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Kim Petras © 2026
Features, Music, ReviewsMarch 10, 2026<March 10, 2026

With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound”

by Guest Writer
Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning © Emil Gentes
Interviews, Music, Today's SongMarch 10, 2026<March 10, 2026

“Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning

by Mitch Mosk
Atwood Magazine's 149th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 9, 2026<March 9, 2026

Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows!

by Mitch Mosk
Almost Heaven © Kylie Bly
Debut, Features, Interviews, MusicMarch 9, 2026<March 10, 2026

“We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’

by Mitch Mosk
Rosina Buck
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day

by Guest Writer
Sailing Stones © 2026
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“The Mercurial, Missing Music of Motherhood”: An Essay by Sailing Stones for International Women’s Day

by Guest Writer
“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day

by Guest Writer
John-Robert © Jon Alan
Columns, Music, Today's SongMarch 8, 2026<March 8, 2026

John-Robert’s “Anna” Brings Back the Art of Crushing – and the Thrill That Comes With It

by Miranda Urbanczyk
Desert Collider © Andrea Casagranda
Columns, Music, Today's SongMarch 7, 2026<March 7, 2026

Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”

by Will Yarbrough
David Kennan © Rob Benson
Features, Interviews, MusicMarch 6, 2026<March 9, 2026

“We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’

by Damien Joyce
Dogpark © Ilona Donovan
Features, Interviews, MusicMarch 6, 2026<March 6, 2026

“Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’

by Miranda Urbanczyk
Gabi Hartmann © Elsa Parra
Features, Interviews, Music, Today's SongMarch 6, 2026<March 6, 2026

“I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound

by Mitch Mosk
Ava Della Pietra "3am" © Georgia Nerheim
Music, Music Videos, PremieresMarch 5, 2026<March 23, 2026

“Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity

by Mitch Mosk
MisterWives' Mandy Lee Is Cherry Bomb - "Never Be Me" © Matty Vogel
Debut, Interviews, Music, Today's SongMarch 5, 2026<March 5, 2026

“A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)”

by Mitch Mosk
Feaster "Gene"
Music, PremieresMarch 4, 2026<March 4, 2026

“Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”

by Mitch Mosk
Posts pagination
1 … 4 5 6 7 8 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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