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Izzy Outerspace "Closer" © 2025
Music, Music Videos, PremieresNovember 20, 2025<November 20, 2025

“If You’re Still Here, I Offer You the World”: Izzy Outerspace Unleashes a Dramatic, Impassioned, & Turbulent Reckoning on “Closer”

by Mitch Mosk
Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

by Kayleigh Schweiker
Josaleigh Pollett © PJ Guinto
Editorials, MusicNovember 20, 2025<November 20, 2025

“Protection, Memory, & the Pink Glow of ‘Radio Player’”: An Essay by Josaleigh Pollett

by Guest Writer
Marilyn Hucek 'MARILYN' © 2025
Debut, Music, ReviewsNovember 20, 2025<November 20, 2025

The ‘MARILYN’ Debut: Love, Loss, and Chasing Dreams with Marilyn Hucek

by Kelly McCafferty Dorogy
Charli xcx "House" © Paul Kooiker
Columns, Music, Today's SongNovember 20, 2025<November 20, 2025

“Let It Be Perfect”: Charli xcx’s “House featuring John Cale” and Creative Burnout

by Juls Patterson
Elliott Skinner © Hashim Musa
Artist to Watch, Interviews, MusicNovember 19, 2025<November 24, 2025

“I Don’t Want Another Fantasy”: Elliott Skinner Channels Light, Lineage, & a Quiet Reckoning on “RECALLING”

by Mitch Mosk
Madilyn Mei 'A Thousand Songs About It All: Act 1' © Emily Minerowicz
Features, Interviews, MusicNovember 19, 2025<November 19, 2025

Madilyn Mei’s One-Man Circus: Queer Joy, Clown Costumes, & 1000 Songs About Everything

by Nicolle Knapová
The Aces 'Gold Star Baby' © Dana Trippe
Concerts, Music, ReviewsNovember 19, 2025<November 19, 2025

Live Review: The Aces Earn Their Gold Star, Baby with Electric New York City Concert

by Julia Dzurillay
Hilary Duff "Mature" © Lauren Dunn
Columns, Music, Today's SongNovember 19, 2025<November 19, 2025

Today’s Song: Hilary Duff Got Older & Wiser – and Wrote About It in “Mature”

by Danielle Holian
Good Kid © Evie Maynes
Columns, Interviews, Music, Today's SongNovember 17, 2025<November 19, 2025

Interview: Good Kid on Vulnerability, Community, & Independence on “Wall”

by Rachel Leong
Atwood Magazine's 137th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 14, 2025<November 14, 2025

Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner!

by Mitch Mosk
Black Country, New Road © Eddie Whelan
Features, Interviews, MusicNovember 14, 2025<November 14, 2025

“Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together

by Mitch Mosk
Izzy Escobar © Michael Greco
Interviews, MusicNovember 14, 2025<November 14, 2025

“I’m Just Writing What Feels Real”: Izzy Escobar Shines With Honest, Heartfelt Pop on ‘Sunny in London’ EP

by Michael Greco
Evan Honer 'Everything I Wanted' © Harrison Hargrave
Features, Interviews, MusicNovember 14, 2025<December 14, 2025

“Electric, Chronological, & Real”: Evan Honer Reflects on ‘Everything I Wanted’ and Finding Joy on the Open Road

by Ashley Littlefield
Buick Audra © Anna Haas
Editorials, MusicNovember 14, 2025<November 14, 2025

“It’s Not Mine I Carry Around”: An Essay by Buick Audra of Friendship Commanders

by Guest Writer
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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