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Flaws & Phases - Badmind
Music, ReviewsJune 8, 2021<June 8, 2021

Review: The Intimate Radiance of Badmind’s Soul-Pop Song “Flaws & Phases”

by Mitch Mosk
Columns, Music, Today's SongJune 8, 2021<January 30, 2024

Today’s Song: Bold and Bright, Lake Street Dive Kindle a Fire with “Hypotheticals”

by Nasim Elyasi
Allison Ponthier © Lissyelle Laricchia
Artist to Watch, Interviews, MusicJune 7, 2021<October 5, 2021

Interview: Singer/Songwriter Allison Ponthier Is an Intimate, Heartfelt, & Captivating Artist-to-Watch

by Mitch Mosk
Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

by Mitch Mosk
Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

by Mitch Mosk
Columns, Music, Today's SongJune 7, 2021<June 7, 2021

Today’s Song: Punk Meets Spirituality in Willow’s “Transparent Soul”

by Kelly Liu
Yoke Lore © Emma Mead
Features, Interviews, MusicJune 7, 2021<August 5, 2021

Letting Other People Do the Talking: A Conversation with Yoke Lore

by Nicole Almeida
Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

by Mitch Mosk
Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

by Josh Weiner
Wyldest © 2021
Features, Music, Reviews, Track-by-TrackJune 4, 2021<January 27, 2023

Feature: Wyldest’s Empowering ‘Monthly Friend’ Embraces & Explores the Depths of Womanhood

by Mitch Mosk
Lucy Francesca Dron © Finn Mullen
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021

“Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’

by Mitch Mosk
BETWEEN FRIENDS © Elizabeth Miranda
Features, Interviews, MusicJune 4, 2021<June 4, 2021

BETWEEN FRIENDS Prioritize Thinking Less & Enjoying More, Generating Their Most Authentic Music to Date

by Kelsey Fitzgerald
Atwood Magazine's Weekly Roundup | June 4, 2021
Columns, Features, Music, Weekly RoundupJune 4, 2021<June 4, 2021

Atwood Magazine’s Weekly Roundup: June 4, 2021

by Atwood Magazine Staff
Interviews, MusicJune 4, 2021<June 4, 2021

Interview: ELUNIA Speaks of Conformity vs. Individuality & Upcoming EP ‘DEEP END’

by Joe Beer
SOUR - Olivia Rodrigo
Features, Music, Reviews, RoundtableJune 4, 2021<June 29, 2024

Roundtable Discussion: A Review of Olivia Rodrigo’s ‘SOUR’

by Atwood Magazine Staff
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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