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TBH - Bri Steves
Debut, Features, Music, Reviews, Track-by-TrackApril 20, 2022<April 20, 2022

“Raw & Unfiltered”: Philadelphia’s Bri Steves Dives into Her Uninhibited, Undeniable Debut Project, ‘TBH’

by Mitch Mosk
Paisley Black © 2022
Columns, Music, Today's SongApril 20, 2022<April 20, 2022

Today’s Song: Paisley Black’s “Bet You Wish” Showcases Heartache & Regret in a Seductive ’60s Sound

by Chloe Robinson
Kim Gordon at Treefort 10 © Sophie Prettyman-Beauchamp
Festival, Music, ReviewsApril 19, 2022<April 22, 2022

Roundtable Discussion: Treefort 10 Was a Choose-Your-Own-Adventure Spectacular

by Atwood Magazine Staff
Incubator - Primer
Features, Music, Reviews, Track-by-TrackApril 19, 2022<April 19, 2022

“Poignant Abject Pop”: Primer Dives into Her Stunning & Cinematic Synthpop LP, ‘Incubator’

by Mitch Mosk
Gregory Ackerman © Nell T Sherman
Features, Interviews, Music, ReviewsApril 19, 2022<April 19, 2022

“Pain, Hope, & Memoriam”: Gregory Ackerman Discusses His Beautifully Aching Sophomore Album ‘Still Waiting Still’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 15, 2022
Columns, Features, Music, Weekly RoundupApril 15, 2022<April 15, 2022

Atwood Magazine’s Weekly Roundup: April 15, 2022

by Atwood Magazine Staff
GRAE © Gemma Warren
Artist to Watch, Debut, Features, Interviews, Music, Reviews, Track-by-TrackApril 15, 2022<April 18, 2022

“Happy, Sad, & Nostalgic”: GRAE Dives Inside the ‘Whiplash’ of Her Dazzling, Undeniable Debut

by Mitch Mosk
Atwood Magazine Editor's Picks 59
Columns, Editor's Picks, Features, MusicApril 15, 2022<April 26, 2024

Editor’s Picks 59: BEL & girlhouse, Mt. Joy, Ken Yates, McCall, Typhoon, & Nora Mae

by Mitch Mosk
Altameda © Colin Medley a
Columns, Music, Today's SongApril 15, 2022<April 15, 2022

Today’s Song: “Sweet Susie” Showcases the Best of the Best from Altameda’s New Album ‘Born Losers’

by Beau Hayhoe
alt-J © 2022
Features, Interviews, MusicApril 14, 2022<April 14, 2022

Interview: alt-J Dig into New Album ‘The Dream’ and the Undefinability of Music

by Dimitra Gurduiala
Hayden James © 2022
Interviews, MusicApril 14, 2022<April 13, 2022

Interview: A Conversation with Hayden James, an EDM Star Ready to Be ‘LIFTED’ to New Heights

by Josh Weiner
Loui Sixteen © Chloe Cusimano
Interviews, MusicApril 14, 2022<April 13, 2022

Interview: LA’s Loui Sixteen Unleashes Her Wildly Thrilling Debut EP, ‘Ego Kills’

by Chloe Robinson
Bad Tiger © 2022
Features, Music, Reviews, Track-by-TrackApril 13, 2022<July 27, 2023

Feature: SF’s Bad Tiger Shimmers & Shines on Introspective, Honest, & Unapologetic ‘Sanctuary’ EP

by Mitch Mosk
America Jayne © Sarah Rodriguez
Music, PremieresApril 13, 2022<April 13, 2022

Premiere: Brooklyn’s America Jayne Unveils Her Impassioned & Vulnerable Bubblegrunge Single, “Open Casket”

by Chloe Robinson
Emét © Charlie Hart
MusicApril 13, 2022<April 13, 2022

Today’s Song: It’s Just One of Those Days on Emét’s “The Chelsea Hotel Is Closed Until Further Notice”

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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