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Roan Yellowthorn © Patrisha McLean
Breaking the Record, Interviews, Music, Premieres, ReviewsMay 13, 2021<May 13, 2021

Interview: Roan Yellowthorn Breaks the Record with Sophomore LP, ‘Another Life’

by Mitch Mosk
New Candys © Jancy Buffington
Music, ReviewsMay 12, 2021<May 12, 2021

Review: New Candys’ “Zyko” Is an Electroshock to the System

by Mitch Mosk
M.A.G.S. © 2021
Music, ReviewsMay 12, 2021<May 12, 2021

M.A.G.S. Serves Up a Fresh & Feverish Sonic Cocktail in “Choked Out”

by Mitch Mosk
Evan Greer © Kayana Szymczak
Columns, Music, Today's SongMay 12, 2021<May 12, 2021

Today’s Song: Evan Greer Issues Call to Arms on Powerful “The Tyranny of Either/Or”

by Oliver Crook
Hayden Calnin © Emma McEvoy 2021
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Hayden Calnin Rediscovers Himself in Wondrous “The Parts I Hid Away” Off New Album ‘What It Means To Be Human’

by Mitch Mosk
BSÍ © Baldur Kristjánsson
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Reykjavík’s BSÍ Soothe & Stir in New Single “TAL 11” off Debut Album ‘Sometimes Depressed​.​.​.​But Always Antifascist’

by Mitch Mosk
Nicole McKinney © Julian Darcy
Debut, Music, PremieresMay 11, 2021<May 11, 2021

Premiere: Brisbane’s Nicole McKinney Rises with Raw Indie Anthem “Stay” Off Debut EP ‘The Process’

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month I
Asian American and Pacific Islander Heritage Month, Features, MusicMay 11, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. I

by Atwood Magazine Staff
Mia Joy © 2021
Debut, Features, Music, Reviews, Track-by-TrackMay 11, 2021<May 11, 2021

“Contemplative, Private, & Atmospheric”: Mia Joy Dives into Debut Album ‘Spirit Tamer’

by Mitch Mosk
Gabrielle Current © Nicole Lewis
Columns, Interviews, Music, Today's SongMay 11, 2021<May 11, 2021

Interview: Gabrielle Current Blends Beauty & Chaos in Irresistible R&B Upheaval “If I Fall” & ‘Virgo’ EP

by Mitch Mosk
Jordan Lehning © Zac Farro
Music, PremieresMay 11, 2021<May 11, 2021

Premiere: Jordan Lehning Soothes & Haunts in “Static” Off Forthcoming 4th LP

by Mitch Mosk
Cautious Clay © Leeor Wild
Debut, Features, Interviews, MusicMay 11, 2021<October 1, 2021

Balancing Chaos and Caution: A Conversation with Cautious Clay

by Coco Rich
Alfred Howard © Kristy Walker
Features, MusicMay 10, 2021<May 10, 2021

“Alfred Howard Writes” Music Project Highlights Connection & Collaboration During the Pandemic

by Mitch Mosk
Jake Wesley Rogers © 2021
Music, ReviewsMay 10, 2021<May 10, 2021

Jake Wesley Rogers’ Soaring “Middle of Love” Captures the Heavy Weight of Life & Love

by Mitch Mosk
Music, ReviewsMay 10, 2021<May 10, 2021

Review: Iceage Turns a New Corner on ‘Seek Shelter’

by Sophie Prettyman-Beauchamp
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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