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Music, ReviewsMarch 29, 2021<March 29, 2021

Review: Oxford Drama Creates Much-Needed Warmth on ‘What’s the Deal with Time?’

by Adrian Vargas
Atwood Magazine Celebrates Women's History Month
Columns, Features, Music, Women's History MonthMarch 29, 2021<March 29, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. VII

by Atwood Magazine Staff
The Wrecks © 2021
Interviews, MusicMarch 29, 2021<March 29, 2021

Interview: The Wrecks on Winning Over a Crowd, Touring (Finally!), & New Single “I Want My Life Back Now”

by Bethan Harper
Wish You Were Here - CL
Columns, Music, Reviews, Today's SongMarch 29, 2021<March 29, 2021

Today’s Song: CL and Her Heartbreaking Tribute, “Wish You Were Here”

by Dimitra Gurduiala
What Did You Expect from The Vaccines?
Debut, Features, Interviews, MusicMarch 27, 2021<October 5, 2021

Feature: The Vaccines Celebrate a Decade of Debut Album ‘What Did You Expect from The Vaccines?’

by Mitch Mosk
The Beach © Tom Byfield
Interviews, MusicMarch 26, 2021<March 26, 2021

A Conversation with The Beach: When He Realised He Was “Still in Love” & How He Topped the Chart From His Bedroom

by Bethan Harper
Sam Cooke © Wally Seawell, 1963
Columns, Music, Nostalgia TracksMarch 26, 2021<March 26, 2021

Nostalgia Tracks: The Evergreen Optimism of Sam Cooke’s “A Change Is Gonna Come”

by Maggie McHale
Clever Girls © Kay Dargin
Features, Interviews, MusicMarch 26, 2021<April 8, 2021

“How Did This F*cking Happen?”: An Interview with Clever Girls

by Ben Niesen
John Smith © Elly Lucas
Features, Music, Reviews, Track-by-TrackMarch 26, 2021<March 26, 2021

“Twelve Nice Songs”: John Smith Embraces Connection, Hope, & Community in His 6th Album ‘The Fray’

by Mitch Mosk
Atwood Magazine's Weekly Roundup March 26, 2021
Columns, Features, Music, Weekly RoundupMarch 26, 2021<March 26, 2021

Atwood Magazine’s Weekly Roundup: March 26, 2021

by Atwood Magazine Staff
St. Vincent © Zackery Michael
Columns, Music, Today's SongMarch 26, 2021<March 26, 2021

Today’s Song: St. Vincent Offers a Quick Dose of Pop Minimalism on “Pay Your Way In Pain”

by Adam Davidson
AKA Block © Brooke Ashley Barone
Interviews, MusicMarch 25, 2021<March 25, 2021

Interview: Locked Down in Vaults, AKA Block Talks About “Waiting for the Rain”

by Guest Writer
The World of Mashups
Essays, Features, MusicMarch 25, 2021<March 31, 2021

The World of Mashups

by Leo Culp
Atwood Magazine Celebrates Women's History Month VI
Features, Music, Women's History MonthMarch 25, 2021<March 25, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. VI

by Atwood Magazine Staff
Inland Isle © Lindley Rust
Music, PremieresMarch 25, 2021<March 25, 2021

Premiere: Inland Isle’s “Time Has Changed Us” Is a Bright Folk Rock Rush

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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