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Strawberry Launch © Will Montgomery
Debut, Features, Music, Premieres, Track-by-TrackAugust 4, 2021<August 4, 2021

EP Premiere: NYC’s Strawberry Launch Weave a Sweet Psychedelic Haze in Self-Titled Debut

by Mitch Mosk
Dutch Criminal Record © 2021
Music, Music Videos, PremieresAugust 4, 2021<August 4, 2021

Premiere: England’s Dutch Criminal Record Return with Intimate & (Bitter)Sweet “Return to Dust”

by Mitch Mosk
Music, ReviewsAugust 4, 2021<August 4, 2021

Review: Billie Eilish Is Back and ‘Happier Than Ever’

by Mariel Fechik
Kyd the Band © Garret Hayes
Features, Music, Reviews, Track-by-TrackAugust 4, 2021<August 4, 2021

“Conclusive, Settled, & Hopeful”: Kyd the Band Dives into His Hauntingly Beautiful ‘Season 4: Series Finale’

by Mitch Mosk
Tom West © Lauren Connelly
Features, Music, Reviews, Track-by-TrackAugust 4, 2021<August 4, 2021

“Slightly Psychedelic Folk Rock”: Tom West Shines on Radiant Third LP ‘I’m Livin’’

by Mitch Mosk
Columns, Music, Today's SongAugust 4, 2021<January 30, 2024

See Love Flower and Fade with Tyler, the Creator’s “WILSHIRE”

by Nasim Elyasi
Luke Hemmings © Scottie Cameron
Columns, Music, Today's SongAugust 3, 2021<August 3, 2021

5SOS Frontman Luke Hemmings Breaks Out at the “Starting Line” with Anthemic Solo Debut

by Mitch Mosk
Kenneth Whalum © A Brilliant Dummy
Features, Music, Reviews, Track-by-TrackAugust 3, 2021<August 3, 2021

“Heavy, Meaningful, & Haunting”: Kenneth Whalum’s Smoldering, Stirring Sophomore LP ‘Broken Land 2’

by Mitch Mosk
Coral Moons © Tatiana Ariola
Debut, Features, Interviews, Music, Premieres, Track-by-TrackAugust 3, 2021<August 3, 2021

“Exploratory, Reflective, & Textured”: Boston’s Coral Moons Shimmer & Shine on Radiant Debut ‘Fieldcrest’

by Mitch Mosk
Cold Weather Company © Carlos Perez
Music, PremieresAugust 2, 2021<August 2, 2021

Premiere: Cold Weather Company’s “Movement” Is an Uplifting Guide to Living in (and Embracing) the Moment

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 30, 2021
Columns, Features, Music, Weekly RoundupJuly 30, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: July 30, 2021

by Atwood Magazine Staff
Matilda Mann © Nicole Ngaise
Columns, Music, Today's SongJuly 30, 2021<July 30, 2021

Today’s Song: West London’s Matilda Mann Comes to Life in Intimate & Wondrous “Bloom”

by Mitch Mosk
Joe Bourdet © Sara Ross Samko
Debut, Features, Music, Reviews, Track-by-TrackJuly 30, 2021<July 30, 2021

“Wooden, Airy, & Laid-Back”: Joe Bourdet’s Debut LP ‘Meadow Rock’ Channels the Radiant, Warm California Sun

by Mitch Mosk
Features, Interviews, MusicJuly 30, 2021<July 30, 2021

Animus & Anima: LUMP (Laura Marling & Mike Lindsay) on New Record ‘Animal’

by Mariel Fechik
Lauran Hibberd © Rebecca Need-Menear
Features, Interviews, MusicJuly 30, 2021<August 7, 2021

“Sweaty Pandemic Rock”: Lauran Hibberd Sings, Stings, & Soars in Thrilling ‘Goober’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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