Side in ‘Are You Kidding Me?????’ EP

by Nasim Elyasi
Atwood Magazine's Weekly Roundup | September 30, 2022
Columns, Features, Music, Weekly RoundupSeptember 30, 2022<September 30, 2022

Atwood Magazine’s Weekly Roundup: September 30, 2022

by Atwood Magazine Staff
Tariq Shihadah © 2022
Interviews, Music, Track-by-TrackSeptember 29, 2022<September 29, 2022

“Just Keep Swimming”: The Cozy, Comforting World of Tariq Shihadah’s Softly Soothing ‘Tuck Me Away’ EP

by Mitch Mosk
My Chemical Romance's Gerard Way © Jessica Staley
Concerts, Music, ReviewsSeptember 29, 2022<March 11, 2023

“It Was the Roar of the Crowd”: My Chemical Romance’s Reunion Tour Hits Home in Newark, NJ

by Mitch Mosk
Wax Owls © Bernadette Marciniak
Columns, Music, Today's SongSeptember 29, 2022<September 29, 2022

Today’s Song: Wax Owls Honor the ‘Vegas of Friendships’ with Intimately Radiant Single “Lie for Me”

by Mitch Mosk
WILSN © She Is Aphrodite
Music, PremieresSeptember 28, 2022<September 29, 2022

Premiere: WILSN Comes to Life on Smoldering, Cinematic & Soul-Soaked “If You Wanna Love Me”

by Mitch Mosk
Smiling Like an Idiot - Sorcha Richardson
Music, ReviewsSeptember 28, 2022<September 28, 2022

Review: Sorcha Richardson Returns with Shimmering Sophomore Album ‘Smiling Like an Idiot’

by Rachel Leong
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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