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Interviews, MusicAugust 26, 2020<March 2, 2025

Honouring the Heritage of the Blues: An Interview with Jazz Artist Jyoti (Georgia Anne Muldrow)

by Nina Schaarschmidt
The Brothers Landau © 2020
Music, Premieres, ReviewsAugust 26, 2020<August 25, 2020

EP Premiere: The Brothers Landau Inject Serenity & Light into ‘Haven’t Got a Name’

by Mitch Mosk
The Wailers © 2020
Features, Interviews, MusicAugust 26, 2020<August 26, 2020

Interview with The Wailers: Bob Marley’s Old Companions Deliver Their 21st Century Debut, ‘One World’

by Josh Weiner
Michael Baker © 2020
Music, PremieresAugust 26, 2020<August 26, 2020

Premiere: Michael Baker’s Haunting & Hopeful “Caught in the Crossfire”

by Mitch Mosk
Annika Rose © Aaron Sinclair
Features, Interviews, MusicAugust 26, 2020<August 25, 2020

Interview: Annika Rose Continues to Courageously Admit Her Fears in Latest Single “Butterflies”

by Chloe Robinson
Dominic Fike © Daniel Prakopcyk
Columns, Music, Today's SongAugust 26, 2020<August 25, 2020

Today’s Song: Dominic Fike Wants to Know If You’ve Ever Wondered “Why”

by Lowndes Commander
Marsicans © Sodium Films 9
Debut, Features, Interviews, Music, Our Take, ReviewsAugust 25, 2020<December 15, 2020

Feature: Marsicans on the Explosive Energy & Pure Passion of Debut Album ‘Ursa Major’

by Mitch Mosk
Thank You, I'm Sorry
Columns, Music, ReviewsAugust 25, 2020<August 25, 2020

Review: Thank You, I’m Sorry Spill Their Guts on ‘I’m Glad We’re Friends’

by James Crowley
Features, Interviews, MusicAugust 25, 2020<August 25, 2020

Interview with Busty and the Bass: Nostalgia & New Album ‘Eddie’ Under Summer Skies

by Dalia
The Sophomore Series 5
Music, Sophomore SeriesAugust 25, 2020<October 27, 2020

The Sophomore Series: Alabama Shakes’ ‘Sound & Color’ & Baby Keem’s ‘Die For My Bitch’

by Leo Culp
Cedric Noel © Isaac Vallentin
Music, ReviewsAugust 25, 2020<August 24, 2020

Review: Cedric Noel Tackles Loss & Acceptance on Stirring Album ‘Nothing Forever, Everything’

by Oliver Crook
Columns, Music, Today's SongAugust 25, 2020<August 25, 2020

Today’s Song: Jorja Smith Sings Fortitude to Life On “By Any Means”

by Erica Danielle Garcia
Bad Western © 2020
Music, PremieresAugust 25, 2020<August 25, 2020

Premiere: Bad Western Bring Gratitude to Life on Latest Single “Morning Light”

by Erica Danielle Garcia
Azadeh © 2020
Debut, Music, Music Videos, PremieresAugust 25, 2020<August 24, 2020

Premiere: London’s Azadeh Debuts with Intimate Song of Healing, “The Cure”

by Mitch Mosk
How Still The River - Jamie Scott
Features, Music, Reviews, Track-by-TrackAugust 25, 2020<August 24, 2020

Track-by-Track: Jamie Scott Dives into Loss, Longing, & Connection in Stunning Sophomore Album ‘How Still the River’

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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