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Features, Interviews, MusicAugust 10, 2021<August 17, 2021

To Those Left Standing: Laura Stevenson on Her Self-Titled Album, Trauma, and Making Amends

by Mariel Fechik
The Wandering Hearts © Shane McCauly
Features, Music, Reviews, Track-by-TrackAugust 10, 2021<August 10, 2021

“Eclectic, Hopeful, & Feel-Good”: The Wandering Hearts Soar on Stunning Self-Titled Sophomore Album

by Mitch Mosk
Chet Faker © Jelani Roberts
Features, Interviews, MusicAugust 10, 2021<August 10, 2021

Interview with Chet Faker (Nick Murphy): Following Instinct and Finding the Joy in Music

by Maggie McHale
Attitude - Leikeli47
Columns, Music, Today's SongAugust 10, 2021<August 9, 2021

Today’s Song: Leikeli47 Is a Trendsetting Hero on “Attitude”

by Kosiso Ugwueze
Columns, Music, Today's SongAugust 9, 2021<August 9, 2021

Today’s Song: Alexis Marshall Presents an Ominous Atmosphere with “Open Mouth”

by Nick Matthopoulos
Plain Mister Smith © Sandra Lockwood
Music, PremieresAugust 6, 2021<February 6, 2023

Premiere: “The Rat” Leads Us into the Mysterious Universe of Plain Mister Smith

by Frankie Rose
LOONY © 2021
Features, Music, Reviews, Track-by-TrackAugust 6, 2021<August 6, 2021

“Forever, Soft, & Brave”: Toronto’s LOONY Is Intimate & Unfiltered in Sophomore EP ‘soft thing’

by Mitch Mosk
Victoria Dodson
Columns, Music, Today's SongAugust 6, 2021<August 6, 2021

Today’s Song: The Tender & Poignant Heartache of Victoria Dodson’s “Homesick”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 6, 2021
Columns, Features, Music, Weekly RoundupAugust 6, 2021<August 13, 2021

Atwood Magazine’s Weekly Roundup: August 6, 2021

by Atwood Magazine Staff
777 - KEY!, Kenny Beats
Columns, Music, The Collab ColumnAugust 5, 2021<August 5, 2021

The Collab Column: KEY! and Kenny Beats’ ‘777’

by Leo Culp
Evan Effres © Niminde Perera
Music, ReviewsAugust 5, 2021<August 5, 2021

Review: Evan Effres Navigates Turmoil with Grace in Catchy, Cathartic “Paradigm Shift”

by Mitch Mosk
Pageants © Tabor Allen
Features, Music, Reviews, Track-by-TrackAugust 5, 2021<August 5, 2021

“Liberating, Confrontational, Yearning”: Pageants Shine on Sophomore Album ‘Sun and Settled Days’

by Mitch Mosk
WONDALAND - TENI THE ENTERTAINER
Features, Interviews, MusicAugust 5, 2021<August 5, 2021

“Entertaining, Musical, & Inspirational”: TENI THE ENTERTAINER Shines on Radiant Debut ‘WONDALAND’

by Mitch Mosk
We Are The Willows (right) & Orchid Eaton (left) © Peter M
Music, PremieresAugust 5, 2021<August 5, 2021

Premiere: We Are The Willows & Orchid Eaton’s “Keep Your Head Up” Is a Mantra for Turbulent Times

by Mitch Mosk
Columns, Music, Today's SongAugust 5, 2021<August 5, 2021

Today’s Song: Addicted to Love in Natalie Shay’s “Medicine Boy”

by Joe Beer
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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