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Belle and Sebastian © 2020
Interviews, MusicJanuary 5, 2021<April 22, 2023

Interview: Belle and Sebastian’s ‘What to Look for in Summer’ Brings Live Music to Your Quarantine Cubbie

by Ilana Kalish
It's real (I knew it) - Foxanne
Debut, Features, Music, Reviews, Track-by-TrackJanuary 5, 2021<January 5, 2021

“Powerful, Honest, & Intimate”: Inside Foxanne’s Visceral Debut Album ‘It’s real (I knew it)’

by Mitch Mosk
Maddy Storm © Isobel Williams
Music, ReviewsJanuary 5, 2021<January 5, 2021

Artist to Watch: Maddy Storm Faces Change Headfirst on New Song “The Art of Giving Up”

by Lexi Lane
Matilda Eyre © 2020
Columns, Music, Today's SongJanuary 5, 2021<January 5, 2021

Today’s Song: Matilda Eyre’s Enchanting & Vulnerable “Let Me Be”

by Hermione Kellow
Bruce Springsteen © Danny Clinch 8.3
Music, Our Take, ReviewsJanuary 4, 2021<January 4, 2021

Our Take: Bruce Springsteen’s ‘Letter to You’ Is a Neat Parcel of Mortality, Youth, and The Boss

by Bethan Harper
Pinc Louds © Cristina Agostini Fitch
Columns, Music, Today's SongJanuary 4, 2021<January 4, 2021

Today’s Song: Pinc Louds Offer Heart and a City’s Soul with “Spellbound”

by Oliver Crook
The Best Songs of 2020 (According to Anthony)
Lists, MusicDecember 31, 2020<December 31, 2020

The Best Songs of 2020 (According to Anthony)

by Anthony Kozlowski
3OH!3 © 2020
Columns, Music, Today's SongDecember 29, 2020<December 28, 2020

Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES”

by James Crowley
Sufjan Stevens © 2020
Music, ReviewsDecember 29, 2020<December 28, 2020

Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’

by Frankie Rose
cehryl © Jonny Ho
Columns, Music, Today's SongDecember 24, 2020<December 24, 2020

Today’s Song: cehryl’s Intimate Song “angels (emily)” Is a Visceral Indie Pop Upheaval

by Mitch Mosk
Atwood Magazine's 2020 Albums of the Year
Features, Lists, MusicDecember 23, 2020<February 5, 2021

Atwood Magazine’s 2020 Albums of the Year

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

by Josh Weiner
Songhoy Blues © Kiss Diouara
Interviews, MusicDecember 22, 2020<December 22, 2020

Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now

by Oliver Crook
Atwood Magazine's Mistletones: Best New Holiday Music 2020
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2020<February 5, 2021

Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 22, 2020<December 22, 2020

Today’s Song: How Keesh Immortalizes Love in “Ode to Fred”

by Dimitra Gurduiala
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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