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Sara-Danielle © Gaelle Leroyer
Music, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Montreal’s Sara Danielle Aches & Shakes on Dreamy New Single “Away from You”

by Mitch Mosk
Coyle Girelli © Shervin Lainez
Music, Music Videos, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Coyle Girelli’s Indulgent Anthem “Do You Wanna Dance?” Proves an Passionate Cut Off ‘Funland’

by Mitch Mosk
Beau © Tara Gallagher
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 14, 2022

Track-by-Track: NYC’s Beau Radiate Raw Emotion on Stunning EP ‘Forever’

by Mitch Mosk
Bad Suns © Elizabeth Miranda
Features, Interviews, MusicFebruary 14, 2022<February 14, 2022

Interview: Bad Suns Show Life in a New Light on Cinematic 4th Album ‘Apocalypse Whenever’

by Nasya Blackshear
Haunted Summer © Nicole Rico
Columns, Music, Today's SongFebruary 14, 2022<February 14, 2022

Haunted Summer Tribute Daniel Johnston with Heartbreaking Valentine’s Cover “You Put My Love Out the Door”

by Beau Hayhoe
Atwood Magazine's Editor's Picks 55
Columns, Editor's Picks, Features, MusicFebruary 11, 2022<February 11, 2022

Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2022
Columns, Features, Music, Weekly RoundupFebruary 11, 2022<February 11, 2022

Atwood Magazine’s Weekly Roundup: February 11, 2022

by Atwood Magazine Staff
Aeon Station © Ebru Yildiz
Features, Interviews, MusicFebruary 11, 2022<February 11, 2022

Interview: Kevin Whelan on The Wrens, His New Aeon Station Record, and Embracing the Mists of Time

by Beau Hayhoe
Hand Habits © Jacob Boll
Features, Interviews, MusicFebruary 11, 2022<February 15, 2022

Interview with Hand Habits: Finding the Growth in Pain & Building a ‘Fun House’ of Emotion

by Jesse Herb
B-Drop
Features, Music, PremieresFebruary 11, 2022<February 14, 2022

Premiere: B-Drop Worldwide Showcases LA’s Mehro

by Mitch Mosk
Interviews, MusicFebruary 10, 2022<February 18, 2022

“Music Is My Mother Tongue”: A Conversation with Sofiane Pamart

by Adrian Vargas
Creature Canyon © Jordan Dudenhoeffer
Music, Music Videos, PremieresFebruary 10, 2022<February 10, 2022

Premiere: Creature Canyon Feel the “Pressure” with Smoldering Strength & Sweet, Soaring Grooves

by Mitch Mosk
Amy Jay © Katrina Sorrentino
Music, Premieres, Track-by-TrackFebruary 10, 2022<June 13, 2022

“Outer Calm and Inner Angst”: Amy Jay Premieres Her Ethereal & Existential Debut Album, ‘Awake Sleeper’

by Mitch Mosk
Partner Look © Jason Boltex
Debut, Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“It’s about friendship”: Melbourne’s Partner Look Debut with Warm, Fun, & Quirky Off-Kilter Pop Album, ‘By the Book’

by Mitch Mosk
Sam Weber © Jacob Boll
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

Track-by-Track: Sam Weber Dives into the Heartfelt Depths of ‘Get Free’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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