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Bridget Rian "New Hampshire" © Josh Kranich
Music, PremieresJune 8, 2022<June 8, 2022

Premiere: Bridget Rian’s Brightly Charged Breakup Anthem “new hampshire”

by Mitch Mosk
Micah Edwards © 2022
Debut, Features, Interviews, Music, PremieresJune 8, 2022<June 8, 2022

Album Premiere: “Mr. Texas Soul” Micah Edwards Shares His Heartbreaking, Hopeful, & Redeeming Debut ‘Jean Leon’

by Mitch Mosk
Sister Ray © Vanessa Heins
Debut, Features, Interviews, Music, Track-by-TrackJune 8, 2022<June 8, 2022

Inside Sister Ray’s Unfiltered & Liberating Debut ‘Communion’: “If anybody’s gonna get crucified, I want it to be me tonight”

by Mitch Mosk
courtship. © Emily Nava
Features, Interviews, MusicJune 8, 2022<February 7, 2023

Feature: Kick Back and Slurp Some “Million Dollar Smoothies” with courtship.

by Anthony Kozlowski
Gretchen Klempa © Chelsea Rose
Columns, Debut, Music, Today's SongJune 8, 2022<June 8, 2022

Gretchen Klempa Doesn’t Want to Say Goodbye in Debut Single “Drunk at Your Funeral”

by Joe Beer
Ken Yates © Jen Squires
Features, Interviews, Music, Track-by-TrackJune 7, 2022<August 4, 2023

“Searching for those small moments of peace”: Ken Yates Dives into 4th LP ‘Cerulean,’ a Softly Stirring Triumph of Grief & Hope

by Mitch Mosk
Charlie Hickey © Frank Ockenfels
Debut, Features, Interviews, MusicJune 7, 2022<July 9, 2022

To Those Who Wait: A Conversation with Charlie Hickey

by Nasim Elyasi
Darius © Manu Fauque
Music, Music Videos, PremieresJune 7, 2022<June 7, 2022

Premiere: Darius & Devin Tracy Dwell in an Intimate Euphoria on Groovy, Seductive “Ease Your Mind”

by Mitch Mosk
Soccer Mommy © Sophie Hur
Columns, Music, Today's SongJune 7, 2022<June 7, 2022

Today’s Song: Soccer Mommy Seamlessly Integrates the New, Retro, and Modern in “Bones”

by Rachel Leong
Spoon 'Lucifer on the Sofa' © Oliver Halfin
Features, Interviews, MusicJune 7, 2022<June 7, 2022

“It’s a great rock record in a time when rock n’ roll is needed”: Jim Eno on Spoon’s 10th LP ‘Lucifer on the Sofa’

by Mitch Mosk
John Doe © Todd V. Wolfson
Features, Interviews, MusicJune 6, 2022<March 2, 2025

After the Fall: John Doe on ‘Fables in a Foreign Land,’ Isolation, and Poetry

by Mariel Fechik
Sunflower Thieves © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 6, 2022<August 7, 2024

Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’

by Mitch Mosk
Ziggy Alberts & Donovan Woods © 2022
Columns, Music, Today's SongJune 6, 2022<June 6, 2022

Today’s Song: Ziggy Alberts & Donovan Woods Reckon with Cultural Trends & Polarization in “THE SUN & THE SEA”

by Mitch Mosk
Les Claypool © Paul Haggard
Features, Interviews, MusicJune 6, 2022<June 7, 2022

Interview with Les Claypool: Primus, Oysterhead Founder Discusses Rush, Wine Making, Fishing, Movies, & More

by Guest Writer
Boyish © Anna Koblish
Features, Interviews, Music, Track-by-TrackJune 3, 2022<September 29, 2022

“Nostalgic, Blunt, & Vulnerable”: Boyish’s ‘My Friend Mica’ Is Pure Summer Bummer Bliss

by Mitch Mosk
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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