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Gemma Laurence © Beatrice Helman
Music, PremieresAugust 2, 2022<August 2, 2022

“I wanted to write a song that captured the joy of coming out”: Gemma Laurence Soars & Stirs on “Lavender”

by Mitch Mosk
Louyah © 2022
Columns, Music, Today's SongJuly 27, 2022<August 1, 2022

Today’s Song: Louyah Finds His Inner “Peter Pan” in Authentic New Single

by Joe Beer
Lupe Fiasco © 2022 7.6
Music, Our Take, ReviewsJuly 25, 2022<July 12, 2022

Our Take: Lupe Fiasco Goes Jazzy, Stays Provocative on ‘Drill Music in Zion’

by Josh Weiner
Wasia Project © 2022
Music, ReviewsJuly 21, 2022<July 13, 2022

Review: Wasia Project’s Debut EP ‘how can i pretend?’ Is Your Next Heartstopper

by Madeleine Eggen
Fever Dream - Lia Rye
Debut, Music, Reviews, Track-by-TrackJuly 20, 2022<July 12, 2022

“Kaleidoscope of Catharsis”: A Track-by-Track Review of Lia Rye’s ‘Fever Dream’ EP

by Joe Beer
Claire Rosinkranz © Austin Cieszko
Features, Interviews, MusicJuly 19, 2022<July 12, 2022

Keeping it Real: How Claire Rosinkranz Stays Grounded within Today’s Whirlwind Industry

by Sophie Severs
Sydney Sprague © 2022
Columns, Music, Today's SongJuly 18, 2022<July 13, 2022

Sydney Sprague’s “Think Nothing” is a Ferocious Refusal Against Anxieties

by Kevin Krein
Easy Honey © 2022
Columns, Music, Today's SongJuly 15, 2022<August 1, 2022

Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time

by Lilly Eason
Launder © Cameron McCool
Columns, Music, Today's SongJuly 14, 2022<August 4, 2022

Today’s Song: “Intake” a Selcouth, Fresh Breath of Air in Launder’s New Single

by Isabella Le
Josie Dunne © Bree Marie Fish
Debut, Features, Interviews, MusicJuly 14, 2022<July 13, 2022

“TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album

by Mitch Mosk
Atwood Magazine's Editor's Picks 71
Columns, Editor's Picks, Features, MusicJuly 13, 2022<September 29, 2022

Editor’s Picks 71: Chad Price, Rat Tally, CMON CMON, November Ultra, Forest Claudette, & James BKS!

by Mitch Mosk
From Capelton Hill - Stars
Features, Interviews, MusicJuly 13, 2022<July 13, 2022

“We’re just trying to be a kitchen sink band”: Stars’ Torquil Campbell Discusses Ghosts, Songwriting, & New Album ‘From Capelton Hill’

by Mitch Mosk
French for Rabbits © 2022
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’

by Mitch Mosk
Goon © Josh Beavers
Features, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’

by Mitch Mosk
Riley Pearce © Cedric Tang
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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