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Death Cab for Cutie © Jimmy Fontaine
Features, Interviews, MusicSeptember 28, 2022<September 29, 2022

“Honoring the Past, But Not Bound By It”: An Interview with Death Cab for Cutie

by Mitch Mosk
Chad Price © Jenalle Los
Features, Interviews, Music, Track-by-TrackSeptember 27, 2022<September 29, 2022

“These hearts are heavy, but they’re not broken”: Toronto’s Chad Price Dwells in Vulnerability & Intimacy on Soul-Stirring ‘Introversion’ LP

by Mitch Mosk
Los Saints © Stu Alfano
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 27, 2022<September 27, 2022

“Ties that Bind”: Why Hispanic Heritage Month has Special Meaning for Los Saints

by Guest Writer
Atwood Magazine's Editors Picks 74
Columns, Editor's Picks, Features, MusicSeptember 27, 2022<March 11, 2023

Editor’s Picks 74: L.S. Dunes, Charlotte Lawrence, Peace Ritual, Sadurday, Dear Boy, & Abby Sage!

by Mitch Mosk
the Mountain Goats © Spence Kelly
Columns, Music, Reviews, Today's SongSeptember 27, 2022<September 27, 2022

Today’s Song: The Mountain Goats Revel in Villainy with Their Action Movie Ode “Hostages”

by James Crowley
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

Feature: Timothy Edward Carpenter’s Brutally Honest & Breathtakingly Vulnerable ‘PREP SCHOOL’ EP

by Mitch Mosk
Why Bonnie © Alec Castillo
Debut, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

“Lonely times are louder in the Lone Star State”: The Reckoning & Raw Reflection of Why Bonnie’s Standout Debut ’90 in November’

by Mitch Mosk
Asylums © Alistair Underwood
Artist to Watch, Music, PremieresSeptember 26, 2022<September 26, 2022

Premiere: Asylums’ Spirited “Instant Coffee” Is a Highly Caffeinated, Deeply Cathartic Anthem for the Broken & Bitter

by Mitch Mosk
Tim Bernardes © Tim Bernardes @ Marco Lafer and Isabela Vdd|
Columns, Music, Today's SongSeptember 26, 2022<September 26, 2022

Today’s Song: Tim Bernardes Poetically Defines the Meaning of Life with “Nascer, Viver, Morrer”

by Frankie Rose
Portola Music Festival 2022 lineup
A Casual Ramble, Music, Previews, ReviewsSeptember 23, 2022<September 23, 2022

A Casual Portola Festival Preview: Charli XCX, Yves Tumor, Jamie xx, Kelly Lee Owens, L’Impératrice, & More!

by Ben Niesen
Talk Show © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 23, 2022<March 14, 2024

Touch the Ground: London’s Talk Show Kiss the Sky with Feverish Industrial Post-Punk EP

by Mitch Mosk
Editors © Rahi Rezvani
Music, ReviewsSeptember 23, 2022<September 23, 2022

Potency & Emancipation: The Wonders of Editors’ 7th Album, ‘EBM’

by David Buyze
Atwood Magazine's Weekly Roundup | September 23, 2022
Columns, Features, Music, Weekly RoundupSeptember 23, 2022<September 25, 2022

Atwood Magazine’s Weekly Roundup: September 23, 2022

by Atwood Magazine Staff
Tamino © Jeton Bakalli
Features, Interviews, MusicSeptember 23, 2022<March 11, 2023

Feature: Tamino’s Sophomore Album ‘Sahar’ Mediates the Intersection Between Light & Dark, Love & Pain

by Lilly Eason
Corey Harper © Harper Smith
Debut, Features, Interviews, MusicSeptember 23, 2022<September 29, 2022

Interview: Corey Harper Talks Embracing Change, Hope, & Comfort in the Storm on His Debut Album ‘Future Tense’

by Rachel Leong
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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