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The Sophomore Series 5
Music, Sophomore SeriesAugust 25, 2020<October 27, 2020

The Sophomore Series: Alabama Shakes’ ‘Sound & Color’ & Baby Keem’s ‘Die For My Bitch’

by Leo Culp
Cedric Noel © Isaac Vallentin
Music, ReviewsAugust 25, 2020<August 24, 2020

Review: Cedric Noel Tackles Loss & Acceptance on Stirring Album ‘Nothing Forever, Everything’

by Oliver Crook
Columns, Music, Today's SongAugust 25, 2020<August 25, 2020

Today’s Song: Jorja Smith Sings Fortitude to Life On “By Any Means”

by Erica Danielle Garcia
Bad Western © 2020
Music, PremieresAugust 25, 2020<August 25, 2020

Premiere: Bad Western Bring Gratitude to Life on Latest Single “Morning Light”

by Erica Danielle Garcia
Azadeh © 2020
Debut, Music, Music Videos, PremieresAugust 25, 2020<August 24, 2020

Premiere: London’s Azadeh Debuts with Intimate Song of Healing, “The Cure”

by Mitch Mosk
How Still The River - Jamie Scott
Features, Music, Reviews, Track-by-TrackAugust 25, 2020<August 24, 2020

Track-by-Track: Jamie Scott Dives into Loss, Longing, & Connection in Stunning Sophomore Album ‘How Still the River’

by Mitch Mosk
Mating Ritual © Kevin Doan
Features, Music, Reviews, Track-by-TrackAugust 24, 2020<August 24, 2020

Track-by-Track: Mating Ritual’s ‘The Bungalow’ Is a Seductive, Groovy Embrace of the Party

by Mitch Mosk
Chris Thile, Goat Rodeo © Josh Goleman 2020
Features, Interviews, MusicAugust 24, 2020<October 6, 2020

Not His First Goat Rodeo: Chris Thile on Supergroup’s Reunion & New Album

by Mariel Fechik
Kaio Mars © Alex Shahmiri
Debut, Interviews, Music, PremieresAugust 24, 2020<August 24, 2020

Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need”

by Mitch Mosk
The Hunting Birds © 2020
Columns, Music, Today's SongAugust 24, 2020<August 24, 2020

Today’s Song: Get in Sync with The Hunting Birds’ Irresistible Anthem “Catch Up”

by Mitch Mosk
Blush - Maya Hawke
Debut, Music, ReviewsAugust 24, 2020<August 24, 2020

Review: The Growing Pains of Maya Hawke’s Debut Album ‘Blush’

by Nicole Almeida
New Age Norms 2 - Cold War Kids
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Wild, Loose, & Deep: Nathan Willett on Why ‘New Age Norms 2′ Is Cold War Kids’ “Best Record” Ever

by Mitch Mosk
Emi Meyer © Ayaka Yamamoto
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Emi Meyer Lets Go to the Groove with “When I Lose Control” ft. Keb’ Mo’

by Mitch Mosk
Atwood Magazine's Weekly Roundup August 21 2020
Columns, Features, Music, Weekly RoundupAugust 21, 2020<August 21, 2020

Atwood Magazine’s Weekly Roundup: August 21, 2020

by Atwood Magazine Staff
Anna Krantz © 2020
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Anna Krantz’s “We Could Be High” Is a Beacon of Light

by Mitch Mosk
Posts pagination
1 … 376 377 378 379 380 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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