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Ben Abraham © Danielle Levitt
Features, Interviews, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“The Colliding Worlds of Sexuality & Spirituality”: Ben Abraham Dives Inside His Stunning Sophomore LP, ‘Friendly Fire’

by Mitch Mosk
Parcels © Erik Cesla
Features, Interviews, MusicApril 4, 2022<September 29, 2022

Antithesis par Excellence: Parcels Speak About Their Seismic Record ‘Day/Night’

by Nina Schaarschmidt
Harry Styles © Hanna Moon
Music, ReviewsApril 4, 2022<April 4, 2022

Harry Styles, Change, and “As It Was”

by Nasim Elyasi
The Haunted Youth © 2022
Columns, Music, Today's SongApril 4, 2022<April 4, 2022

Today’s Song: The Haunted Youth Get Intimate & Intricate on New Single “Shadows”

by Beau Hayhoe
TATYANA © Bella Howard
Columns, Music, Women's History MonthApril 2, 2022<February 24, 2025

“I just wanna be a hot nerd, is that too much to ask?”: TATYANA on Her Relationship with Technology & Femininity

by Guest Writer
Miki Ratsula © Ashley Osborn
Debut, Features, Music, Track-by-TrackApril 1, 2022<April 1, 2022

“Vulnerable, Intimate, & Nostalgic”: Miki Ratsula Dives into the Beautiful Depths of Debut Album ‘i owe it to myself’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 1, 2022
Columns, Features, Music, Weekly RoundupApril 1, 2022<April 1, 2022

Atwood Magazine’s Weekly Roundup: April 1, 2022

by Atwood Magazine Staff
Kinrose © Maliyah Grant
Debut, Music, ReviewsApril 1, 2022<April 1, 2022

Review: DC’s Kinrose Slides into Spring and Lets Hip-Hop Career Bloom with ‘Easygrowing’ EP

by Josh Weiner
Lose You - Lydia Clowes
Columns, Debut, Music, Today's SongApril 1, 2022<April 1, 2022

Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy

by Mitch Mosk
Kindsight © Line Hvid
Debut, Reviews, Track-by-TrackMarch 31, 2022<March 31, 2022

Feature: Kindsight Shine on Nostalgic, Honest, & Charming Debut Album ‘Swedish Punk’

by Mitch Mosk
Barrie © Alexa Viscius
Features, Music, Reviews, Track-by-TrackMarch 31, 2022<April 4, 2022

“Lush, Raw, & Cheeky”: Processing Life’s Little Moments with Barrie’s Stunning Sophomore Album, ‘Barbara’

by Mitch Mosk
Walter Martin © Melissa Martin
Columns, Music, Today's SongMarch 31, 2022<March 31, 2022

Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope

by Mitch Mosk
NOTD © 2022
Features, Interviews, MusicMarch 31, 2022<December 5, 2022

Interview: NOTD Perfect the Art of Cry Dancing on “about you” (ft. Nightly)

by Anthony Kozlowski
Agender © Lindsey Byrnes
Columns, Music, Women's History MonthMarch 31, 2022<March 31, 2022

Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women

by Guest Writer
The Accidentals (L to R): Katie Larson Sav Buist, & Michael Dause
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry

by Guest Writer
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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