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Marlana © Eduardo Fierro
Music, PremieresMarch 22, 2021<March 22, 2021

Premiere: Marlana’s Poignant “Good Girl” Is a Haunting Slice of Real Life

by Mitch Mosk
Sara Kays © Meg McCauly
Features, Interviews, MusicMarch 22, 2021<March 22, 2021

Interview: Sara Kays Leans into Her Viral Success

by Kelsey Fitzgerald
The Dead Deads
Columns, Music, Today's SongMarch 22, 2021<March 22, 2021

Today’s Song: The Dead Deads Get Beautifully Monstrous on “Deal with Me”

by Ethan James
Ray Moon © The Nikon Icon
Interviews, MusicMarch 22, 2021<March 22, 2021

From Darkness to “Glowin”: A Conversation with Ray Moon

by Josh Weiner
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 22, 2021<May 19, 2023

Atwood Magazine Celebrates Women’s History Month 2021, Pt. V

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup March 19, 2021
Columns, Features, Music, Weekly RoundupMarch 19, 2021<March 25, 2021

Atwood Magazine’s Weekly Roundup: March 19, 2021

by Atwood Magazine Staff
Bleach Lab © Isy Townsend 10
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2021<October 5, 2021

“Introspective, Revealing, & Sombre”: Bleach Lab Reckon Through Grief & Trauma on Debut EP ‘A Calm Sense of Surrounding’

by Mitch Mosk
Genesis Owusu © Daniela-Federici
Debut, Features, Interviews, MusicMarch 19, 2021<March 28, 2021

Interview: Genesis Owusu Tackles Racism & Depression on Album of the Year Contending Debut, ‘Smiling with No Teeth’

by Oliver Crook
Liza © Zachary Zewudia
Columns, Music, Today's SongMarch 19, 2021<March 18, 2021

Today’s Song: Liza’s “DONE IS DONE” Brings Soulful New Meaning to Desolation

by Erica Danielle Garcia
Young Heart - Birdy Album Art
Features, Interviews, MusicMarch 19, 2021<March 19, 2021

Interview: Birdy Talks New Music, Her Early Rise to Success, and Her ‘Young Heart’

by Bethan Harper
Jon Batiste © Justin French
Features, Interviews, MusicMarch 19, 2021<October 5, 2021

“We Are the Golden Ones”: Jon Batiste Dives into His Inspiring, Genreless New Album

by Mitch Mosk
Sundressed © Orlando Pelagio
Music, Music Videos, ReviewsMarch 18, 2021<March 18, 2021

Review: Sundressed’s “Cash Out” Is an Anthem of Perseverance, Inner Strength & Staying Power

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Columns, Music, Today's SongMarch 18, 2021<March 18, 2021

Artist to Watch: girlhouse Reckons with Inherited Trauma & Finds Renewal on “loaded gun”

by Mitch Mosk
Riley Pearce © Al Parkinson
Music, Premieres, Track-by-TrackMarch 18, 2021<March 18, 2021

EP Premiere: Riley Pearce Captures the Beauty & Magic of Connection with ‘Love and All That Stuff’

by Mitch Mosk
LA Parties' Andy Gorel
Debut, Music, PremieresMarch 18, 2021<March 18, 2021

Premiere: LA Parties Debuts with Invigorating & Visceral Disillusionment on Self-Titled Single, “LA Parties”

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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