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Eric Bolton © Gold House Studios
Columns, Essays, Music, Pride MonthJuly 6, 2022<July 6, 2022

“The Song or the Story?”: A Pride Month Essay by Eric Bolton

by Guest Writer
Little Fuss © Tori Spadaro
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Little Fuss’ Dreamy & Energetic “20 Questions”

by Kelly McCafferty Dorogy
The Burma @ Ciara O'Toole
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers”

by Mitch Mosk
Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

by Josh Weiner
Tunes & Tumblers x Djo & Maya Hawke
Music, Podcast, Tunes & TumblersJuly 6, 2022<April 30, 2023

Podcast: Tunes & Tumblers’ Century Club Celebrates Stranger Things and a Vecna’s Web (ft. Ruby Sparks)

by Atwood Magazine Staff
The Buckleys © Kimberley Vecsei
Columns, Music, Today's SongJuly 6, 2022<July 5, 2022

Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident

by Sophie Severs
French Cassettes (L-R): Scott Huerta, Rob Mills, Andy St. James, Mac Bunch
A Casual Ramble, Columns, Interviews, MusicJuly 5, 2022<July 5, 2022

A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’

by Ben Niesen
Matilda Bond © Maja Löfgren
Columns, Essays, Music, Pride MonthJuly 5, 2022<July 8, 2022

“Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond

by Guest Writer
Fab the Duo
Columns, Music, Today's SongJuly 5, 2022<July 4, 2022

Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill”

by Joe Beer
Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

by Josh Weiner
Carla Morrison © Esteban Calderón
Music, ReviewsJuly 1, 2022<July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

by David Buyze
RY X © Clifford Usher
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022

‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | Songs of Protest & Empowerment
Columns, Features, Music, Weekly RoundupJuly 1, 2022<July 1, 2022

Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment

by Atwood Magazine Staff
Thee Sacred Souls © Gustavo Olivares
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022

Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done”

by Lauren Hicks
Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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