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Features, Interviews, Music, ReviewsJuly 7, 2021<October 5, 2021

As Above, So Below: SPELLLING on Mythical Realms and New Album ‘The Turning Wheel’

by Mariel Fechik
DELPHii © David Reiss
Columns, Music, Today's SongJuly 7, 2021<July 7, 2021

Today’s Song: DELPHii Shows How to Be the Bigger Person in a Divine Way with “Tell Everyone”

by Dimitra Gurduiala
Why Solange Matters
Features, Interviews, MusicJuly 6, 2021<July 6, 2021

Why Solange Matters: A Conversation with Big Joanie’s Stephanie Phillips

by Sophie Prettyman-Beauchamp
Bawo © 2021
Columns, Music, Today's SongJuly 6, 2021<July 6, 2021

Today’s Song: Bawo Provides Dreamy Optimisim on “Starts with a Text”

by Ryan Feyre
CHROMATOPIA - NoMBe 10
Features, Interviews, MusicJuly 2, 2021<February 7, 2022

Love Spectrums & Color Theory: An Interview with NoMBe on Sophomore LP ‘CHROMATOPIA’

by Mitch Mosk
Lena Rich © Miranda Rico
Features, Interviews, MusicJuly 2, 2021<July 6, 2021

Layers & Landscapes of Reflection and Exploration: A Conversation with Lena Rich on ‘Upside Down’

by Dalia
Bridget St. John
Features, Interviews, MusicJuly 2, 2021<July 2, 2021

Feature: The Gentle Songs of Bridget St. John

by Guest Writer
Ryan Wright © Meredithe Ettrich
MusicJuly 2, 2021<July 1, 2021

Today’s Song: Ryan Wright Says Enough Is Enough in “Happy Birthday (Go Fuck Yourself)”

by Joe Beer
Pilot - Saint Joshua
Debut, Features, Music, Reviews, Track-by-TrackJuly 2, 2021<November 8, 2021

“Sedatory, Cohesive, & Organic”: Saint Joshua Dwells in Love’s Depths on Smoldering Debut ‘Pilot’ EP

by Mitch Mosk
The Jungle Giants © 2021
Features, Interviews, MusicJuly 1, 2021<August 19, 2021

Feature: Sam Hales on The Jungle Giants’ New Sound & How to Stay Motivated in the Face of Not Leaving Your House

by Lilly Eason
Mothé © Kylie Shaffer
Artist to Watch, Columns, Music, Today's SongJuly 1, 2021<July 1, 2021

Artist to Watch: Mothé Stuns, Stirs, Soars & Inspires in “Dancing on an Empty Floor”

by Mitch Mosk
Life + Love - Macklyn
Debut, Features, Music, Reviews, Track-by-TrackJuly 1, 2021<July 1, 2021

“Soulful, Relaxing, & Refreshing”: Macklyn Explores the Depths of ‘Life + Love’ in Stirring Debut Album

by Mitch Mosk
The Flavians © The Flavians
Features, Music, Reviews, Track-by-TrackJuly 1, 2021<July 1, 2021

“Slippery Slope Music”: The Psych, Sun, & Fun of The Flavians’ Radiant Self-Titled EP

by Mitch Mosk
DEVORA © 2021
Interviews, MusicJuly 1, 2021<July 1, 2021

Interview: Dive into the Unruly Mind of DEVORA Through Debut EP ‘Outlaw’

by Chloe Robinson
latewaves
Music, ReviewsJuly 1, 2021<July 1, 2021

New Jersey’s latewaves Debut with Raucous Punk & ‘Hell to Pay’

by James Crowley
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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