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Ida Lune - Ida Lune
Debut, Music, Premieres, Track-by-TrackNovember 16, 2020<November 17, 2020

Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut

by Mitch Mosk
Columns, Debut, Music, Today's SongNovember 16, 2020<November 16, 2020

Today’s Song: Peace Chord Creates Unmatched Majesty with Debut “Crescent of Sun”

by Adrian Vargas
flatsound © 2020
Features, Interviews, MusicNovember 16, 2020<December 9, 2024

A Decade Inside: Agoraphobic Musician Behind Flatsound Discusses Art and Mental Health

by Guest Writer
May Our Chambers Be Full - Emma Ruth Rundle & Thou 7.1
Music, Our Take, ReviewsNovember 16, 2020<December 15, 2020

Review: Emma Ruth Rundle & Thou’s ‘May Our Chambers Be Full’ Seizes a Bleak Moment & Subsumes It

by Danny Vagnoni
Yukon Blonde © Erika Saul
Features, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Grolsch, Ocean, API”: Yukon Blonde Soar Bold & True in 5th Album ‘Vindicator’

by Mitch Mosk
Marika Hackman © Luka Booth
Features, Interviews, MusicNovember 13, 2020<December 22, 2020

Freedom in Limitations & Other People’s Stories: A Conversation with Marika Hackman

by Nicole Almeida
90's Kids
Debut, Interviews, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Bold, Exciting, and Diverse”: Ohio’s 90’s Kids Debut Their ‘Doing Love Wrong’ EP

by Mitch Mosk
Nathy Peluso © Leo Adef
Debut, Features, Interviews, MusicNovember 13, 2020<April 8, 2021

Interview: Latin Grammy Nominee Nathy Peluso Takes Us Through Debut Album ‘Calambre’

by Alicia Bugallo
Tara Terra © Tracy Conoboy
Features, Interviews, Music, Today's SongNovember 13, 2020<November 13, 2020

Interview: Chicago’s Tara Terra Open Up with Intimacy & Fragility on Tender “T-Shirt”

by Mitch Mosk
Atwood Magazine's Weekly Roundup November 13 2020
Columns, Features, Music, Weekly RoundupNovember 13, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: November 13, 2020

by Atwood Magazine Staff
Music, Music Videos, PremieresNovember 13, 2020<November 13, 2020

Video Premiere: The Dawdler’s “Sign of Growth” Is an Enrapturing Ode to a Lost Soul

by Adrian Vargas
Debut, Interviews, MusicNovember 12, 2020<November 12, 2020

Interview: Feeling Dominated by Our Devices with Kidgloves’ “Satellite”

by Chloe Robinson
Breaking The Record 2020
Breaking the Record, Columns, MusicNovember 12, 2020<November 12, 2020

Breaking the Record with Roan Yellowthorn, Part 40: Part 2

by Guest Writer
VALLEY © 2020
Features, Interviews, Music, ReviewsNovember 12, 2020<November 12, 2020

“Melancholy, Harry Potter, & Soda”: VALLEY Dive into Dynamic 2020 EP ‘sucks to see you doing better’

by Mitch Mosk
positions - ariana grande art
Music, Reviews, RoundtableNovember 12, 2020<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘Positions’

by Atwood Magazine Staff
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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