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Ellevator © Stephanie Montani
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022

“World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’

by Mitch Mosk
Wy © Lamia Karic
Columns, Music, Today's SongMay 17, 2022<May 17, 2022

“And it’s you who’s turning out the lights”: Wy’s Raw “Teeth” Is an Achingly Heartfelt & Helpless Reckoning

by Mitch Mosk
bedroom walls - November Ultra
Debut, Features, Interviews, Music, Track-by-TrackMay 16, 2022<May 16, 2022

“Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’

by Mitch Mosk
Benjamin Carter © Abraham Azab
Music, Music Videos, PremieresMay 16, 2022<May 16, 2022

Video Premiere: “Lost Control” Is Benjamin Carter’s Feverish Cry for Help

by Mitch Mosk
Bears Den © Bennie Curnow
Features, Interviews, MusicMay 16, 2022<September 29, 2022

“Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie

by Mitch Mosk
My Chemical Romance © Devin Sarno
Columns, Music, Today's SongMay 16, 2022<May 16, 2022

Today’s Song: My Chemical Romance’s “The Foundations of Decay” Announces a Larger-Than-Life Rebirth

by Sophie Prettyman-Beauchamp
Mild West © Charlie Hardy
Debut, Features, Interviews, Music, Track-by-TrackMay 13, 2022<May 16, 2022

“Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’

by Mitch Mosk
Charlie Collins © She Is Aphrodite
Features, Interviews, Music, Track-by-TrackMay 13, 2022<June 2, 2022

“Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP

by Mitch Mosk
Superbloom © Nia Garza
Columns, Music, Today's SongMay 13, 2022<May 13, 2022

Today’s Song: Brooklyn’s Superbloom Release a Fast n’ Feverish Grunge Upheaval in “Falling Up”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 13, 2022
Columns, Features, Music, Weekly RoundupMay 13, 2022<May 13, 2022

Atwood Magazine’s Weekly Roundup: May 13, 2022

by Atwood Magazine Staff
Max Frost © JT Boehme
Features, Interviews, Music, Track-by-TrackMay 12, 2022<June 29, 2022

“Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP

by Mitch Mosk
Pictoria Vark © Sophie Prettyman-Beauchamp
Debut, Features, Interviews, MusicMay 12, 2022<May 16, 2023

Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’

by Sophie Prettyman-Beauchamp
Valley © Becca Hamel
Columns, Music, Today's SongMay 12, 2022<May 12, 2022

Today’s Song: Valley’s Buoyant & Bubbly “CHAMPAGNE” Is the Anthem We All Need Right Now

by Mitch Mosk
Maeve Steele © Swoon
Music, PremieresMay 12, 2022<May 12, 2022

Premiere: Maeve Steele’s Sun-Kissed “slow down” Shines Like a Soft Summer Breeze

by Mitch Mosk
Pusha T © Def Jam Recordings 7.6
Music, Our Take, ReviewsMay 12, 2022<May 11, 2022

Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’

by Josh Weiner
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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