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Debut, Features, Interviews, Music, Track-by-TrackOctober 7, 2022<March 11, 2023 ‘How It Ends’: Brooklyn’s TOLEDO Debut with Trauma, Vulnerability, & Breathtaking Sonic Warmth by Mitch Mosk
Columns, Features, Music, Weekly RoundupOctober 7, 2022<October 11, 2022 Atwood Magazine’s Weekly Roundup: October 7, 2022 by Atwood Magazine Staff
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Features, Interviews, MusicOctober 7, 2022<March 11, 2023 Interview: easy life’s ‘MAYBE IN ANOTHER LIFE…’ Is a Party Unlike Any You’ve Attended by Mitch Mosk
Music, PremieresOctober 6, 2022<October 6, 2022 Premiere: The Unabating Intensity of Russian Baths’ Haunting “Rise Again” by Mitch Mosk
Features, Interviews, Music, Track-by-TrackOctober 6, 2022<October 6, 2022 Intimacy Manifest: Jon DeRosa Opens Up About Aarktica’s Stirring New LP, ‘We Will Find the Light’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackOctober 6, 2022<October 6, 2022 “Hometowns are for leaving”: Charlie Burg Soars on His Warm, Wide, Wishful Debut LP, ‘Infinitely Tall’ by Mitch Mosk
Music, Reviews, Track-by-TrackOctober 6, 2022<October 6, 2022 Track-by-Track: Devour Lustrous Euphoria with Joulie Fox’s New EP ‘Love Is a Blessing’ by Joe Beer
Columns, Music, Today's SongOctober 6, 2022<October 6, 2022 Today’s Song: Adam Melchor’s “Cry” is Pure Escapism & Unapologetic Reflection by Rachel Leong
Music, PremieresOctober 6, 2022<October 5, 2022 Premiere: Villages’ “Love Will Live On” Emphasizes the Charm of Simple Living by Frankie Rose
Music, PremieresOctober 6, 2022<October 5, 2022 Premiere: Billy Raffoul Breaks Free on “We Could Get High” by Anthony Kozlowski
Features, Interviews, MusicOctober 5, 2022<March 11, 2023 Tides of the Self: A Conversation with Indigo Sparke on Fearless Sophomore Album ‘Hysteria’ by Coco Rich
Columns, Music, Music Videos, Today's SongOctober 5, 2022<October 4, 2022 Today’s Song: Suki Waterhouse Travels Back in Time with Romantic & Wistful “Nostalgia” by Nic Nichols
For the Love of Music
For the Love of Music
