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Wild Youth Press Shot
Interviews, Music, PremieresNovember 12, 2020<November 12, 2020

Interview: Diving Into Wild Youth’s Sure Success Song “Through the Phone”

by Bethan Harper
Cry Club © Giulia McGauran
Debut, Features, Music, Premieres, Track-by-TrackNovember 11, 2020<November 11, 2020

Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’

by Mitch Mosk
ólafur arnalds
Features, Interviews, MusicNovember 11, 2020<November 11, 2020

Interview: How Ólafur Arnalds Put His Soul into New Record ‘Some Kind of Peace’

by Dimitra Gurduiala
Leif Vollebekk © Vanessa Heins
Interviews, MusicNovember 11, 2020<November 11, 2020

Bon Iver, Space, and a Country Song Lullaby: An Interview with Leif Vollebekk

by Mitch Mosk
Romy © Vic Lentaigne
Columns, Music, Today's SongNovember 11, 2020<November 11, 2020

Today’s Song: Love and Dance the Night Away with Romy’s “Lifetime”

by Nicole Almeida
Adrianne Lenker © Genesis Baez
Music, ReviewsNovember 11, 2020<November 11, 2020

Review: Adrianne Lenker’s Stunning Double Album ‘songs’ & ‘instrumentals’

by Mariel Fechik
Glded © Elle Ternes
Music, ReviewsNovember 11, 2020<November 10, 2020

Chicago’s Glded Weaves Wistful & Reflective Folktronica Through “Paine” & ‘Moraine’ EP

by Mitch Mosk
Elizabeth Woolf © 2020
Columns, Music, Today's SongNovember 10, 2020<November 10, 2020

Today’s Song: Elizabeth Woolf’s “Party” Is a Cordial Invitation to Smile

by Mitch Mosk
Ember Knight © Sophie Prettyman-Beauchamp
Features, Interviews, Music, PremieresNovember 10, 2020<November 10, 2020

Feature: Ember Knight Reveals the Man Behind the Curtain with Their Intimate Rock Opera ‘CHERYL’

by Sophie Prettyman-Beauchamp
Gus Dapperton © Jess Farran
Features, Interviews, MusicNovember 10, 2020<November 10, 2020

Interview: Gus Dapperton on New Album ‘Orca’ and Having Faith

by Kelly Liu
Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

by Josh Weiner
Frames © 2020
Music, PremieresNovember 10, 2020<November 10, 2020

Romantic Reckoning & Inner Upheaval: Frames’ Intimate Journey Through “Hell”

by Mitch Mosk
Novo Amor © Daniel Alexander Harris & Aline Brant
MusicNovember 9, 2020<November 15, 2020

Feature: Novo Amor Dives into the Shimmering Depths of Breathtaking LP, ‘Cannot Be, Whatsoever’

by Mitch Mosk
Moon Mouth © Greg Fechik & Erick Arias
Columns, Debut, Interviews, Music, Today's SongNovember 9, 2020<November 9, 2020

Interview: Get the Led Out with Chicago’s Moon Mouth and Their Debut Single “Ghost”

by Mitch Mosk
TALIA © Jessica Eu
MusicNovember 9, 2020<November 9, 2020

Premiere: Daydreaming of Love & Sunlight with TALIA’s “hyde park”

by Dalia
Posts pagination
1 … 379 380 381 382 383 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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