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Emei © 2022
Columns, Music, Today's SongAugust 10, 2022<August 10, 2022

The Never-Ending Pursuit of Perfection with Emei’s “That Girl”

by Sophie Severs
Nightlands (Dave Hartley) © Charlie Boss
Features, Interviews, MusicAugust 9, 2022<August 9, 2022

Interview: Dave Hartley of The War On Drugs Talks Solo Project Nightlands, Building His Own Recording Studio & The Miracle of Songwriting

by Beau Hayhoe
Dreamcastmoe © 2022
Music, ReviewsAugust 9, 2022<December 6, 2022

Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’

by Kevin Krein
Heavy Gus © Lauren Jacobson
Debut, Features, Music, Track-by-TrackAugust 5, 2022<March 2, 2025

“Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’

by Mitch Mosk
Odesza live © Ben Niesen
A Casual Ramble, Columns, MusicAugust 4, 2022<August 4, 2022

A Casual Ramble: Meandering Towards the Last Goodbye in Seattle… Or Was It?

by Ben Niesen
FloydFest 2022, Turnpike Troubadours crowd shot © Bob Adamek
Festival, Music, ReviewsAugust 4, 2022<August 5, 2022

FloydFest 2022: Made for These Times

by Guest Writer
Launder © Cameron McCool
Debut, Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder

by Isabella Le
EDEN © Alex Waespi
Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Balling and Bruised: The Road to EDEN’s Third Full-Length Album

by Coco Rich
Arlie's Nathaniel Banks © Gabe Drechsler
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022

BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album

by Mitch Mosk
Madison Cunningham © Claire Marie Vogel
Features, Interviews, MusicAugust 3, 2022<September 29, 2022

“No One’s Holding You Back Now”: Madison Cunningham Surrenders to the Process, Welcoming Discomfort with Open Arms

by Sophie Severs
Harrison Whitford "Secret Garden" still © Michael Erik Nikolla
Music, Music Videos, PremieresAugust 3, 2022<August 3, 2022

Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden”

by Mitch Mosk
Analog Party © Joshua Kern (left to right: Charles Horin, Animaan Pathak)
Music, PremieresAugust 3, 2022<August 3, 2022

Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child

by Mitch Mosk
Spoon Benders © Ben Niesen
Features, Interviews, MusicAugust 2, 2022<August 2, 2022

Right Behind You: A Conversation with Portland’s Resident Spoon Benders

by Ben Niesen
Homes at Night © Zach Pigg
Debut, Music, Music Videos, PremieresAugust 2, 2022<August 2, 2022

Premiere: Nashville Duo Homes at Night’s Raw & Catchy Alt-Rock Reeling, “Tell Emma”

by Mitch Mosk
Gemma Laurence © Beatrice Helman
Music, PremieresAugust 2, 2022<August 2, 2022

“I wanted to write a song that captured the joy of coming out”: Gemma Laurence Soars & Stirs on “Lavender”

by Mitch Mosk
Posts pagination
1 … 235 236 237 238 239 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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