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Evelyn Cools © Tye Edwards
Music, Music Videos, PremieresOctober 6, 2020<October 8, 2020

Premiere: NYC’s Evelyn Cools Finds Belonging & Home in “Misfit Paradise”

by Mitch Mosk
Caiola © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: The Tender, Driving Nuance of Caiola’s Debut ‘Only Real When Shared’

by Mitch Mosk
Ferris & Sylvester © Felix Bartlett
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Hungry, Hopeful, & True: Ferris & Sylvester Dive into Their ‘I Should Be on a Train’ EP

by Mitch Mosk
9
Music, Our Take, ReviewsOctober 5, 2020<December 15, 2020

Our Take: Ghostpoet’s Doom-Laden Dreariness Captures the 2020 Mood on ‘I Grow Tired But Dare Not Fall Asleep’

by Adam Davidson
FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

by Emily Frances Algar
Blackout Balter © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: Nashville’s Blackout Balter Seize the Moment on Visceral Debut Album ‘Animal’

by Mitch Mosk
Columns, Music, Today's SongOctober 5, 2020<October 5, 2020

Today’s Song: Glüme Has Crafted a Dream-Laced Ambrosia with Latest Single “Come Softly To Me”

by Adrian Vargas
ViVii © Alexander Antser
Music, Music Videos, PremieresOctober 5, 2020<October 5, 2020

Stockholm’s ViVii Enchant with Ethereal, Exhilarating “Summer of 99” & “Whistle” Video

by Mitch Mosk
Columns, Music, Today's SongOctober 3, 2020<October 3, 2020

Today’s Song: TOYGIRL Write a Love Song for Whoever Is in Your Heart on “Poison”

by Oliver Crook
Christinna O © Kenya Naomi
Columns, Music, Today's SongOctober 3, 2020<November 3, 2020

Today’s Song: Christinna O Weaves Cultural Traditions with Universal Sentiments in “Braided”

by Frankie Rose
Bright Eyes © Danny Cohen
Features, Interviews, MusicOctober 2, 2020<December 22, 2020

Forming Emotion Through Atmosphere: An Interview with Bright Eyes

by Frankie Rose
Features, Interviews, Music, Track-by-TrackOctober 2, 2020<November 15, 2020

Theatrical, Emotional, & Badass: Kelsy Karter Dives into Debut Album ‘Missing Person’

by Mitch Mosk
Personal History by Ailbhe Reddy
Debut, Features, Interviews, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

Feature: Ailbhe Reddy’s ‘Personal History’ Is a Breathtaking Plunge into Vulnerable Depths

by Mitch Mosk
COIN band music 2020
Interviews, MusicOctober 2, 2020<October 2, 2020

“Sincere Meets Aggressive”: COIN’s Chase Lawrence on the Band’s Intimate Upheaval, “You Are the Traffic”

by Mitch Mosk
Atwood Magazine's Weekly Roundup October 2 2020
Columns, Features, Music, Weekly RoundupOctober 2, 2020<October 13, 2020

Atwood Magazine’s Weekly Roundup: October 2, 2020

by Atwood Magazine Staff
Posts pagination
1 … 379 380 381 382 383 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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