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Music, ReviewsOctober 13, 2020<October 13, 2020

Review: Rilo Kiley’s Reissue of Self-Titled Debut Proves Its Innate Timeless Charm

by Kelly Liu
Nectar- Joji
Music, ReviewsOctober 13, 2020<October 13, 2020

Review: A Look Inside Joji’s Artistic Manifesto, His Second Album ‘Nectar’

by Dimitra Gurduiala
Lake Saint Daniel © Danny Hoshino
Debut, Features, Interviews, MusicOctober 13, 2020<November 15, 2020

Sweet, Smooth, & Sad: Lake Saint Daniel’s Reflective & Stirring Solo Debut, ‘Good Things’

by Mitch Mosk
Remover - Darren Jessee
Features, Interviews, Music, PremieresOctober 13, 2020<March 27, 2023

Swoon, Deep, & Real: Darren Jessee’s ‘Remover’ Is a Tender, Quiet Tempest

by Mitch Mosk
Come Give Me Love - First Aid Kit
Columns, Music, Today's SongOctober 13, 2020<October 12, 2020

Today’s Song: Blast First Aid Kit’s ”Come Give Me Love” Cover from the Rooftops

by Ilana Kalish
Nisa © 2020
Music, PremieresOctober 13, 2020<October 12, 2020

Premiere: NYC’s Nisa Shares Blame on Indie Pop Stomper “Common Denominator”

by Ethan James
Luka Kuplowsky © Melissa Richards
Features, Music, Reviews, Track-by-TrackOctober 12, 2020<October 12, 2020

Kaurismaki, Miyazaki, Cocteau: Luka Kuplowsky Embraces Sound & Space in ‘Stardust’

by Mitch Mosk
Features, Interviews, MusicOctober 12, 2020<March 5, 2021

Turning Adversity Into Greatness: A Conversation with Cory Wong

by Adrian Vargas
Songs from After So Many Days - Jim and Sam
Debut, Features, Music, Reviews, Track-by-TrackOctober 12, 2020<October 12, 2020

Anywhere, Everywhere, Everyday: Jim and Sam Dive into Debut Album ‘Songs from After So Many Days’

by Mitch Mosk
The Heavy Hours © 2020
Music, Music Videos, PremieresOctober 12, 2020<October 12, 2020

Premiere: Cincinnati’s The Heavy Hours Embrace a Heartfelt, Stinging “Ache” in Poignant Power Ballad

by Mitch Mosk
Taylor DeBlock © Paul Weaver
Columns, Music, Today's SongOctober 12, 2020<October 12, 2020

Today’s Song: Taylor DeBlock’s “Necesitas” Radiates Red-Hot Intensity and a Lovesick Sentiment

by Chloe Robinson
Post Fear © Thea Krulwich
Music, PremieresOctober 12, 2020<October 11, 2020

Premiere: Self-Identity & Raw Indie Rock Flow Through Post Fear’s New Single, “Feels So Familiar”

by Mitch Mosk
Features, Interviews, Music, ReviewsOctober 12, 2020<October 12, 2020

Feature: ‘Sundry Rock Song Stock’ Presents Yves Jarvis as Canada’s Next Great Folk Star

by Oliver Crook
Juletta and Ishan © Alison Dias
Music, PremieresOctober 12, 2020<October 12, 2020

Premiere: Juletta + Ishan Trust Their Instincts on New Single “Gut Feeling” Off Joint Album, ‘If I Never Hit Land’

by Erica Danielle Garcia
Columns, Features, Music, Weekly RoundupOctober 9, 2020<October 9, 2020

Atwood Magazine’s Weekly Roundup: October 9, 2020

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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