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Hazlett © Olof Grind
Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022

“Nostalgic Ballroom Folk”: Hazlett Delves into His Hauntingly Hushed & Achingly Intimate ‘Oh Downhill’ EP

by Mitch Mosk
Constant Follower © Jannica Honey
Debut, Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022

Space, Dreams, & Memory: Scotland’s Constant Follower Debut with ‘Neither Is, Nor Ever Was,’ a Hauntingly Beautiful Record Capturing Life’s Magic Spark

by Mitch Mosk
Pony Girl © Curtis Perry
Music, PremieresOctober 13, 2022<October 13, 2022

Premiere: Pony Girl’s “King of The Country Club” Pairs Criticisms on Privilege with a Wacky Sound

by Lilly Eason
Cost of Giving - Ari Lindo © Tom White
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022

Nostalgia, Impermanence, & Solace: Ari Lindo Embraces Stillness in ‘Cost of Giving,’ a Sweetly Stirring Debut

by Mitch Mosk
Bolinas © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022

Track-by-Track: Bolinas’ Debut Album Is ‘Heavy Easy Listening’ At Its Finest

by Mitch Mosk
"Moonage Daydream" film poster
Film, Music, ReviewsOctober 12, 2022<October 12, 2022

Bowie’s Extraordinary Dream: A Review of the Film ‘Moonage Daydream’

by David Buyze
Hold on Baby - King Princess album artwork 8.3
Music, Our Take, ReviewsOctober 12, 2022<October 12, 2022

Our Take: King Princess Proves She Deserves Her Crown with ‘Hold on Baby’

by Nic Nichols
Atwood Magazine's Editors Picks 76
Columns, Editor's Picks, Features, MusicOctober 11, 2022<March 11, 2023

Editor’s Picks 76: Handsome Ghost, Black Honey, Field Guide, Jasmine Jethwa, Girl Scout, & The Drives!

by Mitch Mosk
Human Barbie © 2022
Features, Music, Premieres, Track-by-TrackOctober 11, 2022<October 11, 2022

“Trapped in a photograph…”: Human Barbie Embraces the Gloom on Hauntingly Intimate ‘no worries’ EP

by Mitch Mosk
Kuri © Camille Candia
Artist to Watch, Columns, Music, PremieresOctober 11, 2022<October 11, 2022

Artist to Watch: Kuri Soothes & Stirs the Soul in “Modern Mayhem,” an Intimate Song of High School, Healing, & Teenage Turmoil

by Mitch Mosk
Sadurday © Colleen McHugh
Music, PremieresOctober 11, 2022<October 11, 2022

Premiere: Grunge Duo Sadurday Dwell in the Depths of Vice on Feverish New Single “Sideways”

by Mitch Mosk
Alice Pisano © Blackham
Columns, Music, Today's SongOctober 11, 2022<December 27, 2024

Today’s Song: Exploring the Intensity of Infatuation with Alice Pisano’s “Ink”

by Joe Beer
Joey Walker © Anna Powell Denton
Essays, MusicOctober 10, 2022<October 10, 2022

“Music Just Isn’t Worth It”: A Farewell Transmission by Joey Walker

by Guest Writer
Dayglow © Dana Trippe
Features, Interviews, MusicOctober 10, 2022<October 10, 2022

Interview: Dayglow’s New Record ‘People in Motion’ Was Made to Be Heard Live

by Jamie Kahn
Legit Smitty © Beau Glenn
Columns, Music, Today's SongOctober 10, 2022<October 10, 2022

Today’s Song: Finding Peace in Solidarity with Legit Smitty’s “On My Feet”

by Lauren Hicks
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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