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Woodlock © Kane Hibbered
Music, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP

by Mitch Mosk
Magazines © Dan Ffrench
Music, PremieresNovember 12, 2020<November 12, 2020

Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue”

by Mitch Mosk
The Brummies © 2020
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’

by Jordan Catagnus
Wild Youth Press Shot
Interviews, Music, PremieresNovember 12, 2020<November 12, 2020

Interview: Diving Into Wild Youth’s Sure Success Song “Through the Phone”

by Bethan Harper
Cry Club © Giulia McGauran
Debut, Features, Music, Premieres, Track-by-TrackNovember 11, 2020<November 11, 2020

Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’

by Mitch Mosk
ólafur arnalds
Features, Interviews, MusicNovember 11, 2020<November 11, 2020

Interview: How Ólafur Arnalds Put His Soul into New Record ‘Some Kind of Peace’

by Dimitra Gurduiala
Leif Vollebekk © Vanessa Heins
Interviews, MusicNovember 11, 2020<November 11, 2020

Bon Iver, Space, and a Country Song Lullaby: An Interview with Leif Vollebekk

by Mitch Mosk
Romy © Vic Lentaigne
Columns, Music, Today's SongNovember 11, 2020<November 11, 2020

Today’s Song: Love and Dance the Night Away with Romy’s “Lifetime”

by Nicole Almeida
Adrianne Lenker © Genesis Baez
Music, ReviewsNovember 11, 2020<November 11, 2020

Review: Adrianne Lenker’s Stunning Double Album ‘songs’ & ‘instrumentals’

by Mariel Fechik
Glded © Elle Ternes
Music, ReviewsNovember 11, 2020<November 10, 2020

Chicago’s Glded Weaves Wistful & Reflective Folktronica Through “Paine” & ‘Moraine’ EP

by Mitch Mosk
Elizabeth Woolf © 2020
Columns, Music, Today's SongNovember 10, 2020<November 10, 2020

Today’s Song: Elizabeth Woolf’s “Party” Is a Cordial Invitation to Smile

by Mitch Mosk
Ember Knight © Sophie Prettyman-Beauchamp
Features, Interviews, Music, PremieresNovember 10, 2020<November 10, 2020

Feature: Ember Knight Reveals the Man Behind the Curtain with Their Intimate Rock Opera ‘CHERYL’

by Sophie Prettyman-Beauchamp
Gus Dapperton © Jess Farran
Features, Interviews, MusicNovember 10, 2020<November 10, 2020

Interview: Gus Dapperton on New Album ‘Orca’ and Having Faith

by Kelly Liu
Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

by Josh Weiner
Frames © 2020
Music, PremieresNovember 10, 2020<November 10, 2020

Romantic Reckoning & Inner Upheaval: Frames’ Intimate Journey Through “Hell”

by Mitch Mosk
Posts pagination
1 … 353 354 355 356 357 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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