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Music, ReviewsNovember 23, 2020<November 23, 2020

Review: The Millennial Club Find Themselves in Riveting & Reflective EP ‘Summer Nights’

by Erica Danielle Garcia
Ginger Root © Cameron Lew
Features, Interviews, MusicNovember 23, 2020<November 23, 2020

Interview: Time Marches on with Ginger Root’s Third Album, ‘Rikki’

by Jesse Herb
Debut, Music, ReviewsNovember 23, 2020<November 23, 2020

Review: BK Pepper Creates Sprawling Musical Landscapes with Debut ‘Territories’

by Adrian Vargas
Home Team - Creature Comfort
Music, Reviews, Track-by-TrackNovember 23, 2020<November 23, 2020

Track-by-Track: Creature Comfort Root for the ‘Home Team’ on Sweeping Sophomore Album

by Mitch Mosk
Burs © 2020
Music, PremieresNovember 23, 2020<November 23, 2020

Premiere: Burs Mull Over the Difference Between Hearing & Being Heard on “Is This Thing On”

by Nick Matthopoulos
Columns, Features, Music, Weekly RoundupNovember 20, 2020<December 4, 2020

Atwood Magazine’s Weekly Roundup: November 20, 2020!

by Atwood Magazine Staff
Fox Academy © 2020
Columns, Music, Today's SongNovember 20, 2020<November 20, 2020

Today’s Song: Fox Academy’s “Luck” Locates the State of the World

by Kelly Liu
Elsa Birgitta Bekman © 2020 8.6
Debut, Music, Our Take, Reviews, Track-by-TrackNovember 20, 2020<December 15, 2020

Track-by-Track: Elsa Birgitta Bekman’s Cinematic & Graceful Debut Album ‘Once in My Life’

by Mitch Mosk
Remedy - Hannah Grace
Debut, Features, Music, Reviews, Track-by-TrackNovember 20, 2020<November 20, 2020

Track-by-Track: Hannah Grace’s Stunning Debut Album Is Her Homemade ‘Remedy’

by Mitch Mosk
The End Is New - The Suitcase Junket
Features, Interviews, Music, Track-by-TrackNovember 20, 2020<December 19, 2020

“Doom Folk Rock”: The Suitcase Junket Weaves Hope & Desperation into ‘The End Is New’

by Mitch Mosk
honey ep - Artemis Orion
Debut, Music, PremieresNovember 20, 2020<November 20, 2020

Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’

by Emily Frances Algar
Breaking The Record 2020
Breaking the Record, Columns, MusicNovember 20, 2020<November 20, 2020

Breaking the Record with Roan Yellowthorn, Part 41: I’m Enough

by Guest Writer
Luca Fogale - Nothing is Lost Cover
Music, Reviews, Track-by-TrackNovember 19, 2020<August 27, 2025

Searching for Meaning: Luca Fogale Unveils His Intimate 2nd Album ‘Nothing Is Lost’

by Mitch Mosk
Mamalarky © Sara Cath
Interviews, MusicNovember 19, 2020<November 19, 2020

“Will It Blend?”: Inside Mamalarky’s Two-Year Quest to Craft the Perfect Overdubs

by Guest Writer
Survive with Me - Michael Flynn
Features, Interviews, Music, Reviews, Track-by-TrackNovember 19, 2020<November 20, 2020

“Songsmith, Meet Apocalypse”: Michael Flynn’s Enchanting & Dire 3rd Solo Record ‘Survive with Me’

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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