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On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

by Emily Frances Algar
Nothing But Thieves © Jack Bridgland
MusicDecember 22, 2020<December 21, 2020

Interview: Conor Mason on How He & Nothing But Thieves Wrote One of the Most Prescient Albums of 2020

by Adam Davidson
Atwood Magazine's Artist Discoveries of 2020
Features, Lists, MusicDecember 21, 2020<February 5, 2021

Atwood Magazine’s Top Artist Discoveries of 2020

by Atwood Magazine Staff
The Old North © 2020
Debut, Music, ReviewsDecember 21, 2020<December 21, 2020

Review: The Old North’s Self-Titled Debut EP Should Make Bostonians Proud

by Ethan James
9
Music, Our Take, ReviewsDecember 21, 2020<December 21, 2020

Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’

by Leo Culp
Cries Real Tears! - Issy Wood
Music, Reviews, Track-by-TrackDecember 21, 2020<December 21, 2020

Track-by-Track: UK Artist Issy Wood’s Eccentric, Enthralling, & Experimental ‘Cries Real Tears!’ EP

by Mitch Mosk
La Femme © JF Julian
Features, Interviews, MusicDecember 21, 2020<May 14, 2023

Travel, Experimentation, & Collaboration: A Conversation with La Femme

by Frankie Rose
evermore - Taylor Swift
Features, Music, Reviews, RoundtableDecember 21, 2020<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’

by Atwood Magazine Staff
Matt Maltese
Columns, Music, Today's SongDecember 21, 2020<December 21, 2020

Today’s Song: Matt Maltese’s Exquisite Pop Ballad ‘hi’ is Pure Adoration

by Kelly Liu
2020 Songs of the Year Atwood Magazine
Features, Lists, MusicDecember 18, 2020<February 5, 2021

Atwood Magazine’s 2020 Songs of the Year

by Atwood Magazine Staff
Debut, Music, ReviewsDecember 18, 2020<December 18, 2020

Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’

by Maggie McHale
Metamorphosed - Osees
Interviews, MusicDecember 18, 2020<December 18, 2020

Interview: Osees’ John Dwyer on ‘Metamorphosed’ and Life without Touring in 2020

by Adam Davidson
Flamingosis © Dani Brandwein
Columns, Music, Music Videos, Today's SongDecember 18, 2020<December 18, 2020

Today’s Song: Flamingosis Creates a Space of Sunshine With “Daymaker”

by Adrian Vargas
Mimi Gilbert © 2020 8.6
Debut, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 17, 2020

“Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’

by Mitch Mosk
Tems © Jerusa Nyakundi
Features, Interviews, MusicDecember 17, 2020<December 18, 2020

Music for Hard Hearts That Are About to Turn into Stone: A Conversation with Tems

by Nicole Almeida
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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