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Tunes & Tumblers x Djo & Maya Hawke
Music, Podcast, Tunes & TumblersJuly 6, 2022<April 30, 2023

Podcast: Tunes & Tumblers’ Century Club Celebrates Stranger Things and a Vecna’s Web (ft. Ruby Sparks)

by Atwood Magazine Staff
The Buckleys © Kimberley Vecsei
Columns, Music, Today's SongJuly 6, 2022<July 5, 2022

Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident

by Sophie Severs
French Cassettes (L-R): Scott Huerta, Rob Mills, Andy St. James, Mac Bunch
A Casual Ramble, Columns, Interviews, MusicJuly 5, 2022<July 5, 2022

A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’

by Ben Niesen
Matilda Bond © Maja Löfgren
Columns, Essays, Music, Pride MonthJuly 5, 2022<July 8, 2022

“Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond

by Guest Writer
Fab the Duo
Columns, Music, Today's SongJuly 5, 2022<July 4, 2022

Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill”

by Joe Beer
Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

by Josh Weiner
Carla Morrison © Esteban Calderón
Music, ReviewsJuly 1, 2022<July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

by David Buyze
RY X © Clifford Usher
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022

‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | Songs of Protest & Empowerment
Columns, Features, Music, Weekly RoundupJuly 1, 2022<July 1, 2022

Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment

by Atwood Magazine Staff
Thee Sacred Souls © Gustavo Olivares
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022

Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done”

by Lauren Hicks
Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

by Mitch Mosk
Éclo © Akvilė Bukauskaite
Debut, Music, PremieresJune 30, 2022<June 30, 2022

“Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut

by Mitch Mosk
Jada Michael © 2022
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“Ready to GO”: A Pride Month Essay by Jada Michael

by Guest Writer
Agender © Lindsey Byrnes
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“QUEER CORE”: A Pride Month Essay by Agender’s Romy Hoffman

by Guest Writer
globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

by Jamie Kahn
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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