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Julietta © Brett Kincaid
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: Julietta Turns Resilience into Inspiration on Latest Single “Gotta Get Up”

by Erica Danielle Garcia
Chinwe © 2020
Music, PremieresAugust 18, 2020<March 15, 2024

Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence

by Mitch Mosk
The Hails © Kat DeBarros
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat”

by Mitch Mosk
Madelline © Betsy May Smith
Music, Music Videos, PremieresAugust 18, 2020<August 18, 2020

Premiere: Madelline Stands Up for Herself in “On a Different Wave!”, a Wake Up Call to Those Who Dragged Her Down

by Alicia Bugallo
Racism on Trial © Jammcard
Concerts, Music, ReviewsAugust 18, 2020<August 18, 2020

Review: Terrace Martin, Denzel Curry, & Kamasi Washington’s Protest Masterpiece ‘Racism on Trial’

by Mariel Fechik
Big Words © Wilhelm Philipp
Interviews, MusicAugust 17, 2020<August 17, 2020

Interview with Big Words: New Mixtape Is the “Cherry” on Top of Impressive Start for Australian Alt-R&B Duo

by Josh Weiner
Columns, Music, Today's SongAugust 17, 2020<August 17, 2020

Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In”

by Oliver Crook
Softee © Alex Hass
Features, Interviews, Music, Music VideosAugust 14, 2020<August 14, 2020

A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen

by Nicole Almeida
Fantastic Negrito © Peter Koudstaal
Features, Interviews, MusicAugust 14, 2020<August 14, 2020

Power, Race, and Positivity: A Conversation with Fantastic Negrito

by Ilana Kalish
Columns, Music, Today's SongAugust 14, 2020<August 14, 2020

Today’s Song: Marie Naffah’s “The Cage” Offers a Summery Tune to Groove To

by Adrian Vargas
Columns, Music, Weekly RoundupAugust 14, 2020<August 14, 2020

Atwood Magazine’s Weekly Roundup: August 14, 2020

by Atwood Magazine Staff
Editorials, Music, ReviewsAugust 13, 2020<August 13, 2020

Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’

by Ryan Feyre
Holly Humberstone © Phoebe Fox
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2020<August 14, 2020

“Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’

by Mitch Mosk
Worthitpurchase © Noah Beaty
Debut, Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Worthitpurchase Deal with the Pain of Being Nostalgic on Debut “Dizzy Age”

by Nick Matthopoulos
Yukon Blonde © 2020
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream

by Mitch Mosk
Posts pagination
1 … 378 379 380 381 382 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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