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Juletta + Ishan © Alison Dias 9.7
Debut, Music, Our Take, ReviewsOctober 22, 2020<December 15, 2020

Our Take: Juletta + Ishan’s Sparkling & Intricate Debut ‘If I Never Hit Land’

by Lowndes Commander
Hotel Fiction © Sydonne' Blake
Music, PremieresOctober 22, 2020<October 22, 2020

Premiere: “Think Twice” Is an Undeniably Fun Stay at the ‘Hotel Fiction’

by Lowndes Commander
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 22, 2020<October 21, 2020

Breaking the Record with Roan Yellowthorn, Part 37: Waiting It Out

by Guest Writer
Music, Reviews, This Just InOctober 21, 2020<October 21, 2020

This Just In: NYIKO Explores the Haunting of Relationships Past in “Ghost in Your Dreams”

by Anthony Kozlowski
Notelle © Derrick Lipschitz
Music, PremieresOctober 21, 2020<October 23, 2020

Premiere: Notelle’s Delicately Raw & Unfiltered Upheaval “Diet Change”

by Mitch Mosk
The Habits © Ian Baca
Features, Music, Premieres, Reviews, Track-by-TrackOctober 21, 2020<October 21, 2020

Artist to Watch: The Habits Ignite with Electric Energy in New EP ‘What’s the Worst That Could Happen?’

by Mitch Mosk
IDLES © Nwaka Okparaeke
Features, Interviews, MusicOctober 21, 2020<October 21, 2020

Interview: IDLES’ Joe Talbot Musters the Strength for Us All to Go On

by Oliver Crook
Yuika © 2020
Columns, Music, Today's SongOctober 21, 2020<October 21, 2020

Today’s Song: Yuika’s “Petty” Revels in the Honesty of Self-Acceptance

by Harper Beattie
Megan Diana © Ryan Maher
Music, PremieresOctober 20, 2020<October 20, 2020

Premiere: Megan Diana’s Heated “Cabin Fever” Is a Visceral Wash of Isolation & Introspection

by Mitch Mosk
Lorana © Arthur Coppens
Features, Interviews, MusicOctober 20, 2020<January 13, 2021

Conceptual Art and Homemade Samples: A Conversation with Lorana

by Alicia Bugallo
Rumour Mill © Maia DeHaan
Music, Music Videos, PremieresOctober 20, 2020<October 20, 2020

Premiere: Rumour Mill Blend Grace & Movement with Poignant Folk in “Wake Me Up” Video

by Mitch Mosk
Music, ReviewsOctober 20, 2020<October 20, 2020

Review: SPAZA’s UPRIZE! is a Soundtrack to Upheaval & Hope

by Adrian Vargas
G Flip © 2020
Interviews, Music, Music Videos, PremieresOctober 20, 2020<November 15, 2020

Interview: Melbourne’s G Flip on Her Passionate & Unapologetic LGBTQIA+ Love Anthem “You & I”

by Mitch Mosk
Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

by Jordan Catagnus
Columns, Music, Today's SongOctober 19, 2020<October 18, 2020

Today’s Song: “The Valley” is a dynamic preview of Thou and Emma Ruth Rundle’s ‘May Your Chambers Be Full’

by Danny Vagnoni
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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