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Scalawag © Teo Saefkow
Music, PremieresOctober 5, 2021<October 4, 2021

Premiere: Scalawag’s Hauntingly Peaceful “Nobody Leaves”

by Kelly McCafferty Dorogy
Boslen © Cameron Corrado
Debut, Features, Music, Reviews, Track-by-TrackOctober 4, 2021<October 5, 2021

“Introspective, Cinematic, & Dark”: Boslen Dives into the Vulnerable Depths of Debut Album ‘DUSK to DAWN’

by Mitch Mosk
Maisyn © Rly Blonde
Debut, Features, Music, Reviews, Track-by-TrackOctober 4, 2021<October 4, 2021

“Earnest, Nostalgic, & Colorful”: Inside Maisyn’s Intimate & Catchy Coming-of-Age Debut EP ‘Cool Grl’

by Mitch Mosk
Columns, Music, Today's SongOctober 4, 2021<October 4, 2021

Today’s Song: Tommy Newport Goes Sweet as Hell With “Bubblegum”

by Joe Beer
Miles Marshall Lewis © Barron Claiborne
Books, Music, ReviewsOctober 4, 2021<October 4, 2021

Book Review: Miles Marshall Lewis Adjusts Kendrick Lamar’s Crown in ‘Promise That You Will Sing About Me’

by Oliver Crook
Shad © Justin Broadbent
Features, Interviews, MusicOctober 1, 2021<October 1, 2021

Interview: Shad Reimagines Human Connection on ‘Tao’

by Oliver Crook
B-Drop
Features, Music, PremieresOctober 1, 2021<October 1, 2021

Premiere: B-Drop Worldwide Showcases Cuffed Up, sorebae, Cheer Up Club, Jango Flash, & The Rare Occasions

by Mitch Mosk
Already, Always - Bess Atwell © Sequoia Ziff
Features, Music, Reviews, Track-by-TrackOctober 1, 2021<October 1, 2021

“Unapologetic, Evocative, & English”: Inside Bess Atwell’s Stirring Sophomore LP ‘Already, Always’

by Mitch Mosk
Peter Sandberg © Simeon Frohm
Music, Music Videos, PremieresOctober 1, 2021<October 2, 2021

Peter Sandberg’s Captivating “Wasted on You” ft. Aquilo Captures the Warmth & Wonder of the Midnight Sun

by Mitch Mosk
Columns, Music, Today's SongOctober 1, 2021<October 1, 2021

Today’s Song: Exploring the Ugly Truth of Fame on Number One Popstar’s “TV”

by Adrian Vargas
Atwood Magazine's Weekly Roundup | Hispanic Heritage Month 2021
Columns, Features, Music, Weekly RoundupOctober 1, 2021<October 1, 2021

Atwood Magazine’s Weekly Roundup: Hispanic Heritage Month 2021

by Atwood Magazine Staff
Wallows © Anthony Pham
Interviews, MusicOctober 1, 2021<September 30, 2021

Interview: Wallows Approach “I Don’t Want to Talk” Music Video with a Fresh Perspective

by Guest Writer
School of X © Jonas Bang
Features, Interviews, Music, ReviewsSeptember 30, 2021<September 30, 2021

“Free Your Spirit”: School of X’s Sophomore LP ‘Dancing Through the Void’ Is an Intimate, Heartfelt Reckoning

by Mitch Mosk
Annie Hamilton © Rosie Fitzgerald
Columns, Music, Today's SongSeptember 30, 2021<September 30, 2021

Today’s Song: Annie Hamilton’s Intimate & Empathic Indie Rock Anthem “Exist”

by Mitch Mosk
clide
Music, PremieresSeptember 30, 2021<September 30, 2021

Premiere: clide’s Intimate & Honest “come over” Is a Chilling Call for Connection

by Mitch Mosk
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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