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Atwood Magazine Celebrates AAPI Heritage Month IV
Asian American and Pacific Islander Heritage Month, Features, MusicMay 24, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. IV

by Atwood Magazine Staff
Paradigmes - La Femme
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

Eclectic, Messy, & Original: La Femme Go Track-by-Track Through Third LP ‘Paradigmes’

by Mitch Mosk
ViVii © Rikkard Häggbom
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

“Feelings, feelings, feelings!”: ViVii’s Sophomore LP ‘Mondays’ Soars with Dazzling Dream Pop

by Mitch Mosk
Billie Eilish © Kelia Anne MacCluskey
Columns, Music, Today's SongMay 24, 2021<May 24, 2021

Today’s Song: Billie Eilish Speaks Out on “Your Power”

by Kosiso Ugwueze
Atwood Magazine's Weekly Roundup | May 21, 2021
Columns, Features, Music, Weekly RoundupMay 21, 2021<May 25, 2021

Atwood Magazine’s Weekly Roundup: May 21, 2021

by Atwood Magazine Staff
Sometimes Depressed​.​.​.​But Always Antifascist - BSÍ
MusicMay 21, 2021<May 21, 2021

“Brussels Sprouts International”: Iceland’s BSÍ Come to Life on Debut ‘Sometimes Depressed​.​.​.​But Always Antifascist’

by Mitch Mosk
Columns, Music, Today's SongMay 21, 2021<May 21, 2021

Today’s Song: A Glamorous Display of Love & Lust on Iverson’s “How Does It Make U Feel”

by Adrian Vargas
Tyne-James Organ
Debut, Features, Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

“Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’

by Mitch Mosk
Mannequin Pussy © Phobymo
Features, Interviews, MusicMay 21, 2021<May 21, 2021

“We Want to Be a Band for the Future”: A Conversation with Mannequin Pussy’s Marisa Dabice

by Sophie Prettyman-Beauchamp
slenderbodies
Features, Interviews, MusicMay 21, 2021<May 21, 2021

Interview: On ‘are we?’, slenderbodies Push Their Boundaries to Explore Who (and What) They Are

by Jason Brillon
Livingmore © Joseph Cultice
Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’

by Mitch Mosk
Litany © 2021
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream”

by Mitch Mosk
Still Broke - Samm Henshaw
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Artist to Watch: Samm Henshaw Radiates with Rich Sounds in “Still Broke” ft. Keyon Harrold

by Mitch Mosk
Tuvaband
Music, Music Videos, PremieresMay 20, 2021<May 20, 2021

Video Premiere: Tuvaband Stirs Consciences with Powerful Piece “Irreversible”

by Dimitra Gurduiala
RVRSIDE
Music, Premieres, Track-by-TrackMay 20, 2021<May 20, 2021

“Bold, Quirky, & Dark”: RVRSIDE Channel the Spirit of the ’90s in ‘Bullet with Butterfly Clips’ EP

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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