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The Drives © Geffen Schichor 2
Columns, Music, Today's SongNovember 17, 2020<October 27, 2021

Today’s Song: The Drives’ Dynamic “All This Boredom” Is Anything But…

by Mitch Mosk
Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

by Josh Weiner
iDKHOW © 2020
Debut, Features, Music, Reviews, Track-by-TrackNovember 17, 2020<November 17, 2020

‘Razzmatazz’ & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album

by Mitch Mosk
Molly Moore
Interviews, MusicNovember 17, 2020<November 17, 2020

Interview: Molly Moore Explains How She Embraced Her Weaknesses with “Voice On The Internet”

by Dimitra Gurduiala
Elizabeth Moen © Elly Hofmaier
Music, PremieresNovember 17, 2020<November 17, 2020

Premiere: Processing Painful Emotions with Elizabeth Moen’s Delicate Folk Song, “It’ll Get Tired Too”

by Mitch Mosk
Interviews, MusicNovember 17, 2020<August 16, 2021

Interview: How Danielle Durack Is Redefining Utopia Ahead of Her Upcoming Album ‘No Place’

by Erica Danielle Garcia
Mink's Miracle Medicine © Rich Tarbell
Music, PremieresNovember 17, 2020<November 17, 2020

Premiere: Mink’s Miracle Medicine’s “Beautiful Losers” Is an Entrancing Americana Ode

by Mitch Mosk
Music, ReviewsNovember 16, 2020<November 16, 2020

Review: James Blake Harkens Back to His Roots in ‘Before’ EP

by Maggie McHale
Shacks & Palaces © Adam & Karolina Wallace
Music, PremieresNovember 16, 2020<November 17, 2020

Premiere: Shacks & Palaces’ “God Made You Strange” Is an Anthem of Acceptance, Self-Love, & Ownership

by Mitch Mosk
Meg Myers ©
Interviews, Music, ReviewsNovember 16, 2020<November 16, 2020

Transition & Light in the Darkness: An Interview with Meg Myers

by Frankie Rose
Rama Gu © 2020
Features, Interviews, MusicNovember 16, 2020<November 16, 2020

“It is what it is”: Inside Rama Gu’s Intimate & Vulnerable Indie Folk Debut, ‘The Garden’

by Mitch Mosk
Alex Little & The Suspicious Minds
Music, Music Videos, PremieresNovember 16, 2020<November 16, 2020

Premiere: Driving Down Memory Lane with Alex Little & The Suspicious Minds’ “Across the City”

by Mitch Mosk
Ida Lune - Ida Lune
Debut, Music, Premieres, Track-by-TrackNovember 16, 2020<November 17, 2020

Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut

by Mitch Mosk
Columns, Debut, Music, Today's SongNovember 16, 2020<November 16, 2020

Today’s Song: Peace Chord Creates Unmatched Majesty with Debut “Crescent of Sun”

by Adrian Vargas
flatsound © 2020
Features, Interviews, MusicNovember 16, 2020<December 9, 2024

A Decade Inside: Agoraphobic Musician Behind Flatsound Discusses Art and Mental Health

by Guest Writer
Posts pagination
1 … 377 378 379 380 381 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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